Tag Archives: ridges

Gullies in Soft Light #2

Gullies in Soft Light #2
“Gullies in Soft Light #2” — Eroded gullies and ridges in soft light, Zabriskie Point.

In the right light (and perhaps with a certain amount of post-processing) the geological patterns in a place like this can be drawn out and emphasized. But most of the time they are rather subtle, with pastel colors and low levels of contrast. This is especially true early and late in the day when the formations are not in direct sunlight. In this series of photographs from Zabriskie Point I decided to embrace the low contrast light and allow subtleties of shape, texture, and color to predominate.

Previously I mentioned that I ended up here because in the predawn twilight I thought I saw the potential for a spectacular sunrise sky. You cannot predict such things with certainty, and this time the colors did not develop as I hoped. Since I was there and set up to make photographs, I decided to use a long lens and focus on smaller details of this area’s landscape.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Lake, Ridges, and Haze

Lake, Ridges, and Haze
“Lake, Ridges, and Haze” — Hazy morning light on ridges, cliffs, and a subalpine lake, Sierra Nevada.

It is fair to say that I got a lot of photographic mileage out of this view during our stay here a few years back. I’ve shared numerous photographs of it, though in different formats, times of day, and conditions. Despite the presence of so much other visual material, it dominated our consciousness. I suppose that part of the reason is that it was within minutes of our campsite, but it is a remarkable setting, too.

I photographed this version in the morning. At the start of our visit we had quite a lot of rain, but that diminished later on, and the sky was mostly clear on this day. The view looks roughly northeast, so the sun was just clearing the ridges out of the frame to the right. This light, coming in at an angle, illuminated the atmospheric haze and emphasized the atmospheric recession of more distant ridges. It also produced what almost looks like rim light on the exposed places on the face at the left.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Curving Coastline, Fog

Curving Coastline, Fog
“Curving Coastline,Fog” — Successive ridges drop to the Pacific Ocean in fog along the rugged Big Sur Coast.

The Big Sur Coast seems to strtch on forever, with rugged mountains dropping precipitously into the Pacific Ocean. Ridges are separated by small valleys, and a drive along the Pacific Coast Highway often follows a pattern of turning inland to cross a valley and then turning toward the ocean to cross another ridge. And from high on these ridges the views are usually spectacular, taking in great expanses of that coast and Pacific Ocean panoramas.

A combination of characteristics makes this area quite “photographable” outside of the favored very early and very late hours. The coast trends from northwest to southeast, so as midday approaches the sun can be right above the coast, providing backlight that highlights the receding ridges. (A bit later its light reflects off the water.) And often the morning fog has cleared but left a bit of haze behind, and on the best days it glows luminously.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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A Storm Approaches

A Storm Approaches
“A Storm Approaches” — Forest trees stand in sunlight while distant ridges are darkened by the clouds of an approaching Sierra storm.

At first look this might just seem like a photograph of a row of trees. It is late in the day, and the warm light lends color to this forest at Tuolumne Meadows, and it looks like a pleasant early evening. But that bluish strip at the top of the frame tells a different story. Look closely and you can make out a peak, and the peak is backed by higher peaks that are partially obscured by the dark clouds from an incoming storm.

We hear all the time that photography is about light, and there’s truth to that claim. (I would hold that it isn’t always “just” about light, but subjects usually benefit a lot from wonderful light.) One of my favorite situations is the one shown here — something nearby in lovely, warm light, but in the background a darker and more dramatic effect.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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