A few years ago three of us explored a long section of narrow canyon in Utah, looking for photographs in this rich landscape. We started in a broad valley where a stream flowed between low hills, but soon the walls rose and steepened and the valley narrowed, and we found ourselves following a creek. The canyon was alternately wide and then narrow and constricted.
Continue reading Autumn Trees, Canyon Wall
There is something. a little unusual about this post. I didn’t pick this photograph so much for aesthetic reasons as for its inclusion of some fascinating features in this part of Death Valley. Let’s start with the obvious. There are desert gold wildflowers in the foreground, but if you look closely you can see many more of them across this broad Vally on the dark hillside. Keep reading to learn something about that hillside.
Continue reading Southern Death Valley
this photograph comes from a trip to Utah and Zion National Park over a dozen years ago. It is also another of my “lost and found” photographs — from a file that has languished in my raw file archives since that time. I think I may have left it behind after working up a different photograph of the same cliff.
This is a classic Utah red rock canyon scene, with bright green trees (just barely starting to take on autumn colors) at the base of red rock cliffs. I love how the red and green stand out against one another. As I’ve said before, this Sierra Nevada guy, after a visit to Utah, always feels like the gray rock of his “home range” looks a bit… bland.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.
This seemed to me like a particularly picturesque curve in the Leie River though the old section of Ghent, Belgium. Although the sky suggests partly sunny light, it remained a bit overcast where we were, thus the very soft light in this photograph. This is a busy place, and there were not a lot of opportunities to photograph just one or two people in this scene.
We were only in Ghent briefly — we took a train there from Brussels for the day. We spent the day walking around the center of the city, where there are many old buildings and perhaps one of the greatest concentrations of church spires I have seen. I made the photograph as we walked a bridge connecting the two sides of the river.
Leave a comment or question using the form. (If you are reading this on the home page, click the article title to see the full article and the comment form.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email
All media © Copyright G Dan Mitchell and others.