Tag Archives: rock

Red Rock, Tree

Red Rock, Tree
A tree grows among eroded sandstone formations, Bryce Canyon National Park

Red Rock, Tree. Bryce Canyon National Park, Utah. October 6, 2012. © Copyright 2017 G Dan Mitchell – all rights reserved.

A tree grows among eroded sandstone formations, Bryce Canyon National Park

Recently I spent some time going back through older photographs from some visits to the Southwest, notably Utah, a few years back. I suspect that three things provoked me to do this. First, I have found that I’m not always able to completely understand my own photographs right away. Some are obviously “keepers” from the very beginning, but others only make sense after I have not looked at them for a while — so I build this periodic visit to older subjects into my workflow. Secondly, I love the Utah landscape, from its most intimate to its grandest subjects. It is a place I think about a lot, and a place that I would like to revisit often. Third, I’m acutely aware of the existential dangers to this very landscape posed by the ascendance of short-sighted, self-interested, hyper-partisan political forces in Utah right now. As a matter of principle, I have decided to not visit that state until their representatives stop trying to ruin it. (I urge you to consider contributions to the Southern Utah Wilderness Alliance or other local groups working to protect Utah’s public lands for all Americans, and to join me in boycotting the state for now.)

This photograph comes from Bryce Canyon National Park, a place of great beauties… that I still haven’t quite gotten my mind around. The rugged red formations facing the rising sun certainly present a striking appearance, but working from along the main road and its offshoots I still haven’t found my vision of the place. Oddly, some of my strongest visual recollections of the place are looking back at it from the east and from a great distance. In this photograph a single small tree peeks out from behind some of the sandstone structures.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Trees, Snowy Ledge

Trees, Snowy Ledge, Yosemite Valley
“Trees, Snowy Ledge” — Trees grow on a snowy ledge below Glacier Point

The cliffs and spires of Yosemite Valley — and not always the most iconic among them — fascinate me. While there is only one Half Dome, there are uncounted intimate vignettes of ridge, ledge, spire, light, texture, color, and atmosphere everywhere — where the cliffs meet the canyon floor, up these giant walls, and along the rim of the Valley. The variety is astonishing — something that is uninteresting in one kind of light may glow in another, what appears as a featureless face in summer may acquire relief when there is snow, changing light color brings colors out of what might otherwise seem entirely gray.

In February a spent a couple of very early (and very cold!) mornings contemplating one specific area of the Valley, staring upwards as the bluish pre-dawn glow was transformed as light came to the sky and then as beams of sunlight slanted across the granite faces and ledges. On both mornings I photographed this subject — a pair of taller trees flanked by smaller trees and brush and a dead snag, and set against a particularly varied bit of cliff texture and color.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Cliff Detail

Cliff Detail
A section of a Yosemite Valley cliff

Cliff Detail. Yosemite National Park, California. February 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A section of a Yosemite Valley cliff

I was in Yosemite Valley for the weekend, initially for the opening reception for the Yosemite Renaissance 32 exhibit in the Yosemite Museum Gallery next to the Visitor Center. Friday was all about the exhibit — the wonderful reception and then afterwards with my many friends among the artists in the show and others artists who have a connection to the event. This was also the seasonal peak of the annual Horsetail Fall excitement, a phenomenon that brings hordes of people to a couple of small areas… but consequently brings a degree of solitude and quiet to many other parts of the Valley.

In any case, my visit was also an excuse for photography. On my last morning there I was up an out in the 17 degree chill before sunrise. I headed to a nearby clear area from which I had an unobstructed view of some of the mighty cliffs. As I photographed I alternated between subjects that were typical landscape material — trees on ledges, morning light slanting across granite, snow and ice — and more abstract images focusing a sort of disembodied landscape and isolation striking bits of pattern and color high on the cliff walls.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cedar Breaks, Evening

Cedar Breaks, Evening
Soft evening light on the formations of Cedar Breaks National Monument

Cedar Breaks, Evening. Cedar Breaks National Monument, Utah. October 5, 2010. © Copyright 2017 G Dan Mitchell – all rights reserved.

Soft evening light on the formations of Cedar Breaks National Monument

This was only my second photography trip to Utah — the first had been not long before this when we visited in spring. (When I was very young, my family used to drive through Utah on trips between California and the Midwest, but I was hardly aware of the landscape.) This time we aimed for autumn, leaving the eastern Sierra at the beginning of October and heading across Nevada (not the usual route!) to western Utah and staying near Cedar Breaks National Monument for a few days at the start of our visit.

I did not know much about Cedar Breaks, and one thing that surprised me was the abrupt break between the wildly colorful and sculpted pink rock of the canyon and the flat and relatively plain high country to the east. A road travels along this boundary, and it took me a while to figure out how to photograph the area — the high flatlands seemed plain and the canyon dropped away into the western light. But that light from the west turned out to be the key. Near the end of our visit we were along the southern edge of the chasm late in the day when high, thin clouds softened that light from the west, and from here, rather than photographing straight into it, I could focus on the textures and colors made visible by the light sweeping across from the left.

As you consider this beautiful scene, also consider that such areas in Utah are currently threatened by radical anti-environmental Utah politicians who seem hell-bent on giving away our shared public lands to special interest extraction industries. It is simply astonishing that people who live in a place of such beauty could be so blind to it. Consider supporting the Southern Utah Wilderness Alliance in their work to defend these treasures.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.