Tag Archives: rock

Talus, Cliff, Shoreline

Talus, Cliff, Shoreline
A talus field of giant boulders tumbles to the edge of an alpine lake at the foot of a cliff

Talus, Cliff, Shoreline. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field of giant boulders tumbles to the edge of an alpine lake at the foot of a cliff

There are multiple ways to look at this photograph. One is to think of it as a record of a specific place at a particular time. That is perhaps important to me and to the others with whom I shared this week in the Sierra Nevada backcountry, but I think it is far less important to others who may view it. Another way to view it is as an example of a particular kind of landscape — the subalpine terrain of the eastern slope of this mountain range — and to note the cliff face at the left, the base of the talus field that reaches to the shoreline, and the lake itself. Sierra travelers probably have their own collection of memories of similar places.

A third way to view it is to try to step back from the seeming objective reality of location and subject, and to try to look at it as a structure of colors and forms and textures. This isn’t always easy, and it perhaps it isn’t for every viewer… though the elements mirrored in the reflective surface of the lake may encourage a viewer to try. In fact, this gets a little closer to how I see such things and such places. Yes, I do respond to them a real locations and as examples of the Sierra terrain I love. However, in most cases that isn’t enough for a photograph, at least not to me. I’m always looking for shape and texture and color and relationships in these subjects. (Of the recent photographs of talus slopes, water, and soft light, this may be my current favorite.)


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Outcropping, Reflection

Outcropping, Reflection
A shoreline granite outcropping is reflected in the still surface of a subalpine lake

Outcropping, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A shoreline granite outcropping is reflected in the still surface of a subalpine lake

I have recently written about and shared a few images from this summer’s 9-day Sierra backcountry photographic adventure. The short story is that a group of us, as we do every year, headed into a backcountry location, set up a base camp, and photographed the surroundings for about a week. The “founders” of the group have been doing this for close to two decades — I gradually became part of the group about a decade ago or so.

One of the many advantages of working this way — setting up a base camp and working outwards from it — is that we can more thoroughly explore and photograph the surrounding area. When backpacking I would mostly pass through locations, rarely staying for more than a night. This gave me an evening and a morning, but with a base camp I can can “work” an area for a full week, often returning to a location to find better conditions. This year our camp was within a short walk of many small, intimate lakes. The daily question was often, “Which lake this time?” I visited the lake in this photograph several times, and each time learned more about it. On this occasion, in the evening, the water was still and reflected the form of the granite outcropping on the other side of the lake.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cliff Face, Detail

Cliff Face, Detail
Abstract forms and colors of a weathered and stained Sierra Nevada cliff

Cliff Face, Detail. © Copyright 2018 G Dan Mitchell – all rights reserved.

Abstract forms and colors of a weathered and stained Sierra Nevada cliff

As I do almost every summer, I headed into the Sierra Nevada backcountry with a group of friends and photographers over the past week and a half of so. The group has been doing this since about 2001, and I began to work with them nearly a decade ago, eventually moving from showing up as a solo backpacker for a few days to participating fully in the visits. Typically we get packed in to a location with lots of photographic possibilities — a pack string brings in a lot of the gear, while we typically carry in our camera equipment. Once set up we can “work” the surroundings intensively, looking more deeply into the landscape and viewing it in various conditions and light. This provides us with special opportunities to learn the nearby landscape more intimately than if we were just passing through or hiking in and out each day. Equally important, as we live and work together for a week we form a very special little photographic community.

This year we were (again) in the John Muir Wilderness of the Eastern Sierra Nevada. Every place has its own visual personality. In this location high mountains surrounded us and produced several hours of soft, shaded light in the morning and evening, with fill light reflected from surrounding peaks rising into the sunlight…

Light on Granite

Light on Granite
A gesture of light falls across an irregularity in the granite face of a Yosemite cliff.

Light on Granite. © Copyright 2018 G Dan Mitchell – all rights reserved.

A gesture of light falls across an irregularity in the granite face of a Yosemite cliff.

There is a tendency for people to regard the landscape as a fixed and even a permanent thing. The mountain will be there when you go back to it in a year or ten or a hundred, so the photograph “captures” a thing that is unchanging. This is, of course, incorrect, and on multiple levels. Supposedly permanent things change constantly — in fact, the forms by which we know them today are the result of profound forces of change that are ongoing. (One reason that climbers wear helmets is that rocks fall…) But changes on much shorter scales are of tremendous interest to those who photograph (or just like to view) than landscape. They range from annual (what is it like [i]this[/i] year?) to seasonal. Some of them obviously occur on a daily basis — and photographers think about those a lot. Light and atmosphere vary in profound and often remarkable ways.

In so many cases, timing is everything. For some, calculating that timing is a key. I just read a friend’s report on a night photograph that he had “figured out” over a year ago — it required him to be in a certain place during a narrow window of time with conditions that were just right. I am impressed! For others — including my friend — even more critical is being attuned to what is happening right now or in the next few minutes or hours and then being ready to respond. I share all of this here with this photograph as the effect of light on this granite face was tremendously transitory. The time between the bulk of the face falling into shadow (and leaving the thin strip in sun) and the complete loss of light was perhaps measured in seconds, and certainly little more than a minute. (This is another photograph from my artist-in-residency sponsored by Yosemite Renaissance this past winter and spring.)


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.