Tag Archives: rugged

Desert Wash and Mountains

Desert Wash and Mountains
A golden desert wash descends toward distant mountains and a valley.

Desert Wash and Mountains. Death Valley National Park, California. March 29, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A golden desert wash descends toward distant mountains and a valley.

This beautiful wash is very (very!) close to one of the iconic Death Valley stopping places. I’ve never been able to warm up to that particular spot as a photographic subject. Fortunately, even time I go there I look in a slightly different direction — and I often seem to be the only person looking that way — and find this lovely view.

We visited near the end of the day, as afternoon sunlight begins to take on the warm tones of early evening and shadows start to stretch across the valley. Once again, I stopped at this well-known place. Once again I thought it was interesting, but not quite what I wanted to photograph. And, once again, I looked downhill and away to see this wash. The light highlighted the different colors of the geological deposits here, with yellow material lining the path of the wash and the middle distance hills darker and holding tones that are more reddish. The path of the wash winds sinuously back and forth as it descends between the lowering walls, with shadow on one side and sun on the other.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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First Light, Desert and Mountains

First Light, Desert and Mountains
First light on rugged Cottonwood Mountains and low Death Valley sand dunes

First Light, Desert and Mountains. Death Valley National Park, California. March 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

First light on rugged Cottonwood Mountains and low Death Valley sand dunes

The light was not always this lovely on this Death Valley visit — though it was always “interesting” — but on this morning we had it about as good as it gets here. The light on these hills can be fairly beautiful on just about any sunny morning as the first sunlight moved down across the face of the range, lighting up these usually drab hills. But because the sky is often pure blue and there is not variation in the light in those conditions, the maximum color appears only very quickly and often when it is good at one level on the mountains it is either too bright or in shadow elsewhere. But on this morning there were clouds, and just as the light on the mountains reached the valley floor the clouds made for a darker and more dramatic sky, their shadows dappled the upper ridge line, and the very first light slanted across the low plants and dunes.

This light is a very transitory thing and, to be honest, this scene only looks like this for a brief moment between pre-dawn shadow and daytime flat light. But that moment is glorious and magical. When we headed out to this spot before sunrise we weren’t quite sure where we would be at sunrise or what specific opportunities would present themselves. As we approached the edge of dunes, coming around to them from the side, it was suddenly clear that the light was about to arrive. No amount of hurrying would get us to a better spot in time, so we quickly looked around for subjects that we could photograph in this light — a now or never chance. I saw these very low dunes and a few scattered plants, framed a composition, and was ready as the light washed over the scene.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Kaweahs

The Kaweah Range, Kings Canyon-Sequoia National Parks
“The Kaweahs” — Ridge and Waterfall in the Kaweah Range near Kaweah Gap

This photograph comes from the High Sierra Trail, an east-west route across the Sierra between the west slopes of Sequoia National Park and Mount Whitney on the eastern Sierra crest. (Although it is technically not part of the High Sierra Trail, I regard the final ascent to Whitney on a lateral trail and the descent from the crest to Whitney Portal to be part of the route.) The north-south John Muir Trail is better known, and the High Sierra Trail is not as popular — though in many ways it is the same league. It covers an extraordinary route, climbing from the forested and gradually-rising west side slopes up the immense canyon of the Kaweah River, crossing Kaweah Gap in spectacular fashion, and descending Big Arroyo to the grand canyon of the Kern River, which if follows north to Junction Meadow before ascending once again to join the John Muir Trail heading south and then climb to Whitney Trail crest.

The trail up into the Kaweahs is stunning, with remarkably rugged and alpine scenery on the ascent from the west. It is, frankly, as impressive as anything else in the range. This section climbs the cirque above a popular lake destination, rising on a trail that follows an improbably route high into the mountains in the photograph before turning to cross Kaweah Gap after passing through a garden of small meadows and rocky tarns.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” from Heyday Books, is available directly from G Dan Mitchell.

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Cottonwood and Aspen, Autumn, Eastern Sierra

Cottonwood and Aspen, Autumn, Eastern Sierra
Fall colors come to cottonwood and aspen groves in McGee Canyon

Cottonwood and Aspen, Autumn, Eastern Sierra. Sierra Nevada, California. October 9, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Fall colors come to cottonwood and aspen groves in McGee Canyon

From the valley east of the Sierra the upper reaches of this canyon are not hard to see, though the bottom of the canyon and its entrance point are not so obvious. Pulling off on US 395 some distance from the canyon, a road rises up the alluvial hills at the base of the Sierra and traverses across toward an old lateral moraine. Rounding this hill, the tree-lined creek draining the canyon comes into view and a gentle through sage brush country passes a campground and a pack station before reaching the end of the road and trailhead.

This canyon rises quickly, and from the cottonwood lowlands one can hike into subalpine country in a short time, and it isn’t much further to get to backcountry lakes that seem to sit at the base of the Sierra crest. I paused along the road in the sage brush zone to make this photograph. Fall cottonwood trees are in the foreground, and further up the U-shaped canyon aspen trees have turned yellow. The remnants of an early autumn storm are seen, too, in the dusting of snow high up the rocky slopes at the head of the canyon.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.