Tag Archives: rugged

Autumn Haze, Sabrina Basin

Autumn Haze, Sabrina Basin
Aspen colors scattered across the rugged granite landscape of Sabrina Basin

Autumn Haze, Sabrina Basin. Eastern Sierra Nevada, California. September 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Aspen colors scattered across the rugged granite landscape of Sabrina Basin

This particular view may be a familiar one to many who follow the autumn aspen color in the eastern Sierra Nevada, as Sabrina Basin and, more broadly, the Bishop Creek area, is well-known for extensive groves of aspens. This photograph comes from a point just a bit earlier in the color transition season than most of my photographs of the area, and a close look at some of the more distant ridges reveals extensive color among the smaller, high elevation aspens that typically change colors first. The foreground trees were also more colorful than usual for this late September date, though the afternoon backlight emphasizes the effect.

The Sierra present many different appearances, ranging from gentle meadows full of green grasses and flowing water to the most rugged, spare alpine regions filled with rocks and the hard edges of ridge lines. While an up close view of certain parts of this scene — perhaps from standing within one of the colorful aspen groves in the foreground — would present more of the gentle view, the panorama from this high, exposed location reveals the tremendous world of rugged granite in this part of the range, where the Sierra crest rises quite quickly from the high desert terrain to the east.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Land Meets Sea

Land Meets Sea
Steep coastal ridges run down to the edge of the Pacific Ocean, Northern California

Land Meets Sea. Mendocino County, California. July 6, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Steep coastal ridges run down to the edge of the Pacific Ocean, Northern California

Having lived not far from the Pacific Ocean for more than a couple of decades, I am lucky to have regular access to the California coastline and its often dramatic meeting of land and sea. Due to proximity, my home territory is the section between just north of San Francisco and down through the upper portions of the Big Sur coast. The shouldn’t be any surprise, given the number of photographs of that area that I have made.

Oddly, for a near-native Californian, I had little experience with the coastline farther north. I had made it up as far as Fort Ross a few times, but every time I went north in the state I headed inland. Some years back we began to rectify this omission with some visits to the Mendocino area. I still haven’t gotten my mind completely around photographing this particular coast, but I’m learning. While we think of the coast as being somewhat civilized, with roads traversing it and passing from town to town, the actual meeting of land and water remains mostly a rugged wilderness. I made this photograph from a spot that it at the edge of one of these wilderness sections, where the roads cut inland and leave the coast to the birds and the sea life.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Weathered Cliff, Evening Light

Weathered Cliff, Evening Light
Early evening light on the face of a rugged and weathered sandstone cliff, Capitol Reef National Park

Weathered Cliff, Evening Light. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Early evening light on the face of a rugged and weathered sandstone cliff, Capitol Reef National Park

Recently I have been thinking about where we find subjects for photographs and about the fact that they are everywhere — I could say that you don’t always have to seek out particularly “special” places, or I might instead say that if you look closely enough almost any place can be special in some way. I do understand the interest in creating photographs of recognizable subjects and perhaps even the challenge of trying to make such photographs stand out in some way. But for me it is far more interesting to use the camera as a means of focusing more closely on what I can find wherever I am, and then trying to clear away obstacles to seeing these subjects in my own way.

Late in the day we had stopped along a section of roadway in Capitol Reef National Park. We knew, of course, that red rock sandstone cliffs and autumn trees were there, but most of all we stopped because the light was so fascinating. We simply walked along the road and looked, and almost everywhere we looked we found something that seemed like it might be worthy of a photograph. There was so much to see in this small area that as fast and furiously as we photographed, we felt like the light was passing too quickly. The subject of this photograph is a rough and weathered by of sandstone cliff that I happened to notice as I looked up from another subject I had been photographing.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Waterpocket Fold Terrain

Waterpocket Fold Terrain
Deep erosion gullies below an uplifted rock band empty into the valley below, with rugged terrain extending into the distance

Waterpocket Fold Terrain. Capitol Reef National Park, Utah. October 22, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Deep erosion gullies below an uplifted rock band empty into the valley below, with rugged terrain extending into the distance

Until a few years ago, although I had heard the term “waterpocket fold” before, I was almost completely unaware of what this geological feature is. Since that time I have visited it several times. On the first occasion I visited the area, but I still did not understand the geology. I “got it” that there was some sort of uplift — the land rising to the west of Capitol Reef was a pretty good clue — but I did not understand or really see any of the connections. I recall stopping at one road side pullout and seeing a sign about it, registering that it is something important, but not really understanding.

On more recent visits the reality of this huge and striking feature has finally sunk in. I began to see it a few years ago on a trip that took we away from main roads and way up on a rocky ridge from which I could look down into the eastern valley and clearly see some of the larger patterns — sinuous lines of angled rock, the valley twisting gently into the distance in the south. On the most recent visit it began to make a lot more sense, as I noticed features like the shadowed cliff band across the center of this photograph, which more or less represents the remaining underside of a layer that long ago continued on up into what today would be the sky. Its edge overhangs the softer material below, though it still erodes into the bottom of the valley. Further to the east in this photograph the impossibly rugged terrain of arid strata continues, eventually rising to a mountain range in the far distance.


G Dan Mitchell is a California photographer and visual opportunist. Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.