“Bubble Dancing” — Children dance and spread soap bubbles at the Praça do Comércio, Lisbon.
On our May visit to Lisbon (and a few other places) one of our first outings was to simply walk down the street to the Praça do Comércio square on the waterfront. It is a pretty obvious tourist thing to do, but it was the morning after a late arrival following about 20 hours of travel… so we were not up for anything too stressful.
Someone had a big bucket of soap and was making bubbles on the square, and a group of exuberant children was running and dancing around them, unconcerned about what anyone else might think.
“Stone Wall and Pedestrians” — Parisiens walk and run past a tall stone wall.
The photograph is from somewhere in Paris. We were on a walk and I was photographing as we moved, not paying too much attention to identifying locations. (That’s a characteristic of how I work when photographing the urban environment — I am so focused on it as a visual experience that I often forget to record locations or the names of places and so on.)
If a photograph can be about something, this one might be in some ways about the relationships between people and the infrastructure of the the urban environment. . To my eye, the people here look very small and transitory by comparison to the scale of the building and the angular forms of most of the scene.
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.
There is a story behind this enigmatic photograph. About 20 years ago (and I may not have the exactly right date above), three of us rode our bicycles about 1100 mile through a good section of Alaska as part of a group connected to our kids’ high school and middle school. The middle school science teacher (Hi, Mr. Hodges!) had run a hiking/biking club for many years, and every year the group mounted an expedition to some fascinating and historical place in the west. For the final trip before he retired, he outdid himself and organized this 1100 mile bicycle tour from Skagway, over White Pass, through part of BC and The Yukon, up to Fairbanks, and finally to Anchorage. It was the trip of a lifetime for many of these kids.
We did a short non-cycling layover in Fairbanks and took advantage of this to hire a school bus (!) to drive the group to the Arctic Circle. This is a bit of an odd trip — especially in a school bus — across miles and hours of gravel road through wilderness to arrive at… a wide spot in the road with a sign marking the approximate location of the Arctic Circle. It is some strange combination of astounding (nothing but incomprehensible wilderness between you and the Arctic Sea) and the banal — a road sign and this bit of a red rug with a dotted line that someone had thoughtfully placed to mark “the line.”
G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.
Rushing spring run-off flow and reflected evening colors, Merced River
I made this photograph at the very end of the day, on my first real spring trip to Yosemite Valley of the season. There were rumors of a bigger-than-usual dogwood bloom (true, it turns out), which was probably the main factor related to the timing of this quick trip. However, in this very dry year in California, any high water in Valley rivers and waterfalls was going to come very early – and, in fact, the waterfalls were reasonably high, the Merced was flowing with some force, and there was almost no snow still visible anywhere.
In the evening I ended up near Pohono Bridge, shooting dogwood trees and some photographs of early evening light filtering through the forest. As the light in the Valley faded, it become more difficult to photograph the nearby forest, but some sunset color lit the higher faces of the cliffs, and this colorful light reflected on the surface of the Merced River. The lower light also allowed me to lengthen shutter speeds and allow the motion of the water to blur.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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