This is the second of two photographs in this series. I’ll let it stand for what it is rather than explaining. :-)
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
As always, there isn’t a lot to write about this image – so I’ll post it more or less without comment and let you figure it out!
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Exterior walls of San Francisco’s De Young Museum.
In early March I was at San Francisco’s De Young Museum for an event associated with the “San Francisco 1964” exhibit of the photography of Arthur Tress, at which Tress spoke to a small group of San Francisco photographers about his work. (Thank you to Adobe for inviting me and the other photographers. The exhibit continues, and San Francisco Bay Area photography fans and others visiting the area should consider a visit to the show.) Unless I’m heading up there for certain musical performance, I almost always take a camera to The City, and I certainly brought one this time. I mainly photographed Tress during his talk, but once it was over and I left the museum I had a bit of time to wander around and shoot the nearby area.
I started in the Music Concourse, a lowered area in front of the museum that features some ominous-looking dormant trees at this time of year. After finishing there I walked back around the museum to head back to my car, and I passed by this “side” wall of the facility near the tower section of the building. The exterior walls are very interesting. They are apparently constructed of some sort of copper panels that have been “dimpled” in a range of ways that evolve across its surface, and it looks like some of the upper level “walls” are more like screens than solid material. As I understand it, the idea was that this metallic surface would “age” and acquire a patina that might make it blend in more with the natural surroundings of the park. (Though it is hard to imagine that tower blending in!) In the soft light on this shaded side of the building the range of colors and tones in the material was striking, ranging from the blacks of dark shadow areas, to the expected reddish copper tones, to all sorts of blueish shades.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
I think I generally prefer to not offer too much explanation about images like this one, and to let you take it for whatever it is.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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