Tag Archives: sand

Water’s Edge

Water's Edge
“Water’s Edge” — Blue-green water and surf meet the edge of the continent, Big Sur Coast.

I called this “Water’s Edge,” but I could also have called it “Continent’s Edge.” Beyond and above this little vignette of sand and rocks and water and foam lies the entire Pacific Ocean, and behind it lies the North American continent. The location is some likely-nameless spot along the Pacific Coast Highway as it passes through the Big Sur region of Central California.

I had stopped to consider photographing something else when I happened to walk close enough to the edge of the drop-off to see all the way down to the small, rocky beach. I spent a few moments watching and photographing the constantly changing patterns where the blue-green water meets the beach.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Mountains and Dunes, Sunset

Mountains and Dunes, Sunset
“Mountains and Dunes, Sunset” — Evening light on desert mountains with sand dunes in shadow, Death Valley.

Until you spend time there, it is possible to imagine that the terrain of Death Valley corresponds to traditional notions of “desert” — vast open and flat areas largely filled with sand. There are sand dunes, of course, but they cover a very tiny fraction of the entire park. There are open, flat areas that are not dunes, but they also are arguably not the area’s main feature. But everywhere there are mountains, and the arid landscape lays bare their forms.

I was in what are perhaps the best-known Death Valley dunes on this evening. I arrived in the late afternoon when the light was still strong, planning to be in an interesting location when the shadows of the Cottonwood Range would sweep across the flatlands before sunset. I made this photograph just after that happened, and while the dunes are in shadow there is strong and warmly-colored side light on the more distant mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Dune Shadow

Dune Shadow
“Dune Shadow” — A plant stretches out from the shadow of late-day light on sand dunes, Death Valley.

On some of my Death Valley visits I photograph dunes many times — at dawn and at sunset, and especially if there is a dust storm or interesting clouds. But on this trip I really only made one serious foray into the dunes, since other rarer features distracted me — most notably the reemergence of a remnant of prehistoric Lake Manly. But it wouldn’t have seemed like a real Death Valley visit without at least one dune adventure.

I made this photograph late in the day, just before the shadows of the Cottonwood Mountains angled across the valley and” dimmed the lights.” (No matter how many times I photograph there, I am still always surprised by how quickly this happens.) Despite first appearances, things do live in the sand, and here an old plant (barely) grows in the shelter of a small dune. Beyond, more dunes stretch across the valley floor, then a gravel fan rises toward desert mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Dunes Detail, Sunset

Dunes Detail, Sunset
“Dunes Detail, Sunset” — Sunset light on sand dunes, Death Valley.

Sand dunes are a source of endless fascination to photographers. They provide a sort of workshop in light, texture, composition, and associations. They can be purely abstract, but their forms can also suggest many other things — human figures, water, mountains, and so much more. When photographing dunes you can play with the relationship between the abstractions and the real, perhaps choosing to incorporate bits of elements — plants, tracks, etc. — blur the line between the abstractions and the real.

Dunes change appearance greatly depending on the time of day and the atmospheric conditions. In some sense, they are a sort of canvas on which light paints. At times the shadows can be deep and even stark, but in soft light they can be almost as light as the highlights. It is hard to say with certainty what color dunes are. In the middle of the day they may seem almost colorless, but when they pick up the colors of sky and golden hour light they may become subtly colorful.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.