Tag Archives: santa cruz

Farm, Clearing Fog

Farm, Clearing Fog
“Farm, Clearing Fog” — Soft morning sunlight comes to a small mountain farm as fog clears.

On this summer morning I headed over the mountains for the coast, planning to drive north from Santa Cruz and photograph foggy coastal scenes. However, it turned out that there was too much fog for what I had in mind, so I had to recalibrate. There are many lonely little roads that run inland from the Pacific Coast Highway, and I decided at random to explore one of them. I headed up a small valley, crossed some hills, and eventually wound through a narrow valley whose bottomlands held this small farm.

Today a lot of agriculture takes place on large corporate farms, especially here in California where the Central Valley is filled with those gigantic agribusiness operations . But if you poke around a bit off the grid, there are still these little farms in quiet little places. I pulled over and quietly watched the morning sun start to break through the thinning fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Forest, Morning Fog

Forest, Morning Fog
“Forest, Morning Fog” — Soft sunlight appears as morning fog begins to clear above a forested hillside, Santa Cruz Mountains.

One of my favorite kinds of light is found at “the edge of the light” —places that are neither in full sun nor fully shaded. Often I search out these spots, especially when fog is involved. The effect can range from subtle to quite striking when there are strong contrasts between deep shadow and light. Here there is an additional factor — not only are the foreground trees in a bit of that gentle light coming through the fog, but the more distant trees almost disappear into the thicker clouds.

We often hear something along the lines of, “photography is all about the light.” That’s not quite literally true in every case, but there’s no question that interesting light can turn an otherwise-mundane subject into something special. To be honest, this scene would not likely catch your attention at all in typical full sunlight nor in thicker fog — it is that glow on the foreground trees that makes it work.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Forest, Fog, Soft Light

Forest, Fog, Soft Light
“Forest, Fog, Soft Light” — Soft morning light filtered through coastal fog on a forested hillside near the California coast.

It isn’t news that California and the West have been suffering under an extreme and long-lasting heat wave. Here in the San Francisco Bay Area it has been bad — though clearly it is much worse in other locations. This week I finally had enough, and I drove over the hills to the coast early in the morning to seek out fog. I found it! In fact, it was so thick on the coast (where the temperature was a blessed 55 degrees) that it interfered with my intended photography. So I followed side roads that took me inland to the edge of the fog, where soft light was starting to illuminate the landscape.

By most measures, this is a rather nondescript location. (I actually parked in from of a CalFire Station.) But across the small valley, trees led up the hillside, catching the soft light that was just barely penetrating the fog. There’s an additional detail here: A large wildfire swept through a few years back, denuding the landscape in many places. These trees at the bottom of the valley were spared, but you can see skeleton of dead trees on top of the ridge.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Coastal Lagoon, Burned Hills

Coastal Lagoon, Burned Hills
A coastal lagoon between Santa Cruz and San Francisco, backed by distant burned hills.

Coastal Lagoon, Burned Hills. © Copyright 2021 G Dan Mitchell – all rights reserved.

A coastal lagoon between Santa Cruz and San Francisco, backed by distant burned hills.

This is a photograph that tells a story, one that may not be immediately apparent. But once you see it you may connect it to a larger story affecting California and the west right now, a story that is beginning to affect the entire planet it concerning ways. It is a photograph of a small lagoon along the Pacific Coast Highway just north of Santa Cruz, California. This is a place I have visited for years — decades, actually — and it is usually a lovely, bucolic landscape. I made the photograph in spring, and even during this very dry year the vegetation is thick and lush and the lagoon remains wet, supporting plant and animal life.

But take a closer look at the ridge in the distance. It belongs to what we loosely refer to as the “Santa Cruz Mountains,” the range lying between the South San Francisco Bay and the Pacific Ocean. The top of the ridge is covered with… the black remnants of a forest that was destroyed in last year’s tremendous lightning-causes wildfires. In places near this location the fire burned almost all the way to the ocean. Fires have always been part of the California environment, but what has happened in the past few years is unsustainable. Due to drought and high temperatures linked to human caused global climate change, the state is incredibly dry and any fire, even the sort that would have been quickly extinguished in the past, can take off and quickly get out of control.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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