Tag Archives: scenic

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

New England Woods #7

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New England Woods #7
The autumn color explosion begins in the White Mountains of New Hampshire.

New England Woods #7. © Copyright 2022 G Dan Mitchell.

The autumn color explosion begins in the White Mountains of New Hampshire.

Every year at about this time I head to the east side of the Sierra Nevada to photograph fall color, which mostly means aspens. This year’s trip to the “east side,” however, was to the east side of the United States. That’ right, Patty and I finally made it to New England for its famous fall color season. (Don’t worry, I’m still hoping to squeeze in a quick visit to Sierra fall color before long.) Friends have told me for years that I had to see east coast fall color, and an August visit to Vermont’s beautiful forests intrigued me even more. Then I did a B&H podcast (“Fall Foliage East and West with Jerry Monkman and G Dan Mitchell“) and listened to my fellow interviewee, Jerry Monkman, talk about photographing there. After all of that, I guess it was pretty much fated that we would go this year!

I’ll have a lot more to say about New England fall color, the specifics of our visit, and how the East and West Coast experiences compare later on — there’s too much to write in a single post! I made this photograph near the start of the visit, perhaps a day or two before this year’s peak color in this area of the White Mountains. The color variations are, as I already understood, much greater in New England than in the Sierra, and the hardwood forests seem to all change nearly simultaneously. This photograph, like many of my favorites from this trip, was made in soft light and cloudy conditions, which provide some of the most beautiful light for this subject.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Color Layers

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Autumn Color Layers
Layers of autumn color from aspen groves ascending an eastern Sierra Nevada slope.

Autumn Color Layers. © Copyright 2021 G Dan Mitchell – all rights reserved.

Layers of autumn color from aspen groves ascending an eastern Sierra Nevada slope.

This is one of those “rediscovered” photographs that I had originally left behind a couple of years ago. I found it again during the last few months while doing a review of some older raw files. I originally made several exposures of this group of trees with autumn foliage in the eastern Sierra Nevada, and I initially went with something framed a bit differently and using the landscape (horizontal) format. But coming back to the set of images, I noticed that layered effect of these trees and thought it might be a worthy photograph, too.

This grove is somewhat characteristic of the sorts of aspen trees we find in the Sierra Nevada. As friends often remind me (usually after retiring from visits to these other places), in places like Colorado and Utah and similar locations you can find seemingly endless groves of tall, thick, and straight trees. That’s quite rare here in my state. It isn’t impossible to find large groves, nor is it impossible to find thick and tall trees — but that’s not the most common situation. Often the trees are smaller and with distinct “personalities” — which is another way of saying that they many be twisted in interesting ways rather than straight and tall. But in this grove, we get a bit of (almost) everything. Behind that first line of small trees, which are likely encroaching on the foreground meadow, there is a grove of tall aspens. Beyond that, as the slope becomes steeper and more rocky, the trees once again begin to have that… “personality.”

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cliff Edge in Sunlight

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Cliff Edge in Sunlight
Sun shines on the sharp edge of a sandstone cliff, Zion National Park.

Cliff Edge in Sunlight. © Copyright 2021 G Dan Mitchell – all rights reserved.

DescrSun shines on the sharp edge of a sandstone cliff, Zion National Park.iption

Many years ago I was on a two-week backpacking trip through a long section of the Southern Sierra Nevada, covering some of the highest portions of the range on foot. The hike took me across a series of very high passes that were close to 12,000′ hight. In other words, I spent a lot of time in some very rugged and alpine places. I distinctly recall pausing on one of the higher passes to look around and realizing that the entire visible landscape consisted of rock and snow, with not a bit of forest visible to me. That vision of such a raw landscape stuck with me, and I’m always on the look out for such things.

While Zion Canyon is certainly not a place without forests and trees and rivers and lots of other comfortable things, it is possible to find a few ways of viewing this country that reinforce how much of its landscape is built on rock, in this case layers of sedimentary rock laid down, transformed, twisted and tilted over the millennia. This photograph catches the sun-lit edge of a closer buttress (yes, with a few plants!) juxtaposed with another more distant wall in shadow.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Early Autumn Aspen Grove

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Early Autumn Aspen Grove
A small grove of Eastern Sierra Nevada aspen trees begins to take on autumn color.

Early Autumn Aspen Grove. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small grove of Eastern Sierra Nevada aspen trees begins to take on autumn color.

Over the past decade or so the fall color change in the Eastern Sierra Nevada has come to attract a lot of attention. It is not unwarranted, as the aspen color throughout the range can be quite spectacular. It is also pretty accessible, and as the state’s population has continued to increase and as social media has spread the word faster and more widely… some areas have become quite crowded and even overrun for a few weeks each year. A few well-known locations have become some famous that they literally attract mobs of photographers and others. I won’t name them here — they get enough attention already. (I sometimes wonder how much blame I share as the author of a book on this event — though my publisher went along with my vow to drastically limit naming places that can’t handle the traffic.)

Despite the crowds, I hinted at the good new in the first paragraph of this post when I wrote, “throughout the range.” Often folks head straight toward the Big Name locations (as is natural) and drive right past a whole bunch of other wonderful instances of fall color. Over the years, some of my favorite aspen trees have been in places that are distinctly non-iconic. There are many things to like about this development. It means that I have subjects everywhere! I frequently find myself alone while photographing these locations. And over time I’ve developed my own little collection of place with personal meaning. This photograph comes from such a place, a grove that I had literally driven past for years before I finally stopped one day to make photographs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.