Tag Archives: sf

Photographs: Architecture, Photographs: San Francisco, Photographs: Urban/Street

Urban Forest Spring

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Urban Forest Spring
Spring leaves on a tree in front of San Francisco’s One Front Street building.

Urban Forest Spring. © Copyright 2012 G Dan Mitchell – all rights reserved.

Spring leaves on a tree in front of San Francisco’s One Front Street building.

Today’s photograph temporarily climbs out of the sandstone valleys and slot canyons of Utah to enter a different kind of canyon in the urban landscape. This striking building is found in downtown San Francisco, and I’ve photographed it quite a few times during my street photography walks in The City. Unfortunately, those are on hold right now due to the lock-down, so I mined this one from my old raw file collection.

While I don’t approach photographing the natural landscape and the city in exactly the same way, there are more connections than might seem to be the case at first. I look for shape and line in both cases, and I consider how things are juxtaposed in both landscapes. And here, as in essentially photography, light is a key factor. One thing that is a bit more present in urban photography — and which is a source of interest to me — is the way that reflections play into the compositions.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Architecture, Photographs: San Francisco, Photographs: Urban/Street

Building and Reflections

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Buiolding and Reflections
One Front Street in black and white, San Francisco.

Building and Reflections. © Copyright 2012 G Dan Mitchell – all rights reserved.

One Front Street in black and white, San Francisco.

At this point it is probably no secret that I like photographing urban subjects — not just nature — and that the urban landscape is near the top of my list. I’m fascinated by city subjects, from the bustle of people-filled scenes to the almost abstract possibilities found in modern buildings.

This is an often-photographed San Francisco building that towers above pedestrians in the central downtown area. The parallel curved structures extending skyward capture and reflect light in all sorts of interesting ways. Here the reflections of surrounding structures merge with the forms of the building itself.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Urban/Street

4th Street Bridge

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4th Street Bridge
Looking across the Fourth Street Bridge toward the lagoon at the outlet of Mission Creek.

4th Street Bridge. © Copyright 2012 G Dan Mitchell – all rights reserved.

Looking across the Fourth Street Bridge toward the lagoon at the outlet of Mission Creek.

This photograph comes from one of my frequent — or so they used to be — walks around San Francisco. My practice is to head up there on the train, arriving early in the morning, then exit the train station and go wherever seems interesting. On this morning I walked south on Fourth Street, crossing the outlet of Mission Creek (which is now pretty much a small bay) and continuing on into the China Basin area.

These San Francisco visits are among the things I miss during this time of pandemic and sheltering in place. I can literally walk to a train station and then be in the City in one hour in normal times — but right now I’m not about to voluntarily spend a couple hours on a train. Once we get this thing under control (and I’m convinced we will) a trip back up there is high on my agenda.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: San Francisco, Photographs: Structures and Objects, Photographs: Urban/Street

Double-Five

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Double-Five
Stenciled numbers on a weathered wall next to a roll-up door.

Double-Five. © Copyright 2012 G Dan Mitchell – all rights reserved.

Stenciled numbers on a weathered wall next to a roll-up door.

Weathered, decaying subjects and subjects with strong patterns attract me, and this one works on both counts. I photographed it a few years ago while wandering around in San Francisco and poking my camera into odd little corners and alleys. This is in a shoreline area that was once a location of true maritime industry, but which is today much like the rest of San Francisco — in other words a place for small offices, start-ups, restaurants and similar enterprises.

The stenciled numbers did catch my attention when I first saw this little scene. Initially I think that their weathered character may have been responsible. But more recently I have wondered about them. Do they still mean something or are they now remnants divorced from an earlier context? Is the message “5” or is it “55?” And what, if anything, is the relationship between the two different fonts used?

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.