Tag Archives: shadow

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Creosote, Shadowed Dunes

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Creosote, Shadowed Dunes
Creosote plant in sunlight, backed by shadowed sand dunes.

Creosote, Shadowed Dunes. © Copyright 2022 G Dan Mitchell – all rights reserved.

Creosote plant in sunlight, backed by shadowed sand dunes.

Sand dune landscapes provide all sorts of surprises. After seeing many photographs of impressive blowing sand and dust storms, you might think that is the norm — but most of the time the dunes are quiet and still. In the daytime there often doesn’t seem to be a lot going on in a visual sense. But go there at the earliest and latest moments of the day, and the light changes so quickly that it is almost impossible to keep up. Here there was only a brief moment when the soft light fell on the dune and the creosote plant and left the further dunes in soft, cool-toned light.

It is common to think of landscape photography as a slow and deliberate process. In fact, at times and with certain subjects it can be, and the photographer may have a lot of time to look and contemplate. But in this edge-of-day light things happen so quickly that photography can become a kind of action sport. The light does something “over there” for a brief moment, but when I look up something new is happening elsewhere. I turn my attention, quickly make a photograph or two, and right away some new combination of form and light emerges. And this whole dynamic show itself only lasts for a short time between midday bright (and often harsh) light and darkness.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: New York City, Photographs: Urban/Street

Reflecting Sidewalk

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Reflecting Sidewalk
Brilliant winter sunshine on an urban Manhattan sidewalk.

Reflecting Sidewalk. © Copyright 2021 G Dan Mitchell – all rights reserved.

Brilliant winter sunshine on an urban Manhattan sidewalk.

This photograph comes from an earlier winter visit to New York City back in 2019. Those were the days! Despite the cold (quite severe cold, actually) we bundled up and went out on foot every day to explore and photograph and eat and drink and mingle in the crowds. When we weren’t walking we took the subway almost everywhere. The streets back then — in the before times when “covid” was not part of our vocabulary — were packed with people in the familiar New York style.

Offhand, I do not recall exactly where I made this photograph, though I do recall a bright, sunny morning and being distracted by the bright reflection of light on the sidewalk and by the combinations of lines (from the sidewalk itself and from shadows) and curves as the walkway wound into the distance in a place that was momentarily uncrowded.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Photographs: Northern California, Photographs: Structures and Objects, Photographs: Urban/Street

Orange, Green, and Black

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Orange, Green, and Black
A safety pylon casts a shadow on green metal panels next to black plastic.

Orange, Green, and Black. © Copyright 2021 G Dan Mitchell – all rights reserved.

A safety pylon casts a shadow on green metal panels next to black plastic.

This photograph came out of my participation in a project to photograph orange things (around Halloween, not surprisingly) with a group of fellow photographers. The group gets together every so often — virtually at the current time — to share recent photographic work. I suspect that the reasons include both social value and photographic value, but these little exercises can be useful, especially if you are trying to get “un-stuck,” are looking to explore something different, or are just seeking out a way to practice the work of seeing.

Because it was around Halloween I wanted to avoid going for the low-hanging fruit and just photographing pumpkins and autumn leaves. So for a couple of weeks as I walked around my community I kept my eyes open for anything orange. I also started to try to think a bit more broadly about what it meant to photograph orange — and one idea was that orange could easily just be one component color in a subject. Since I was looking for that color, it isn’t a surprise that the pylon first caught my attention. But I quickly started thinking about the relationship between green and orange, the shadow, and the dark pattern at the left side.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Solitary Aspen, Dark Forest

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Solitary Aspen, Dark Forest
A small autumn aspen tree in the light in front of dark forest.

Solitary Aspen, Dark Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small autumn aspen tree in the light in front of dark forest.

There is something about solitary trees standing against some sort of background. A friend has referred to them as “brave little tree” photographs — something I now think about every time I make one or see one. Landscape photography doesn’t always come quite this close to eliciting metaphorical associations, but I can certainly understand how one could make this association with these subjects. On a more prosaic note, from a purely compositional perspective, a single central subject posed against a larger and contrasting background often works visually, too.

This photograph was also an extra reminder to me about why I like to photograph non-iconic subjects. (Though I do have to admit that the solitary tree is a sort of generic icon, if that makes sense.) I rediscovered this photograph recently while reviewing some raw files from a couple of years ago. I usually record location information as I work on photographs, but with this one I could not even determine exactly where I made it! By sequencing the files before and after this exposure I was able to narrow it down to one very large drainage, but I don’t actually recall making the photograph! I I had worked with the file back when it was new, but I wasn’t fully satisfied with the result. When I came back to it I saw it in a somewhat different way, and I saw how to apply some newer post-processing tools to get the result I was after.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.