Tag Archives: shadow

Green Door, Evening

Green Door, Evening
A weathered green door, a green wall, a sidewalk — evening light.

Green Door, Evening. © Copyright 2022 G Dan Mitchell.

A weathered green door, a green wall, a sidewalk — evening light.

First, a brief description of the photography, and then another reason that I am posting it today. I made the photograph on one of my daily walks — I try to get out and cover various routes in a radius of a couple of miles or so that add up to between 3 and 5 miles on a typical day. I always carry a camera, even though I don’t take it out on most of the walks. I’ve been past this old building quite a few times, but today I saw this door for the first time, so I stopped to photograph its worn and tilting form.

The other reason this photograph is here is that it comes from what is for me a photography tradition: the process of getting up to speed on a new camera. I usually avoid upgrading cameras too frequently. There are many reasons, but one is that I depend upon knowing a camera’s interface to the point where operation is intuitive. But eventually I do get new cameras. This was the first walk with the new Fujifilm XT5, which is going to replace the (fine) XPro2 that I’ve been using since that camera was introduced. I won’t go into the technical details at this point, but so far I’m liking the camera a lot.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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On Patrol

On Patrol
A serious-looking New York policeman standing against a sunlit wall on Fifth Avenue.

On Patrol. © Copyright 2022 G Dan Mitchell.

A serious-looking New York policeman* standing against a sunlit wall on Fifth Avenue.

By now, I almost feel like I know this officer — since I have shared two previous photographs of the guy. The fact that I have so many is indicative of his, uh, relatively low level of active patrol efforts. To be fair, it was a nice sunny spot, and if I were him I probably would have lingered there, too. Plus it was a great spot from which to watch the Columbus Day parade passing by.

Although he didn’t move more than a couple of feet while I watched him, he did engage with his surroundings. I watched a back-slapping exchange with a passerby that he seemed to know. He was observing, and at one point he was aware that I was photographing. His demeanor has changed a bit in this photograph. In the earlier version his legs are crossed and he’s actually leaning on the wall. Perhaps I made this after he saw me? Now he stands erect, looking intently into the street scene.

*Update: I originally referred to the subject as a “NYPD” officer. Several people who are more familiar with that subject than I suggest that he may actually be a private security guard. I’ve altered the description here to account for that.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Cliffs, Morning Mist

Cliffs, Morning Mist
Morning mist along the steep headlands cliffs of the rugged Big Sur region.

Cliffs, Morning Mist. © Copyright 2022 G Dan Mitchell.

Morning mist along the steep headlands cliffs of the rugged Big Sur region.

Earlier this week I made a quick trip down the coast to the Big Sur region, getting as far south as Sur Point. This is a short enough drive for me that I can leave home early, photograph all morning, and be home for a late lunch. The conditions can vary greatly at this time of year. Often it is sunny and clear, as it was on this visit, but it can also be foggy and cold. When a big Pacific front rolls through, watch out —huge waves roll in and landslides can close the coast highway. One thing I did not have was the all-too-common summer crowds —a late fall weekday morning is not crowded at all.

The photograph includes a familiar section of the Big Sur coast, and it is visible from another well-known icon. (I think I did all that I could do with that famous subject years ago… and now this nearby terrain interests me more.) Here the road rises to a high point, and tall cliffs drop abruptly to the ocean from the tall bluffs. A bit of fog and mist softened the morning light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Watching the Parade

Watching the Parade
A figure in dark clothes waits behind baricades for the 2022 Manhattan “Columbus Day” parade to pass.

Watching the Parade. © Copyright 2022 G Dan Mitchell.

A figure in dark clothes waits behind baricades for the 2022 Manhattan “Columbus Day” parade to pass.

The light in urban areas is often special in different that what we find in the natural landscape. A feature in common among both types of landscape? The light matters. A feature that is different? The reflective surfaces in urban canyons reflect light in almost any direction to produce striking effects. Here we not only have some direct sunlight that backlights the main subject, but tons of reflected light creating fascinating patterns on the sidewalk and in the street.

A critique of this photograph could be, I suppose, that we cannot see the faces of the subjects. But in this case that is part of what makes it work. The central figure, dressed almost entirely in very dark colors, appears to be quite tall, an effect amplified by perspective and the smaller figures to the left. The person’s body language is fascinating, too, and I think I see a few parallels to that of the central figure in “The Scream” by Edvard Munch.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Twitter | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.