Tag Archives: shadows

Creosote, Sunset Shadows

Creosote, Sunset Shadows
A clump of creosote among curving sand dunes as sunset shadows arrive.

Creosote, Sunset Shadows. © Copyright 2022 G Dan Mitchell – all rights reserved.

A clump of creosote among curving sand dunes as sunset shadows arrive.

This comes from a short but very intense burst of photography on a late- January evening in Death Valley National Park. A suitable interval before sunset I had headed out on a hike of a bit more than a mile to a line of sand dunes, where I expected that the final direct sun o the day would arrive over the top of a low ridge to my west, and that it would have the potential to bring some lovely, wam light to the dunes. I arrived at the dunes well before sunset and set to work looking for subjects in this somewhat unfamiliar place.

The light was already transitioning toward evening, and as I worked the transition accelerated. I put a long lens on the camera, partly because it would allow me to pick our small compositions in the larger landscape and partly because it would let me quickly respond to short-term bits of beautiful light that were too transitory for me to pick up and move to their location. Moments before the sun dropped beyond that ridge, the color of the light intensified and the shadows lengthened.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Creosote, Early Evening Light

Creosote, Early Evening Light
Soft evening light on creosote growing in windblown unes at Death Valley National Park.

Creosote, Early Evening Light. © Copyright 2022 G Dan Mitchell – all rights reserved.

Soft evening light on creosote growing in windblown unes at Death Valley National Park.

Desert light (like that in quite a few other places) can go through a remarkable transformation late its the day, a transformation that mirrors the one taking place in the morning. In the middle of the day, the light is often quite intense, rather bluish (from that gigantic light panel we call the “sky), and the landscape is full of harsh contrasts between highlights and shadows. At some point in the very late afternoon, assuming a cooperative surrounding landscape and the right weather conditions, the light imperceptibly begins to soften and warm in color. If you were not attuned to this you might not notice at first, but eventually it becomes obvious as the process accelerates and intensifies, producing a sort of “crescendo of light” that often peaks just before it ends.

I made this photograph somewhere in the middle of that cycle — far enough along that the color has definitely warmed, but not so late that the full sunset redness has arrived. At this point the light changes rapidly, and features that I had not noticed suddenly become interesting. I often find myself working quite quickly at this point — perhaps in contrast to how some people imagine landscape photography works. In these situations I often like to work with zoom lenses with long focal lengths. This allows me to quickly respond to things I see at varying distances, to isolate smaller sections of the landscape, and to quickly try out different compositional ideas.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Last Light, Sand Dunes

Last Light, Sand Dunes
Desert winds blow sand across the lip of sand dunes in sunset light.

Last Light, Sand Dunes. © Copyright 2022 G Dan Mitchell – all rights reserved.

Desert winds blow sand across the lip of sand dunes in sunset light.

Some things are only at their best for a brief moment. Think of a fresh espresso, a soufflé, or perhaps the half hour of beautiful spring snow between ice and slush. The light in the moment when shadows from distant hills arrive at the edge of sunset light (or its inversion at sunrise) is another such thing. This light does things to the landscape that aren’t seen at any other time of day, but the event may last barely a few minutes.

Near the end of my shoot at this location I turned and saw the colorful, low-angle light coloring the sand and bringing relief to its features. I quickly went to work photographing it, working quickly and instinctively, as I knew that the moment would be brief. In fact, along the left side of this photograph is the the shadow marking the edge of light. A moment after I made this photograph, the light was gone.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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Dune Plants, Morning Light

Dune Plants, Morning Light
Light from the morning sun slants across the face of sand dunes to illuminate desert plants.

Dune Plants, Morning Light. © Copyright 2022 G Dan Mitchell – all rights reserved.

Light from the morning sun slants across the face of sand dunes to illuminate desert plants.

During times of what I consider to be the most interesting light in the dunes — right around sunrise and sunset — the scene changes with remarkable speed. These landscapes are so much about the color and angles of the light, and at these times both of those elements can change with great speed. One moment a subject might be dull and flat, but a moment later as a beam of light comes over a dune it may be spotlighted against shadows or its color may change drastically. I’m always surprised by how dynamic the photography process is in this supposedly static landscape!

I had earlier noticed this creosote bush and its small companion, but passed them by since they were in flat shadows. I turned my attention to something else further away, and when I looked at the nearer landscape a few minutes later I saw that the plants were in the sun and the light was touching the top of the dune in the upper part of the frame. I quickly turned my attention to this intimate landscape, and changed continuously as I made several exposures over what must have been no more than a minute or two.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.