Tag Archives: shadows

Badlands Gullies, Morning

Badlands Gullies, Morning — Death Valley
“Badlands Gullies, Morning” — The first direct sunlight sweeps across the curving shapes of badlands erosion gullies, Death Valley.

I have a rule about returning to photograph popular subjects that I first photographed years ago: Only stop if it looks like something unusual and very special might happen. The rule applies to Zabriskie Point in Death Valley, where scores of photographers (and others) gather before dawn to await the sunrise. During the last week of February I drove past on my way to a different subject. In the dim light I thought I saw developing clouds that might produce something special at sunrise. So I (literally) slammed on the brakes, turned around, parked, and joined the throng.


The special light I hoped for didn’t develop. Instead of turning colorful at sunrise, the colors just went flat. Ah, well. I can never be fully certain about what will happen in these situations, and my hunches merely improve the odds — sometimes things don’t work like I hope. But there I was, set up to make photograph s at this location. So, what else could I photograph there? I turned my attention to nearby badlands terrain and photographed it as the direct light arrived, softened a bit by high clouds.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Urban Tree, Night

“Urban Tree, Night” — A tree and a brick wall with posters at night, Madrid.

You may have to look closely to realize it, but this photograph was made at night. (t is often surprising just how much light is found in the nighttime urban environment.) The location is Madrid, not far from the Plaza Mayor, during December, when the streets here are filled with people celebrating the holidays. But this little side street was quiet and nearly deserted.

Night transforms the urban environment. Things that might look mundane during the day can take on a different appearance under the glow of artificial lights. Here several light sources illuminate the brick wall and the sidewalk, and side light highlights the trunk of the urban tree.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Oak Tree, Sun and Fog

“Oak Tree, Sun and Fog” — Sunlight streams through thinning fog on a hillside behind an old oak tree.

This is the third and final photograph from my recent local “foggy morning” photography. To recap, when low fog stuck around here for hours (it usually dissipates very early) I headed out to the local rural landscape to make some photographs. This tree is in an area south of San Jose that was once destined to be a technology park. There’s a lot of history there, but the short story is that after the local government gave in to developer pressure there were no takers for the technology park. Today it remains relatively rural and is increasingly protected. I’d call that a victory!

The tree is on private land, from what I can tell, though clearly visible from a nearby roadway. The hills in the background form a low ridge that roughly parallels the edge of the valley for miles. At the moment I made the photograph the tree was out of the fog, but it was just thinning in the hills, and beautiful slanted columns of light formed between the shadows of trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSkyEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Mono Lake, Morning

Mono Lake, Morning
“Mono Lake, Morning” — Pahoa and Negit islands silhouetted against early morning lake reflections with desert mountains in the distance.

I have shared a few other Mono Lake photos made at this elevated location some distance from the lake. This camera position gives a different and broader sense of the lake and its surroundings. It is a huge body of water — there’s far more water on the far side of the islands than between them and the near shore. The desert mountains are many miles beyond the far edge of the lake. All in all, Mono Basin is a place of immense space and great distances.

I photographed very early in the morning. I had gone to this location to photograph something else, but by turning my camera 180 degrees the lake was in the frame. It was a generally clear morning with some high clouds, but the great distances still turned the atmosphere a bit blue with haze, and that haze mutes the details of the distant basin and mountains.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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