Tag Archives: shore

Lakeshore, Evening

Lakeshore, Evening
A few sunset clouds reflected in the quiet surface of a backcountry Sierra Nevada lake.

Lakeshore, Evening. © Copyright 2019 G Dan Mitchell – all rights reserved.

A few sunset clouds reflected in the quiet surface of a backcountry Sierra Nevada lake.

Periodically I find myself going back to my archives and looking through older photographs, typically images that I made years ago and sort of left behind as I went on to work on newer things. These reviews often have a couple of wonderful consequences. Often I rediscover a photograph that I had originally neglected, perhaps because it worked in a different way than what I originally imagined or possibly because I wasn’t patient enough at the time. The distance provided by a few years of time often allows me to see the image in ways I missed at first. In addition, these older photograph bring back wonderful memories — of the subjects, for sure, but also of the trips themselves and the people I traveled with.

I made this photograph on a long southern Sierra backcountry trip with a group of long-time backcountry buddies — folks I have backpacked with many times over the years. On this trip we were down to our core group of four, and we traveled into one of the highest, alpine regions of the range, into the upper Kern River drainage of Sequoia National Park. Those who know this region won’t be surprised to hear that we had to cross several very high passes, that we were out for over a week, and that we got into places where we saw very few other visitors. I made the photograph on a lovely, lazy evening, near a lake we ended up at almost by accident — a place that turned out to be utterly scenic, extremely quiet, and almost devoid of visible signs of humans.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Sea Stacks And Headlands

Sea Stacks And Headlands
Sea stacks and rugged headlands along the upper Big Sur coast.

Sea Stacks And Headlands. © Copyright 2019 G Dan Mitchell – all rights reserved.

Sea stacks and rugged headlands along the upper Big Sur coast.

California’s coastline is quite varied, but nearly always interesting. There are flat and gentle areas in the south, areas exposed to wind and covered with trees in the far north. And then there is the (loosely speaking) Big Sur coast south of Monterey. it is an area of very tall coastal mountains, vast open views of the Pacific, and a shoreline that is often rugged and rocky.

I had a few free hours on this spring day so I headed south from the San Francisco Bay Area with the plan of getting some distance down the Big Sur coast… but not so far that I couldn’t be back by mid-afternoon. I’m a bit familiar with these formations, having stopped to photograph here in the past. This time I was struck by the color of the water, the springtime green of the plants, and the lights softened by very thin coastal fog.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Moored Boats, Seine River

Moored Boats, Seine River
Boats moored along the banks of the Seine River, Paris

Moored Boats, Seine River. © Copyright 2018 G Dan Mitchell – all rights reserved.

Boats moored along the banks of the Seine River, Paris

Our hotel in Paris this past summer was not far from the Cathedral of Notre Dame — perhaps a five minute walk away — and we crossed the Seine in this area quite a few times during our stay. Most often this was an incredibly busy area, with crowds created by the constriction of river-crossing bridges and the many areas of interest to visitors.

As we crossed we often had interesting views of the river and the nearby city. From the ideal locations one can look up or down the river, past a series of bridges lined up one after the other. In many places a walkway, here including a few parked car, runs along the banks of the river midway between the water and the main streets up above. Interesting and colorful boats were moored here, too.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Talus, Reflection

Talus, Reflection
A talus field of large boulders meets the shoreline of an alpine lake

Talus, Reflection. © Copyright 2018 G Dan Mitchell – all rights reserved.

A talus field of large boulders meets the shoreline of an alpine lake

And, yes, another “going with the blue” photograph of talus boulders. It is, I admit, turning into a bit of a theme among my photographs from the September backcountry Eastern Sierra photography week. If you follow my posts you probably already know the following, but for anyone who hasn’t read the previous text… we were camped at a lake in a deep north-south oriented valley with very high peaks on either side. Immediately to the east of our camp, across a nearby lake, was a huge talus slope, full of randomly arranged boulders from top to bottom.

Because of the north-south trend of the canyon, early morning and evening direct light was blocked, and we had long periods of “blue hour” shaded light to work with every day. Yes, the light actually is very blue. It comes from having only the blue sky — a sort of giant natural light panel — as the light sources. The question in post is always how blue to let the scene be, since the actual blue can be shocking to viewers. (Our complex sensory system sees this as less blue — the mental process subconsciously says, essentially, “Yes, this is blue, but I know the actual color of rocks, so I’ll pretend I don’t see the blue!”) The photographer gets to make the subjective call on how blue things should be. At times I’ve gone so far as to completely neutrally the blue tones, and if I did so here you would probably feel that it looked natural. On the other hand, it is interesting to me to “go with the blue” and think about the real color of light and the effect that it has on our perceptions. (To be honest, I have actually reduced the amount of blue in the scene!


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | FacebookEmail


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.