Tag Archives: sign

Hollywood

Hollywood
The Hollywood sign and antennas

Hollywood. Los Angeles, California. November 28, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

The Hollywood sign and antennas

Yes. That sign. I suppose that everyone (probably) needs a photograph of the thing and, believe it or not, this is my first. There I was. There the sign was. The light was attractive. I photographed it. ;-)

During a four-day visit to Southern California we ended up making a drive up north to central Los Angeles to visit a museum, and since I had never been to the Griffith Observatory before — really! — we decided to correct that. In the late afternoon we headed to Griffith Park with, or so it seemed, about half of the population of the Los Angeles basin. We eventually caught a shuttle and soon found ourselves among the crowd at the observatory. Crowds aside, it is quite a place… and there, off to the right, was the famous sign. As something of an iconophobe, I have to admit that I did not realize that it would be visible from here!


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Exit, Yellow Doors, Blue Windows

Exit, Yellow Doors, Blue Windows
Exit sign above doors to outside area illuminated by dusk light

Exit, Yellow Doors, Blue Windows. Mare Island Naval Ship Yard, Vallejo, California. November 7, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Exit sign above doors to outside area illuminated by dusk light

After meeting up with my fellow night photographers (associated with The Nocturnes, the long-standing San Francisco night photography community) to share photographs and pizza, we all got ready to head out into the night as darkness came on. After the social time I began to get myself into the rather different frame of mind necessary to photographing this subject. Before I even left the building I began to look around inside, and I decided to walk slowly into some corners of this facility that I had not looked at before. As I did I found myself in a bit of a dead-end spot where this door, lit by indoor artificial lighting, let to the developing twilight on the other side.

I associate a number of things with photographing at night. Of course, subjects often take on a very different appearance at night, and rather prosaic subjects can acquire a feeling of mystery. In practical terms, I’m absolutely fascinated by this world that is illuminated by lighting that is far more varied than what we typically see in daylight. Rather that more or less one kind of lighting, there could be many — the blues of twilight, the daylight-like color balance of moonlight, the wild colors of artificial light from tungsten, sodium vapor, fluorescent and other kinds of light. But beyond all of that, I associate the sense of profound stillness and quite with this kind of photography, where I frequently stand alone in dark and quiet places for many minutes as I wait for exposures to complete.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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The Way (To San Jose)

The Way (To San Jose)
San Francisco freeway entrance

The Way (To San Jose). San Francisco, California. August 14, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

San Francisco freeway entrance

OK. How to explain this photograph, especially to people who think of me as a “landscape” photographer? Let me start with the basic facts. I made the photograph on one of my regular walks in The City, which almost always start at the Caltrain station and the head off in various directions. On this morning I headed straight north towards Market Street. But “straight” doesn’t mean fast, and I mostly walked slowly and looked a lot — at things that I might not otherwise see. The light was beautiful, with the early morning sun beginning to break up the San Francisco fog and cast soft light on the urban landscape. At one point I passed this freeway on-ramp, with its obvious potential for puns based on an old popular song

Yes. I’m putting off trying to explain this photograph. I’ll just drop a few hints. First, think in terms of landscape, but “urban landscape.” There is no clear line between the landscapes of people and the landscapes of what we call the natural world, and this is just a bit closer to one end of the spectrum. Then, there is that beautiful light and the lovely Bay Area summer morning sky — the same sky that might appear in a natural landscape not more than a few miles away. And I think if you look closer you might possibly find a few little surprises in the photograph that demonstrate that perhaps there is more there than you might first think. Isn’t that a beautiful curve from lower right and up toward the sky? And how in the world is it that the street and the freeway are empty of cars on a weekday morning in downtown San Francisco. Beyond that, I’ll leave you to figure the rest of it on your own…


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Video Surveillance

Video Surveillance
Warning sign on a doorway to an interior space, Chinatown, San Francisco

Video Surveillance. San Francisco, California. July 25, 2015. © Copyright 2015 G Dan Mitchell – all rights reserved.

Warning sign on a doorway to an interior space, Chinatown, San Francisco

When doing street photography I tend to “switch modes” as I photograph — one moment I might focus on people as individuals or in groups, and then my attention may shift to the “urban landscape,” the shapes and angles of the buildings and roads and sidewalks and more. At night there is always one more element, the unusual effects of artificial light on the scene. The light can be wildly diverse: Greenish from fluorescent lamps, yellow from sodium vapor, warm and saturated from tungsten, almost like daylight though perhaps cooler from LEDs, and occasionally the colors of dusk or the moon.

LED lighting, while wonderfully efficient, is not so wonderful for night photography. Since it mirrors the color balance of daylight so closely it takes away all of those color shadings. Some times it almost makes a night photograph look like day! I made this photograph shortly after I met up with a group of other photographers to walk through this section of San Francisco. At first I was focused in small things — windows, doorways, colorful business signs. As we descended one side street we passed this somewhat nondescript building, but in the nighttime light the interior glowed with an oddly colored light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.