Tag Archives: small

Photographs: Mono Lake Basin

Tufa Field, Dawn

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Tufa Field, Dawn
First dawn light on a field of short tufa formations.

Tufa Field, Dawn. © Copyright 2012 G Dan Mitchell – all rights reserved.

First dawn light on a field of short tufa formations.

One of the great privileges about photographing landscapes is that I get to wake up way before dawn so that I can be in place before the sun rises. No, really. Like many of you, I used to dread the idea of getting up in the dark, and I could not fathom how anyone could actually want to do this. But even though I’ll admit that the sound of an alarm at, say, 3:30AM is not something I look forward to, at least I now understand that there are rewards that make it worthwhile. Such as standing alone in an immense, silent space as the first light creeps over mountains to the east.

Tufa, from I’ve come to understand, comes in quite a variety of shapes and sizes. There some well-known tufa structures that have been photographed lots of times not far from here, and I’ve photographed those, too. I have gotten to know some absolutely huge tufa formations in desert areas around Death Valley. (If you were familiar with only the first one I mentioned above, you might not even recognize the second as an example of the same thing.)These very small tufa structures embody yet another form of this stuff.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Sierra Nevada

Tree-Filled Meadow, Morning Clouds

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Tree-Filled Meadow, Morning Clouds
Small trees and wildflowers spread across a large subalpine Sierra Nevada meadow

Tree-Filled Meadow, Morning Clouds. © Copyright 2019 G Dan Mitchell – all rights reserved.

Small trees and wildflowers spread across a large subalpine Sierra Nevada meadow.

We spent a week camped next to this lovely subalpine meadow, with its small lake, forest of small trees, and surrounding alpine peaks. For those whose backpacking mostly consists of daily walking from camp to camp (as it did for me for many years) the idea of staying in one place for a week can seem boring or even upsetting. But I’ve learned that over time such places reveal plenty of interesting stuff — and I’ve never reached the end of a week in one of them feeling that I’ve exhausted its potential.

Our camp was hidden in trees on top of a rocky moraine, mostly invisible to passers-by. But a short walk down the side of the moraine quickly brought us to the edge of this meadow. The centerpiece of the meadow was a quiet lake, surrounded by grass and wildflowers and covered in places with wildflowers. This was one of those rare and special years when prodigious and late snowfall keeps the meadows green all the way into September, and late season wildflowers were everywhere.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada, Photographs: Yosemite

Young Trees, Dark Forest

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Young Trees, Dark Forest Young Trees, Dark Forest
Small, young trees growing at the end of a dark and dense forest

Young Trees, Dark Forest. © Copyright 2019 G Dan Mitchell – all rights reserved.

Small, young trees growing at the end of a dark and dense forest.

After decades of hiking, camping, backpacking, photographing, skiing, (and in an earlier life occasionally climbing) all over the Sierra, there are odd little unexpected places that have some personal significance to me. In a few cases they are associated with a specific, memorable — there are several, for example, for each of my “kids.” (The “kids” are now all grown, but i remember!) Others connect to travels with backcountry friends or to events that occur there. In some cases, the development of a connection seems to be almost random, and there is nothing at all that points to them in any particularly objective way.

This is one of those latter spots. It isn’t far from a road, and I’ve always been attracted to the views for a mile or two on either side of the spot. But this place? There’s barely a turnout along the road. There is a narrow strip of meadow that runs quickly into thick, high-elevation forest, and it usually has a dark and impenetrable appearance. Logically I know what is beyond it, but it never quite feels like I do. And every year, more than once, I stop again and look at it and perhaps make a few photographs.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Aspen Grove, White Trunks

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Aspen Grove, White Trunks
A dense stand of small, nearly leafless aspen trees with white trunks

Aspen Grove, White Trunks. © Copyright 2018 G Dan Mitchell – all rights reserved.

A dense stand of small, nearly leafless aspen trees with white trunks

This little grove of aspens and I have a long acquaintance. The grove isn’t anything that you would probably notice, even if you found it and pass right by. It is much like many thousands of other aspen groves in the Sierra Nevada… and many thousands more across the western US. But it is one of “my” groves, and I stop there pretty much every year at some point.

The trees in this spot are not terribly large, in fact they might seem larger in the photograph than they actually are. The grove is very close and dense, and if I step inside and try to walk around I have to duck and squeeze between trees. I usually prefer to photograph it up close, using a wide-angle lens, and from just beyond its edge, where the brighter light falls on the trunks. Ideally, as on this day, a bit of overcast reduces contrast a bit and fills in the shadows. it is always a challenge, though usually a pleasant one, to try to find workable compositions in the dense complexity of these groves. It often initially looks like the process should be obvious and easy, but once I start framing things up I invariably discover little “deal-breakers” in the composition — a dark branch, a distracting background, an unfortunate juxtaposition of branches. But eventually, with patience and persistence, things can fall together.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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