Tag Archives: small

Altdeutsche Weinstube

Altdeutsche Weinstube
A small child on the sidewalk passes in front of Altdeutsche Weinstube

Altdeutsche Weinstube. Heidelberg, Germany. August 15, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A small child on the sidewalk passes in front of Altdeutsche Weinstube

I must have made this photograph while walking up one of the back streets of the altstadt, a few blocks over from the popular main street. I simply grabbed the photograph and moved on, so I don’t know much of anything about the building aside from what I can see in the photograph. (A check of Google Maps suggests that whatever business was in there may now be closed.)

The building itself was fascinating to me, with its badly weathered brightly colored pain and the old script painted signs (partially painted over) on the wall. The small child walking by at that moment — and alone! — was a bonus in many ways. Among them is the strange sense of scale that he provides. Either he is a very tiny child or, more likely, the scale of the building is a bit larger than we might think.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Rock-Covered Hill, Desert Haze

Rock-Covered Hill, Desert Haze
A small hill covered with rocks, the salt flats, and distant mountains, Death Valley National Park

Rock-Covered Hill, Desert Haze. Death Valley National Park, California. April 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

A small hill covered with rocks, the salt flats, and distant mountains, Death Valley National Park

I distinctly recall my somewhat unusual first view of Death Valley. It was perhaps about twenty years ago. My oldest son was in a school “hiking and biking” club, and their annual “Big Trip” was to be an adventure in Death Valley involving hiking, backpacking, and more. Most of the group traveled to the park on a small bus, though I joined a group of parent chaperones and the club adviser/teacher in an old Chevy Suburban, highly modified and loaded down with backpacks and other gear for more than thirty people. We drove all day and entered the park after sunset. Because it was late we stopped at the first available camp ground, the Emigrant campground along highway 190 partway down the route below Towne Pass. We set up camp in complete darkness, unaware of our surroundings, in a landscape that I had never before seen.

Early in the morning, perhaps shortly after dawn, I crawled out of my tent and in this light saw the immense light-filled space of this great Valley for the first time, a view that extended down the gigantic fan on which we were camped, the distant valley floor thousands of feet below, and the rugged mountains on the far side of the valley. I had never seen a raw landscape like this before, with no visible plant life and its geology laid bare — a place of rock, sand, haze, juxtaposed shapes, textures, often-subtle colors, and huge distances. There is, I think, a bit of that in this photograph, which includes a dark, rocky hill that I have looked at many times, its ridge sloping the opposite direction from the distant dark hills across the valley, barely visible through the opaque atmosphere.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Dense Aspen Grove

Dense Aspen Grove
Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

Dense Aspen Grove. Eastern Sierra Nevada, California. September 30, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Small aspen trees, packed closely together, with golden autumn leaves, Eastern Sierra Nevada

While the exuberant colors of large groves of autumn aspens are attractive, there is something about the trunks that is hard to resist, even when the colors may have diminished a bit — or perhaps because the colors are less striking. I know I’m not the only photographer who returns to this “take” on the subject. It is fun and more than a bit challenging to make compositions out of such complexity. Frequently I’ll stop and look at a grove, think “that will make a great photograph,” and then gradually discover that some subtle element is not quite right and the whole thing won’t work. I’m continually surprised that a subject that seems so simple often isn’t.

To a great extent it is a question of balance of several sorts. The complex patterns of trunks cannot be completely uniform or there will be no form to the image. There must be some differentiation in the ways that trunks are grouped and among the angles of branches. But too much differentiation is also a problem. There is a “just right” quality to these compositions that is hard to explain, but which I know when I see it. A bit of “dissonance” can help, too — a little bit of something that seems to step outside the predominant patterns. In this photograph that could be the diagonal branches at coming across from the right, or it might be the group of closer leaves along one side. There is also some sense of depth, and if you look closely you may see a good distance into the more distant and darker areas of the small grove. And aside from the obvious vertical lines, there are three horizontal layers — brush at the bottom, trunks in the middle, and yellow leaves at the top.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Small Aspens, Boulders

Small Aspens, Boulders
Early autumn color comes to small aspen trees among Eastern Sierra Nevada boulders

Small Aspens, Boulders. Eastern Sierra Nevada, California. September 18, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

Early autumn color comes to small aspen trees among Eastern Sierra Nevada boulders

There are many ways to “see” aspens, especially during the season when they briefly take on their transitional fall colors. Whole slopes filled with masses of their color are always an impressive sight. Larger views in which the aspens appear scattered within the landscape produce a different effect. The shapes of the white trunks might be the subject. We can move in close and focus on branches or even individual leaves. In some cases, the trees can act as a foil to other elements of the mountain landscape — conifer trees, the sky, flowing water. In this case, the color is, I think, a foil to the shapes, colors, and textures of granite boulders.

I made this photograph quite early in the Sierra color season, when the first trees were changing — somewhat earlier than usual this year, or so it seemed. While the largest trees were still nearly uniformly green, smaller trees and those growing in more marginal dry and rock areas were already taking on fall color. These trees are small, growing among rocks, and comprise just a few trees growing in an area that is mostly filled with conifers. In some ways, this makes their coloration even more striking than if they had been simply two trees among hundreds of aspens.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.