These food carts and lots of other similar versions are all over Manhattan. I know that isn’t news to New Yorkers, but it is a bit impressive to those of us who visit the place. I have yet to eat at one, but my sons tell me that the food isn’t bad.
I photographed this one (obviously!) at night as we wandered around a crowded portion of Fifth Avenue on Christmas Eve, not far from Rockefeller Center and lots of other stuff that drew huge crowds there on this evening. Against that dark background, the wildly lit cart, festooned with colorful signs describing the food and stacked with bottles of soda was surrounded in a cloud of smoke from food preparation.
Night photograph of a building in yellow light and ventilation towers, Mare Island
This was one of the last photographs I made on a recent evening with The Nocturnes at the historic Mare Island Naval Ship Yard. After spending the first half of the shoot exploring some little hidden areas that aren’t quite so obvious, I made my way back towards the “historic core” of the ship yard near the dry docks. This area is well-lit these days, as it is being used to dismantle ships of the “ghost fleet” that have been anchored in the delta for years.
The nature of that light is part of the subject of this photograph. The foreground building, with its classic and well-worn military base construction, stands across a street from the work area. It is brightly lit by sodium vapor lamps whose light floods this entire area, and this kind of lighting has a very warm color cast, so warm that it can give a bright yellow appearances to buildings that are very drab in daylight. Off in the distance is another set of buildings, with some kind of ventilation or cooling towers standing above them. The color of the light on that structure is a mystery — aqua, faint purple, yellow, blue-green. Most likely it is due to a combination of multiple light sources including sodium vapor, industrial LED streetlights, and more. Above all of that is the sky, though it also has a somewhat odd coloration, much warmer that the sky tones in rural areas due to the city lights reflecting on clouds.
Smoke from the 2014 Meadow fire colors late afternoon light on a tree and granite canyon in the Yosemite backcountry.
After a number of days spent photographing at a higher elevation location, our group descended into one of the great river canyons of the Yosemite backcountry, where we made camp for the final days of our 10-day photographic trip. This change gave us the opportunity to shoot a number of subjects that were quite different from those that we concentrated on at the earlier location, and it also let us revisit some locations and subjects that we had all photographed in the past. While some might wonder at the notion of revisiting a place when so many new places remain unexplored, there is something special about returning to a place and learning its patterns more deeply.
On this afternoon I ascended a nearby granite ridge, from which there is a wonderful view down this river canyon as it descends toward California’s Central Valley. As is typical at this time of year in the Sierra — though a bit more prevalent than usual in this drought year — the haze, smell, and coloration of wildfire smoke was in the air. In this photograph, the smoke and the late hour produced an unusual coloration in this scene as I shot through the trunk and branches of a large tree on the ridge.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Morning light on forests and granite terrain along the Tuolumne River on a day of rain and wildfire smoke
After about five days of beautiful late-summer conditions high in the northern Yosemite backcountry we descended to a lower elevation, partly in preparation for our departure a few days later and partly (OK, mostly) so that we could photograph in a different location for a few days. On the morning of our move to the new spot we saw a small bit of smoke in the far distance, over the shoulder of Clouds Rest, but it didn’t seem much different from the other small bits of smoke coming from the usual late-season managed fires. However, as we began our cross-country route down a steep canyon we saw that the smoke had grown and that the plume was now extending over our position. Not long after this, as we neared the bottom of the canyon, the smoke became very thick, blotting out the sun and dropping ash on us. We knew that the fire, no doubt whipped by winds that we experience in our location, had taken off — this was the start of the big “Meadow Fire” that burned in Little Yosemite Valley and which forced a number of back-country visitors to evacuate.
Fortunately, that night it rained — what perfect timing! The next morning we were up to make photographs, and for most of the day we shot between the periodic showers that swept through. Early in the morning I went to a high place to photograph this view down the canyon as light, somewhat obscured by clouds and lingering smoke, broke through gaps in the clouds to strike the forest along the river banks. But further down the canyon another shower was on its way, and before long I had to leave my position here and scramble back to my tent to wait out the next bout of rain.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
