Tag Archives: snow

First Snow At First Light

First Snow At First Light
Dawn light and shadows on an eastern Sierra ridge with dusting of early autumn snow.

First Snow At First Light. Eastern Sierra Nevada, California. October 5, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Dawn light and shadows on an eastern Sierra ridge with dusting of early autumn snow.

On this early October morning I had a bit of time for photography before I had to start my drive back to the Bay Area. I had a plan to visit a somewhat lonely high spot from which I might have a view of aspen groves lit by dawn light, so I was up way before sunrise. I broke camp and headed out, driving some gravel roads to get to my destination and arriving before dawn. It was cold! This was the sort of autumn morning that makes it clear the summer is over and winter is coming. When I got up it was 27 degrees, but when I arrived at my destination it was 23. I put on lots of layers, got out of my vehicle, and set up my tripod and camera.

My initial subject was to be the aspens, and I began photographing them in the soft predawn light. A few minutes later the first direct sun hit the tall ridge of the Sierra crest above me and I turned my camera in that direction. As the light swept across ridges and gullies, there was a big contrast between the extremely warm colors of the rock lit by dawn sun and the deep blue light on the snow in the ravines. A day and a half earlier the first snow of October had dusted the Sierra crest. Looked at in a particular way, this photograph appears to me as an almost abstract pattern out of which the forms of the mountain resolve themselves only when I look more closely.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Aspens, Early Evening

Aspens, Early Evening
Early evening light slants across eastern Sierra Nevada foothills and aspen groves beneath snow-covered peaks

Aspens, Early Evening. October 4, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Early evening light slants across eastern Sierra Nevada foothills and aspen groves beneath snow-covered peaks

I made my first Sierra Nevada autumn aspen trip earlier this week. (This wasn’t my first aspen hunt of the season, though — a week ago I went into Eastern Nevada to look for them, too.) I just had a couple of days this time, though I’ll be back there again before too long. I did a rather high-mileage trip for such a short visit. On Tuesday I traveled east from the Bay Area to cross the crest at Carson Pass. I headed south over Monitor Pass to get to US 395, and then I headed south to find a campsite in Bishop Canyon. It was an “interesting” weather day — I drove through light snow flurries on the upper portion of US 395, though it cleared once I got south of Mammoth Lakes. Aspen conditions? In short, color is changing in many places, though had only peaked in a very few, so there is plenty of color left to come.

People often ask, “Where is the best place to find aspen color?” (You may have heard — I wrote a book on the subject!) I think that the best answer is perhaps not to name one or another place but to consider how aspen color evolves each fall and the many potential places to look for it. A short answer is that you can head over just about any trans-Sierra pass from highway 80 south and keep your eyes peeled! In general, things tend to move from north to south and from high to low, so keep that in mind as you look. But right now, if you cross any of these passes and take a cruise up and down US 395, all you really need to do is keep your eyes open and be prepared to do a bit of investigating… and you are almost certain to be rewarded.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Wheeler Cirque, Autumn Snow

Wheeler Cirque, Autumn Snow
Evening light and autumn snow on the walls and towers above Wheeler Cirque, Great Basin National Park

Wheeler Cirque, Autumn Snow. Great Basin National Park, Nevada. September 28, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Evening light and autumn snow on the walls and towers above Wheeler Cirque, Great Basin National Park

I often return to national parks and other places with which I have developed a personal relationship over a long period of time. But sometimes I do get to visit a brand new place, and I did just that during the last week or so of this year, when I spent five days making the long trip out to Great Basin National Park and back. When I go to a new area like this I intentionally avoid trying to find out too much about it ahead of time, preferring to begin a process of learning the place on my own terms. I already knew a bit about the Great Basin and the basin and range country, and I did look up the location on maps, though I did not take a detailed look at the maps of the park itself. I knew that the park is near the Nevada-Utah border, with Baker, NV being the closest “town,” that Wheeler peak is the second tallest point in Nevada, that there is a glacier nearby, that there are famous caves, and that I could camp along the main road into the park. I left the rest for discovery.

As I drove across highway 50 from California I was surprised to find recent snow on all of the major mountain ranges in Nevada, and by the time I got to Great Basin NP I knew that I would see it there, too. I made this photograph on my final day in the park. I spent the morning exploring a less-visited area accessible via a long gravel road. (Where I discovered, at the wrong time of day, where to find a lot of fall color!) After lunch I went up to the summit of the park road at 10,000’+ and hiked out to the bristlecone pine grove, traveling a good portion of the distance on snow. It was cold — up here in the upper 30s at times during the day — and the sun goes down earlier this time of year, so I set a turn-around time that would get me back to my car before nightfall. I made this photograph within five minutes of the end of my hike, as the late light was slanting across the peaks and cirque walls from low in the west, and as clouds were forming above the summit ridges.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Meadow, Peaks, and Storm

Meadow, Peaks, and Storm
A storm gathers above an alpine meadow and beyond snow-capped peaks

Meadow, Peaks, and Storm. John Muir Wilderness, California. © Copyright 2017 G Dan Mitchell – all rights reserved.

A storm gathers above an alpine meadow and beyond snow-capped peaks

Not too long ago I posted another photograph made on this same afternoon, from roughly the same place, and featuring very similar subject. In that post I noted that I had made several photographs of this subject on this afternoon, and that I planned to share all of them eventually, perhaps with a bit of commentary concerning how each represented this subject in its own way. The general setting was a large, subalpine meadow surrounded by mountains and forest, and with expansive views across a nearby canyon to the high, rocky country on the far side. A large afternoon thunderstorm was building beyond the high ridge, but meanwhile the sun was bright at my locations. The primary elements of the scene included meadow, mountains, dark clouds, the small pond or tarn, and the nearby trees. There are many ways to “see” a subject photographically, and I tried several variations with this one.

I wanted to include the pond in the portion of the meadow in the photograph, but in this interpretation I decide not to put it in the center of the frame, but instead to have it off to the side, perhaps giving it a bit less presence in the scene. I wanted to include the small foreground trees to increase the sense of depth in the image and to ensure that there wasn’t empty space in the foreground. I framed the mountains this way so that I could place the dark peak in the middle, and envelop it in the higher peaks stretching back behind it. A remaining question was about how much sky in include. In another interpretation I included a lot of sky, placing the horizon near the center of the frame. Here I did what I more typically do, placing the horizon very high and including only a small strip of sky at the top. This draws attention to the landscape itself, and I was still able to include enough sky to make the dark thunder-storm clouds visible.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.