Tag Archives: soft

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Desert Gully

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Desert Gully, Death Valley
“Desert Gully” — Eroded formations and a desert gully, Death Valley.

The desert landscape of Death Valley National Park seems fairly static. Yes, we see dust storms blow things around a little, but even the shapes of the dunes remain fairly constant over time. The mountains and the playas look much as they did when I first saw them 25 years ago. But the reality is that this is a very dynamic landscape, and it is constantly being built up and torn down. This photograph is an obvious example of the latter process.

This light material was laid down millennia ago in the distant prehistoric past, long before people were here — and before there were even “people” at all. Over vast stretches of time the material was transformed — squashed, bent, tilted. Eventually a combination of uplift and erosion exposed it, and other processes kicked in. Here, those processes — including flowing water — have eroded and continue to erode the layers, producing this maze of small gullies and the fine silt seen at the bottom of the photo.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Curve in the Canyon

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Curve in the Canyon
“Curve in the Canyon” — A gravel wash curves through narrows in a Death Valley canyon.

The sensations upon entering one of these canyons after walking in desert heat and sun are striking. It is suddenly much darker and much quieter, and often the air is still. At this bend in the canyon, the walls and edges conspired to create a sort of spiral shape with everything centering on the bigger and warmer-toned section in the upper center of the photograph.

Hiking these canyons they ofcanten start to feel like a steady progression back and forth — a turn to the right is soon followed by one to the left, and so forth. In some canyons this leads to a somewhat humorous “just one more”situation. I might check my watch and note that it is about my turn-around time. I tell myself, “First, just hike to the next curve.” Getting there I tell myself, “You can take a look at what is beyond this section.” So I round the bend and see the canyon continues… and, of course, I just have to continue on to the next bend… and then next… and the one after that.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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(All media © Copyright G Dan Mitchell and others.)

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands Detail

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Badlands Detail, Death Valley
“Badlands Detail” — Photograph of details of badlands gullies in soft morning light, Death Valley National Park.

The pink color of the formations in this photograph was a big part of its appeal. It was early morning, and the direct sunlight had worked its way back across the valley to the tops of ridges nearly, and the light’s warm color washed over the nearly-white material of these ridges and valleys. Again, the Death Valley landscape, which can be rather subtly colored, served as a canvas for the effects of colorful light.

The location is at Zabriskie Point — I’m not giving away any secrets by mentioning this well-known location. It is one of the two or three most popular places in the park to view the sunrise. It was an unanticipated turn of events that brought me to this location, and I was originally going somewhere else when I set out before dawn.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

Join the discussion — you are welcome to leave a comment or question. (Comments are moderated and may not appear immediately.)

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(All media © Copyright G Dan Mitchell and others.)

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Morning Dunes

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Morning Dunes, Death Valley
“Morning Dunes” — Death Valley sand dunes in early morning light.

On my late-February visit to Death Valley I only photographed the dunes on one morning. The dunes are a wonderful subject, but there are lots of other things to see and photograph in this park, and photographing those subjects didn’t leave me much time for the dunes. But it would seem wrong not to visit them at least once! I arrived well before sunrise, loaded up a pack, and walked out in the dim pre-dawn light to look for a good spot to use as a my vantage point.

Eventually I climbed to the top of a long dune that provided open views in almost every direction. There are lots of ways to photograph dunes, but on this morning I went with a very long telephoto that allowed me to focus in on distant subjects and still fill the frame. I noticed the overlapping curves on this tall dune as soon as I arrived, and I photographed it several times as the light transitioned from the soft, blue predawn light, through increasingly directional light as sunrise approached, to the intense light just after sunrise.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.