A lone tree stands against the fractured textures of a sandstone cliff, Zion National Park, Utah.
Time for one more Zion photograph. Actually, it may not be quite the last from this April visit to that park and other beautiful areas of Utah. It almost doesn’t matter exactly where this photograph was made, since red rock and green trees can be found all over the area. Basically we were driving along a park road in the afternoon, with eyes wide open and looking about for photographic subjects, when we stopped alongside a section of the cliff that was still mostly in the shade, and in front of which beautiful trees were growing.
I liked the conjunction of the hard, reddish rock with its vertical cracks and horizontal patterns… with a single living thing, the very green tree growing up against the cliff face in the shade. Sometimes the colors of the rock can seem almost unreal. I feel a bit that way now when I look at the intense red-yellow colors in the upper right corner of the frame.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
The Green River curves past Turk’s Head in evening haze, Canyonlands National Park, Utah.
Just to the west of the “Island in the Sky” area of Canyonlands National Park, the Green River flows though deep and rugged canyons on its way to the confluence with the Colorado River. The river and its tributary streams have cut thousands of feet down through the layers of rock, exposing plateaus and steep canyon walls and more sandstone than can be believed. At Turks’ Head the river winds through a very large S-curve that widens the lower part of the canyon.
I had begun shooting the evening light at the Green River Overlook somewhat earlier on this evening, and by the time I made this photograph the direct light was almost gone – a bit of it is still hitting the cliff faces at lower left and glancing across the tops of nearby flat areas. It was a rather hazy evening, which is part of what attracted me to this spot – I love shooting into or across back-lit haze which can almost glow in the right light and which can also enhance the sense of distance in the scene. Of course, most of the “glow” was gone by this time, and the result is something a lot more subtle with the most distant terrain above the far end of a tributary canyon almost disappearing into the distant haze.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A nearby sandstone tower backed by a more distant cliff face in morning light, Zion National Park.
If you look at the photograph that I posted yesterday, you can probably locate almost the entire composition of this photograph contained within the earlier one. This perhaps illustrates one or more things about how I sometimes think when making photographs. One approach that I think I use quite a bit is to try to isolate small sections within much larger landscapes. If you look at yesterday’s image, you’ll see that it uses a fairly familiar sort of approach, namely to include a fairly large swath of “stuff” from close to far away within the frame. Today’s image, though, eliminates out all of that other stuff that might provide a wider context and instead just “shows” one small, interesting bit of the larger scene. And, obviously, I used a longer lens – something else that I often do when shooting landscape. I’m most certainly not one of those photographers who buys into the notion that “landscape photography is done with wide-angle lenses!” I also like juxtapositions. In this scene there are perhaps quite a few – and you might even see some that I’m unaware of. There are color juxtapositions the bright green at the bottom against the very different tones of the rocks; the brighter reddish rocks in the foreground against the darker and more blue or even purple tones of the more distant rocks; the clarity of the close and sunlit red rocks against the lower contrast and somewhat haze-obstructed character of the distant cliff.
The location is in the Virgin River drainage of Zion Canyon. One person described it as “Yosemite in red,” and now that I have been there I can certainly see why! While the overall scale of this valley is smaller than that of Yosemite, the verticality of the place is just as stunning. In fact, in some ways, because the walls are closer and because of the wild colors, it may be more stunning. (Of course, Yosemite does have those waterfalls… and some crazy dome formations… and the massive scale of features like El Capitan. I digress… ;-) The smaller scale makes some kinds of photography perhaps a bit easier. For example, those “juxtapositions” I mentioned above can be fine tune a bit more readily by moving the camera position a few feet. (I did that here as I moved the camera a bit to get three trees way up on the far cliff to line up to the left of the upper section of the closer formation on the right side of the frame. Ironically, you probably didn’t even see them until I mentioned that… ;-)
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A winding sandstone canyon willed with trees, Zion National Park, Utah.
This photograph was definitely not shot in “golden hour” light! Although it was afternoon, the sun was still high in the sky, and that sky was a somewhat unattractive washed out light blue color. In order to not allow that quality to take over the image, I composed this scene to completely exclude sky and also to minimize the inclusion of more distant features that would show the effect of the haze. I did include a bit of it at the upper right, since that serves to give the image some amount of depth.
The area is in the “high country” of Zion National Park along the Mt. Carmel highway. This road passes to the east across and then out of the park, climbing (through an exciting but, in some ways, unfortunate tunnel in the sandstone) out of the Virgin River area of the main Zion Canyon to pass through the dome-filled, river cut highlands. I shot toward the sun here, to be able to include the beautiful shaded cliff walls, and I tried to find a composition that would show the twisting course of the creek that winds down this canyon.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
