Tag Archives: southwest

Clearing Storm, Morning Light

Fog clearing from a Zion Canyon cliff face.
“Clearing Storm, Morning Light” — Clearing storm clouds and morning light on sandstone towers, Zion National Park

We arrived in Zion the previous day, driving through rain across lower Utah and upper Arizona, stopping to photograph here and there, including rain-soaked upper elevation areas of Zion. We arose early to catch one of the first shuttles into the canyon. The morning began with sun coming through breaks in the clearing clouds from the previous day’s rain. In my view, clouds in Zion canyon are not usually all that conducive to photography, since I tend to rely on the diffused midday light coming from open sky to light my subjects, which are often found in the shade. Clouds produce too much shade and move the color balance away from the warm tones of daylight and toward the dark, blue tones.

On the other hand, I love sunlight broken and muted by clouds, especially those that move and are a bit transparent. I love shooting in Yosemite Valley when winter storms or fog are swirling around the walls and spires, alternately revealing and hiding bits of the landscape. As we rode the shuttle into Zion Canyon, with a vague plan of heading toward the middle or upper part of the canyon, I looked up to see that same sort of effect high on the cliffs along the west side of lower Zion Canyon – early morning sun was shining through breaks in clouds that swirled around the upper cliffs, alternately revealing and concealing their form. Plans change, and we hopped off the shuttle. I put the long lens on the camera and spent a few minutes exploring this subject.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Box Elder, Bend in the Creek

Box Elder, Bend in the Creek - A Utah canyon creek winds through a narrow canyon and past a box elder tree.
A Utah canyon creek winds through a narrow canyon and past a box elder tree.

Box Elder, Bend in the Creek. Grand Staircase-Escalante National Monument, Utah. October 23, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

A Utah canyon creek winds through a narrow canyon and past a box elder tree.

This little stream and its canyon was the first place we stopped at on our late-October photographic trip through (mostly) Utah. Before this we had shot a bit in the “touristy” part of Zion NP, but this place was quite a bit more off the beaten track. Truth be told, this was also my first time wandering/wading/rock hopping my way up one of these small Southwest canyons – so it was a special bit of adventure for me, and one that I took to very quickly. Although I felt, to some extent, like I already “knew” these places from reading and seeing the work of other photographers, it was still something special to be in the place for the first time.

We began by walking up a portion of the wash through which the stream flowed after it left the canyon. I quickly discovered that here, unlike in “my Sierra,” one does not necessarily try to avoid the water – which wouldn’t really be possible anyway – but instead you walk in it, hop or wade back and forth across it, or tread the soft sand and mud along its banks. Some figure that you’ll get wet, and they wear light footwear. I went “old school” and put on a pair of Gore-Tex hiking boots and rolled up my pants enough to keep the bottoms out of the water.

The light in such places – as the veterans of such shooting know – is a complex and interesting thing. Most of the time you don’t really want direct sunlight, so you (or I, anyway) seek out shade. But you do want reflected light, coming off of the canyon walls high above, taking on the color of the rock, and diffusing down into the depths of the canyon. Contrary to my well-developed shoot-very-early-and-shoot-very-late instincts, you also typically want to shoot during the mid-morning hours and the afternoon, and if the canyon is deep enough and oriented the right direction you may even shoot right through the noon hour! What a concept: sleep in until the sun comes up, eat breakfast, and then go shoot! In this little twist in the stream, at just about the point where we turned around, the water takes on the color of the light reflected from the sandstone walls around the bend, and a single small box elder with golden leaves adds a spot of fall color.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Rain Squall, Monument Valley

Rain Squall, Monument Valley j- Distant mesas and towers of Monument Valley, veiled by a passing rain squall
Distant mesas and towers of Monument Valley, veiled by a passing rain squall

Rain Squall, Monument Valley. Monument Valley Navajo Tribal Park, Arizona, October 12, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Distant mesas and towers of Monument Valley, veiled by a passing rain squall

I have a bit of a surprising confession to make. Utah is not the only state in the American Southwest that I had not previously photographed. Although I have been in the state before, I had never photographed there prior to this year, when we made a quick pass though the upper portion of the state on a drive between Moab and Zion National Park. Several things explain this. First, as I’ve written before, I’ve long been a California landscape bigot – the “local” landscapes of ocean and mountains and deserts and redwoods and more have been, and continue to be, such a focus that I’ve felt little inclination to shoot elsewhere. More recently, as I discovered Utah, I felt a bit of an obligation to avoid Arizona for certain other reasons that I won’t go into right now.

That’s right. I’ve never photographed the Grand Canyon. In fact, I haven’t even seen the Grand Canyon except from the air while flying over the state. And, no, I had not seen Monument Valley either. As we left Moab and headed south, I was excited about seeing this new landscape, but a bit concerned about the potential for photography as a storm – and not just the afternoon monsoon – was moving through. Sure enough, just about the time we got near to Monument Valley the clouds thickened, the wind blew, and it began to rain in earnest. However, I soon caught sight of the towers and mesas of this valley in the distance, familiar from so many photographs I’ve seen, and I quickly realized that the rainy conditions were actually going to provide some very special light and effects. This photograph is a case in point. It was cloudy but not raining at my camera position. Just beyond, a passing squall was dropping rain across the desert terrain and muting and blurring the features, but beyond that the sun was shining on the stupendous distant formations, and beyond them broken clouds were moving.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Cracked Sandstone

Cracked Sandstone - Large cracks in layers of sandstone, Zion National Park
Large cracks in layers of sandstone, Zion National Park

Cracked Sandstone. Zion National Park, Utah. October 22, 2012. © Copyright 2012 G Dan Mitchell – all rights reserved.

Large cracks in layers of sandstone, Zion National Park

On our way to Utah points further east in late October, we passed through Zion National Park and ended up spending the better part of a day photographing along the Mount Carmel Highway route through the park. There are any number of places here to park the car, get out, and walk down into the narrow washes and valleys or climb up to various prominences. On this day the prospect was even more interesting since autumn color had come to the high country – much more than in the more famous Zion Canyon – and the oak and red maple trees were showing brilliant and vivid colors.

At several points we decided to investigate small canyons that passed near the roadway, and several of them included short stretches that were very narrow. There is a lot of tortured looking geology in some of these places, the result of eroding and sculpting power of the sand and water and other processes. Here a large “chunk” of sandstone was leaning away from the creek and was cracking, both along the natural strata in the rock and perpendicular the layers. In these places it is often interesting to see how seemingly solid rock can take on the qualities of a plastic material that has been bent and carved.

G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.