“Spring Torrent, Boulders, and Trees” — Spring snowmelt swells a rushing creek as it rushes past trees and over boulders, Yosemite National Park.
This is a Yosemite National Park cascade that I frequently photograph – at various times of the year including winter, the spring runoff season, and the much quieter and more sedate autumn time. This creek drops precipitously down a steep mountainside (as a number of Yosemite Valley creeks tend to do!) and passes in several place through narrow, twisting, and granite boulder-filled channels.
I made this photograph at almost right around the peak of the spring runoff during an above-average precipitation year, so the water was roaring though this section. The mist that is visible in the photograph was being blown strongly down the canyon and I had to stand in its flow to make this photograph. I recall that I more or less figured out the composition (two actually – one vertical and this one horizontal) before I moved into position, and then I quickly stepped into the mist and made a series of exposures before I and my equipment became too wet, shooting straight into the blowing mist. Now, when I look at this photograph, the memory of the cool, wet air and the tremendous sound of the cascading water comes back to me.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
A trillium flower blooms among ferns beneath the canopy of the redwood forest at Muir Woods National Monument, California.
This was one of the nicer “classic” trillium flowers I found in Muir Woods this season. The petals and leaves were in good shape and almost perfectly aligned with the flower’s petals lined up with the larger, lower leaves. The photograph was made very close to the beginning of March when the first good flowers were appearing in large numbers. Over the next few weeks, more and more of the flowers blossomed at Muir Woods. Other than some of the unusual winter flowers, the trillium flowers here sort of mark the beginning of the Central/Northern California wildflower season for me, and now that the days are lengthening more and more wildflowers will appear in the these areas.
Along the lines of technical information about this photograph… I used a 70-200mm lens on a full frame camera for this shot. This turns out to be the setup I use most often for this subject, though sometimes I’ll photograph them with a prime (ranging from 24mm to 135mm) or even a wider zoom, and every so often I use an extension tube and get in extra close. This photograph was shot at 200mm and cropped a bit, both to tighten the frame around the flower a bit and to get the taller and narrower aspect ratio that I usual prefer. For many flowers I find that 70-200mm zoom to be a great tool. Even though mine only opens to f/4, at 200mm this can create a very nicely blurred background when shooting such subjects, and the long focal length lets me work a bit further back from the flowers.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Two trillium blossoms in the redwood forests of the Golden Gate National Recreation Area, California.
It is probably obvious by now that I’m a trillium fanatic. Early March is “trillium season” in the redwood forests around the San Francisco Bay Area, so I have been out photographing these flowers during the past couple of weeks. I was originally concerned that this might be a very poor year for them since we are in the midst of a serious drought in California, but some early March rain seems to have provided enough water to get them to sprout. In fact, this past weekend I saw lots of new plants just starting to emerge, so it seems to me that there may be some life left in the this year’s bloom. (And now we are looking hopefully at an upcoming week of much-needed rain.)
I photographed this pair along a trail that traverses a hillside above a valley filled with coast redwoods. I arrived in this spot just as morning light was beginning to filter down through the tall canopy of this forest and, in spots, hit the ground and the new plants. The trick is is to get some of the brighter color of this sunlight but to avoid the direct sun – the latter is far too harsh for photographing these flowers. So I worked in the shaded areas or, at times, in those spots that were right on the sun/shade boundary. I probably most often photograph single flowers, but when I can find a group I like to see how I can make a composition out of them. It is a bit trickier than it might seem, as there are a bunch of elements that must work together. First, the two flowers need to be fairly close together, and they both need to be at roughly the same point in their development – it isn’t so wonderful to get one beautiful flower and one half-dead, dried hulk. Then they must both be illuminated in roughly the same way – it won’t work so well if one is in brighter light than the other. The background is a tricky thing, too. If it is too bright or too busy (or too well focused) it can easily distract from the flowers themselves, so I usually look for something in shadow and without any very bright objects. While I may be able to find a camera position that accomplishes this, sometimes I need to move a small, bright leaf or twig. And once all of this is worked out, the flowers must be roughly in a plane parallel to the camera’s sensor so that both will be in focus – and this must happen while shooting at the large apertures necessary to throw the background out of focus. And last, but not least, exposure can be slightly tricky – it is very easy to over-expose the bright but delicate form of the flower’s petals, and end up losing detail.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Morning light filters through an eastern Sierra aspen grove on a spring morning.
I often photograph the eastern Sierra aspens when they change colors in the fall, but these groves are appealing in every season – whether bare branches in snow, with green leaves quaking in the summer breezes, turning gold in fall, or with new leaves emerging in late spring.
I photographed these on one of those late-spring days. I had been up much earlier to photograph another subject elsewhere, and then returned to my camp site a bit later in the morning. This is a camp that I often use when photographing in the area east of Yosemite, so I know its surroundings quite well. The area is full of aspen trees, an there are a few small groves along a nearby section of the road that I often walk to. On this morning I stopped on my way back from that other place, just pulling over to the side of the road to shoot as the morning sun light was just arriving at this grove as the sun rose above the surrounding peaks.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
