An accidental geometric abstraction of shapes formed by metal tubes of racks and railings and their shadows, San Francisco
On a late-Spring visit to San Francisco on the weekend when SFMOMA was last open before its two-year closing for remodeling and expansion, I arrived on the Caltrain from the South Bay very early in the morning and had time to wander the streets a bit before going to the museum. At one point I walked past a place close to the museum, a spot I have walked by many times before, and spotted this junction of lines, curves, shadows, and light and dark space.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Exterior staircase, broken windows, and peeling paint on the wooden side panels of an abandoned building near Vallejo, California
I had joined up with a group of night photographers that I often shoot with on this evening, and we were sitting around in the late afternoon hours sharing pizza when someone made the radical suggestion of going out to shoot before darkness arrived! In the past, this has been just about the only group of photographers I’ve ever met who would stay inside during a San Francisco Bay area golden hour and sunset period, anxious for the light to go away so that shooting could begin! But on this evening, the radical concept of shooting in the daylight must have seemed so innovative that quite a few of us headed out to find either landscape-style shots over the San Francisco Bay or else abandoned and dilapidated industrial subjects nearby. I opted for the latter, and hoping to cover a bit more ground before dark, rather than walking nearby I drove, trying to figure out where I wanted to be in the fading light.
I ended up near this lonely, abandoned and partially destroyed building that has been left to vandals, who seem to be doing their best to accelerate the natural destructive forces that eventually take such buildings. Many windows are broken, there is spray paint in many places, and the exterior of the building is tremendously weathered and worn. Just a few minutes before sunset I made a series of exposures of this building, using a long lens to isolate smaller sections of the building. The sunset light turned the otherwise-dull building a much more intense shade of brown/yellow, and the brighter sky and clouds over San Francisco Bay are reflected in the broken windows. Soon after I finished shooting, the sun set, and I headed back to where my nocturnal friends awaited, and we headed out to photograph in the night.
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Black and white photograph of a stairway and a portion of a front wall of a building on a rainy evening at the historic Mare Island Naval Ship Yard, Vallejo, California
Black and white photograph of a stairway and a portion of a front wall of Building 45 on a rainy evening at the historic Mare Island Naval Ship Yard, Vallejo, California
I interrupt the almost-steady stream of landscape photographs from the American Southwest (of which there are many more to come) to share a photograph of night photography at the historic Mare Island Naval Ship Yard near Vallejo, California. Depending upon where you see/read this, you may not know that I have been photographing this place at night for a half-dozen years or more, joining a large number of other night photographers who continue to be fascinated by the place. The San Francisco Bay Area group known as The Nocturnes has been instrumental in uncovering the photographic potential of this wonderful location and in ensuring its respectful treatment by photographers, and I was there with them again this week. I’m certain that many people who drive past and see “Mare Island” signs have no idea of how long this place has existed (well back into the 1800s) nor of its historic importance (the first US west coast major ship yard) or some of its “issues,” including the transition from the military to civilian uses and all of the things that this entails.
The whole area, but especially that around the “historic core,” is quite an amazing photographic resource, especially for those who have worked to “see” it at night. There are a number of obvious, impressive, and iconic features – the gantry structures, the power plant, many old buildings, dry docks, and more – yet return visits begin to reveal smaller and subtler features that you could miss on a single visit. There was one wrinkle in this week’s shoot – RAIN! When we assembled there before sunset – for photograph sharing and talk – we knew that a weather front was headed our way, but we hoped that it might hold off long enough to let us complete some shooting first. I wasn’t so sure. (The weather radar app showed a front very close to us!) As soon as it was dark enough, I quickly went to work at this building that I had seen earlier in the day when I arrived. It was already beginning to sprinkle when I got there, and soon the rain increased to the point where I had to work under an umbrella as I completed some relatively long exposures. (For real fun, try juggling camera, lenses, bags, tripod, and an umbrella… in increasing wind… and rain… while trying to attach camera to said tripod and compose and focus!) I had time to make five or six photographs at this location before I had to seek shelter along with my Nocturnes colleagues on the front porch of one of the old officers’ mansions.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
Entrance to stairways at the War Memorial Opera House, San Francisco.
We are fortunate to have season tickets to San Francisco Opera. (No. Not box seats. Not even orchestra seats. But, still, the opera… :-) So we spend a fair amount of time in the War Memorial Opera House in San Francisco and wander around the place a bit before shows and during intermissions. I find the whole place architecturally interesting, and some day I would love to have an opportunity to go in there with all of the right gear and have free run of the place to make photographs.
But for now I have to make do. This particular entry and the stairwell beyond have intrigued me for a while. Long before I made this photograph I had made a few iPhone images of the scene and thought about what it contains and some of the reasons that it must attract me. Last summer we went to the San Francisco Opera performance of Wagner’s “Ring,” and due to the somewhat extreme length of the component operas, many of the performances started fairly early – this one started at 7:00 p.m., meaning that there was plenty of light coming in from the windows to the right of the scene. On this evening I had brought along a camera body and a single 50mm prime, which turned out to be just about the right lens for this scene.
G Dan Mitchell is a California photographer whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more. Blog | About | Flickr | Twitter | Facebook | Google+ | 500px.com | LinkedIn | Email
G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
