Tag Archives: stalk

Winter Corn

"Winter Corn" — Old corn left on the stalk in a winter field.
“Winter Corn” — Old corn left on the stalk in a winter field.

We don’t usually see corn on the stalk this late — by now it usually has been harvested, either for human food or animal feed. The stalks are left to decay for a while or sometimes salvaged for seasonal autumn decorations. Eventually they are knocked down — and it parts of California they get burned. It is quite unusual to find stalks with fully mature ears of corn on New Year’s Day, which is when I made this photograph.

So, why are the ears still there in this field? Not everyone understands the multiple factors driving support for wildlife refuges. Many of us are simply grateful they are there, providing safer places for migratory and other birds. But hunting and agriculture have played a big part. Here, attracting birds to places that are not someone’s field is one of the goals, and this crop provides feed for migratory birds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Patterns in Green

Patterns in Green
The stalk of a plant at a formal garden.

Patterns in Green. © Copyright 2021 G Dan Mitchell – all rights reserved.

The stalk of a plant at a formal garden.

First of all, about the sort of vague title for this photograph… I do tend to use titles for some photographs, particularly landscapes and wildlife, that don’t give away too much information about the subject. I have my reasons. For one thing, I think that the photograph should be free to speak to the viewer visually, mostly on its own merits and without telling the viewer what to think. For another, in some cases it is better to not focus people’s attention too much of the specific location, particularly if that might distract them from the visual value of the photograph and double-particularly if the location is one that might be at risk of damage if too many people went looking for it.

However, none of those noble — or so I tell myself — considerations are at work here. The truth is… I have no idea what kind of plant this is. I don’t even recall specifically the act of making the photograph, though I do know that it was during a visit to a garden that we went to order to photograph flowers and plants. (At about this point, someone will know what kind of plant it is and write to let me know. I’m counting on you! :-)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Late-Season Corn Lilies and White Flowers

Late-Season Corn Lilies

Late-Season Corn Lilies and White Flowers. Yosemite National Park, California. August 24, 2009. © Copyright G Dan Mitchell – all rights reserved.

Golden late-season corn lily plants at Half Moon Meadow, Yosemite National Park, California.

The summer goes so quickly in the High Sierra! It was barely a month ago that I was in the Young Lakes region for a few days and the wildflowers were just starting to come into form, and only a couple weeks ago when I encountered peak condition wildflowers above 10,000′ in the upper Sabrina Basin. While you can still find wildflowers – including in this photograph! – if you know where to look in the Sierra, the signs of the coming autumn are beginning to appear throughout the high country, as they do every year at about this time.

Every year, there seems to be a day during the second half of August when I’m in the Sierra and I get a very clear and distinct impression of a change. In many cases I’m hard pressed to identify exactly what it is, but I know it is there. It might be something about the changing angle and quality of the light. Sometimes I think changing air movement and wind patterns may play a part. Perhaps it is the end of the lush moisture from melting snow. In other cases it is more obvious – like when I begin to see these late-season corn lily plants begin their transition: first they are thick and green; then a bit of  brown begins to appear at the tips of the leaves; soon the veined pattern of the leaves begins to pick up brown and yellow streaks; before long some of the plants turn wild yellow and gold colors and their stems begin to weaken; and in a short time they fall over and taken on the texture and color of old corn stalks.

I photographed these brightly colored leaves at the edge of Half Moon Meadow in Yosemite during the last week of August while on a three-day pack trip into the Ten Lakes Basin.

(If anyone can identify the small white flowers in this photo I would be very grateful. And, no, the flowers are not growing from the bright yellow corn lily plants! 10/11/09 – I think we have  a winner. It looks like it might be a plant called gray’s lovage.)

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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Cattails, Morning Light

Cattails, Morning Light

Cattails, Morning Light. Calero Hills, California. August 14, 2009. © Copyright G Dan Mitchell – all rights reserved.

Summer cattails in morning light at Castillero Pond, Calero Hills, California.

OK, this time no alpine scene from high meadows near the crest of the Sierra – instead a cattail growing along the bank of a small pond perhaps ten miles from my home at a place where I frequently hike. This morning I decided to get up early and head out here with no particular photographic goal in mind. When I arrived at the pond I thought I might photograph some birds – in fact, I just missed photographing my local egret, which flew away just as I was getting out my camera. So, instead of photographing the birds – and instead of continuing on for a longer morning hike – I spent more than an hour here photographing the cattails and patterns of summer grasses in the morning light.

Yesterday I visited SF MOMA to see two photographic shows – the photographs of Richard Avedon in one and the photographs of Ansel Adams and paintings of Georgia O’Keeffe in the other. As I looked at the out of focuse patterns of grasses, such as those in the background of this photograph, I thought about the colors and patterns of the O’Keeffe paintings.

This photograph is not in the public domain. It may not be used on websites, blogs, or in any other media without explicit advance permission from G Dan Mitchell.

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