Tag Archives: state

Scrim, Bars, Shadows

Scrim, Bars, Shadows
Winter tree branches cast soft shadows on scrim window covering

Scrim, Bars, Shadows. © Copyright 2017 G Dan Mitchell – all rights reserved.

Winter tree branches cast soft shadows on scrim window covering

I was tempted to write little or nothing about this photograph and just let it stand as is. But that would break with my tradition of posting something about every photograph! (Apologies to those of you who aren’t fans of the writing! ;-) The subject is the conjunction of a shadow and the bars of a window.

The photograph illustrates, perhaps, the usefulness of bringing a camera along even in situations where photography isn’t your main goal. We were in New York for a week in late December, and on this freezing cold winter day we did what so many do on such days — we headed for the warmth of a museum, in this case the Metropolitan Museum. Our primary goal was to see the large David Hockney show, but there were other things to see as well. At one point, while considering what to do next, we ended up in a familiar gallery off in the distant reaches of this large and confusing museum. At one end of the room was a stairwell. Southwest facing windows were covered with a sort of scrim that muted the direct light, and winter-bare tree branches cast shadows on it.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Manhattan Graffiti

Manhattan Graffiti
Detail of graffiti in Lower Manhattan

Manhattan Graffiti. © Copyright 2017 G Dan Mitchell – all rights reserved.

Detail of graffiti in Lower Manhattan

I’m often a bit uneasy about photographing graffiti. For one thing, I feel just a bit like I’m simply recording someone else’s “work” when I do this. For another, I have some concerns about contributing to the visibility of what is, at least in some cases, essentially vandalism. In many cases I have decided to not photograph such things. In others I made photographs and then chose not to share them. In yet other situations I have distorted/modified identifiable “tags” in post so as to avoid being seen to promote vandals. But sometimes graffiti is more than just vandalism. It sometimes rises to the level of art, it isn’t unusual for its themes to present some information about places and times, the colors and forms can be interesting, and the weathering and layering of successive examples can produce unanticipated effects.

I’m pretty certain that I photographed this tiny section of a large bit of street are while walking somewhere in lower Manhattan or perhaps as far us as the Chinatown/Little Italy area. I was on the move on the day I made the photograph, not lingering very long in any one place, so my recollection is that I saw it, photographed it, and moved on. The color palette of this image usually would not attract me, but somehow here it did – perhaps because it seemed somewhat atypical of such street art.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Barbershop, Manhattan

Barbershop, Manhattan
Barbershop storefront in the Chinatown section of Manhattan

Barbershop, Manhattan. © Copyright 2017 G Dan Mitchell – all rights reserved.

Barbershop storefront in the Chinatown section of Manhattan

As I continue my somewhat binary posting pattern — street and urban photography one day, with nature, wildlife, and landscape the next — today I’m back in New York City, during out end-of-year December 2017 week spent there, visiting family, eating, walking, and doing photography. Oh, and freezing. We managed to arrive just before a bout of exceptionally cold weather — at least for these Californians — during which daytime temperatures didn’t always make it into the twenties. It didn’t snow until the final day, but it surely was cold enough.

The cold didn’t keep us indoors, though. We were out every day, walking through as much of Manhattan as we could. A typically walk started near our hotel at the end of Lower Manhattan and (if we didn’t get a head start on the subway) worked its way north along any of several paths. Eventually the cold and wind would become too much, and we would stop for coffee or food, then head back out. On one morning our uptown-bound route took us into the narrow streets of Manhattan’s Chinatown, a place I always like to see. (On our previous visit we stayed for a week on essentially the boundary between Chinatown and Little Italy.) Things here are often a bit ragged around the edges and it can be crowded, but there is plenty to see. The dense patterns of people walking the streets, the interiors of shops, the scenes on the sidewalks are all interesting.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Central Park, Winter

Central Park, Winter
Bare trees and an empty plaza on a cold winter day in Central Park

Central Park, Winter. G Dan Mitchell – all rights reserved.

Bare trees and an empty plaza on a cold winter day in Central Park

It was an utterly frigid day in New York City when I made this photograph. This Californian is not really used to such weather, but we gave it a good try, heading out each day on long walks that sometimes lasted many hour despite temperatures around and sometimes lower than 20 degrees. (Some of you are used to that, but a “cold” midday temperature here in near-the-coast Northern California would be in the upper-forties.) Our morning began with an aborted attempt to visit the Guggenheim Museum — we made it there, got in line, stood there gradually getting colder and colder, finally figured out that the line wasn’t actually moving, gave up, and found a warm and cozy place to go eat and drink.

Afterwards we headed out on foot once again, eventually ending up back at Central Park. I’ve been there at different times of the year. In summer there are often many thousands of people in the park — walking, cycling, skating, sitting around, eating, lounging on lawns, and more. There are expansive green lawns and big, leafy trees. In winter those lawns die and the trees lose their leaves. There are people in the park, but only a tiny fraction of the number seen in summer, and most seem to be on their way somewhere else — probably somewhere else warm. But I like the park this time of year. The gray solitude of the place appeals, and the leafless trees permit more of the surrounding urban world to be seen. This little plaza, nearly empty, was along the east side of the park as we gradually worked our way to the lower end of the park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | FacebookGoogle+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.