Tag Archives: stock

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Green River Canyon

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Green River Canyon
A hazy evening overlooking the Green River Canyon as sunset.

Green River Canyon. © Copyright 2012 G Dan Mitchell – all rights reserved.

A hazy evening overlooking the Green River Canyon at sunset.

The story of this photograph — and this version of the image — is a bit involved for the usual two-paragraph post, but here goes. The first part concerns the fact that this is not a new photograph, but that I created and shared in the past. However, as I looked at it during my pandemic project of reviewing old files, I began to feel that it could benefit from a bit of reinterpretation. The result is not radically different, but I like it a bit more. A slightly modified crop and a few other bits of post-processing revision provide a stronger sense of what I recall experiencing when I made the photograph.

And speaking of making the photograph, this is where I get to — yet again! — tell a story on myself. I made the photograph on the first day of my first-ever visit to this Utah national park and, as is my frequently practice, I entered this park having done essentially no prior research. My idea, at least most of the time, is that I don’t want to go to such places with too many preconceptions, preferring to go with my own personal response to the place. (Funny story: We passed a turn-off at one point to “Mesa Arch,” one of this things that every photographer must “capture” in this park. I had no idea it was there… and we kept driving.) So, we entered the park and drove up to the “island in the sky” mesa area and began poking around. Eventually we “discovered” a location with a spectacular panoramic view down into and across the magnificent canyon of the Green River. I later came to understand that perhaps I wasn’t the first person to visit this spot… to put in mildly.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Towers, Windows, Mountains

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Towers, Windows, Mountains
Arches National Park towers and windows, backed by distant mountains in morning haze.

Towers, Windows, Mountains. © Copyright 2012 G Dan Mitchell – all rights reserved.

Arches National Park towers and windows, backed by distant mountains in morning haze.

The first time I visited Arches National Park, I was intentionally almost completely ignorant of the place. I had sort of connected it with Edward Abbey’s “Desert Solitaire,” but only as a sort of vague background to the larger points of that book. I knew that so-called Delicate Arch was located in this par. But that was pretty much it. So the first time we drove into the place late one afternoon I was almost completely unprepared for the otherworldly quality of the impossible formation in the park.

I made this photograph a few days later, on a morning of oddly hazy atmosphere that muted the details for the landscape, simplifying it and bringing attention to the larger forms. While this is red rock country, that is barely visible in this light. The solitary pinnacle is silhouetted against a panorama of other-worldly towers and windows backed by the barely visible outline of the La Sal Mountains.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature

Redwood Forest Plants

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Redwood Forest Plants
“Redwood Forest Plants” — Detail of plants growing on the redwood forest floor.

We are perhaps spoiled somewhat here in my part of California. We take redwood forests for granted — both the coastal trees and the sequoias found in a few areas of the Sierra. Because I’ve been around these trees almost all my life, I forget sometimes how remarkable they are. Ironically, it is frequently while traveling to other places where forest trees are not of such gigantic size that I realize how shocking their scale can be.

At the same time, familiarly helps me look past the trees themselves and see smaller things that might be overlooked by a person walking through these forests with neck craned upwards in marvel. There is actually a lot taking place right down on the ground, especially during the wet season. I made this photograph one march in redwoods just north of San Francisco.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Photographs: Nature, Photographs: Photographers, Photographs: Sierra Nevada

Keith Walklet, Yosemite Backcountry

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Keith Walklet, Yosemite Backcountry
Photographer Keith Walklet hikes past subalpine lakes in the Yosemite National Park backcountry.

Keith Walklet, Yosemite Backcountry. © Copyright 2019 G Dan Mitchell – all rights reserved.

Photographer Keith Walklet hikes past subalpine lakes in the Yosemite National Park backcountry.

This is an extra fun post for me to share because it ties a whole bunch of strings together — and it somehow manages to memorialize literally the first instant of my friendship with Keith Walklet. Back n 2008 I had heard from Charles Cramer that he and a group of fellow photographers would be spending a week or so in a Yosemite backcountry location that was very familiar to me, as part of a long term project that took them into the backcountry to make photographs every year. I mentioned that I might just backpack in on my own and look them up. I arrived in the neighborhood, but couldn’t find them, so I went ahead and set up my own solo camp and got to work exploring and photographing. A day or two later I was descending cross-country from a high, rocky lake when I spotted a heavily-laden figure coming up the valley, skirting a lake and heading my direction. Judging from the absurdly large load he was carrying I knew it was either an overburdened backpacker… or a photographer. I suspected the latter.

I quickly made a couple of exposures as he approached — mostly thinking that the figure in this landscape might be interesting. I made this photograph less than a minute before our first meeting. I had never met him, but I guessed he might be part of Charlie’s group and he confirmed. We spoke a bit — I don’t recall many details of the conversation aside from finding out where they were camped and that he was probably heading to the lake I had just left — and then I continued down canyon as he continued up. A day later I caught up with the group at their camp as I began my walk back out to the trailhead. This was the end of my trip, but it was the beginning of a longer, fulfilling journey with this band of friends: Keith, Scot, Mike, Karl, Charlie, and occasionally others. The next summer I hiked in to meet them for a couple days at their next location. The summer after that I still went in on my own, but walked with them and camped with the group for several days. And the next summer I began to participate in these wonderful expeditions every summer, spending a week or more in the glorious Sierra backcountry with a wonderful group of photographers and friends. (And, yes, we’ll be doing it again later this summer. I’ll perhaps have more to say about that later this season.)

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.