Tag Archives: strata

The Manifold, Detail

The Manifold, Detail, Death Valley
“The Manifold, Detail” — Close photograph of a section of the Manifold formation, Death Valley National Park.

Even though this photograph only shows a very small area of a much larger formation, there’s a good chance that those of you familiar with Death Valley will recognize it. The feature is called “The Manifold,” and it features ribs of soft, light-colored material stretching out from beneath a layer of darker material. For this photograph I narrowed the angle of view to only include a very small part of the larger feature.

The geology of these “badlands” features some very soft material that is easily eroded. The different colors were laid down as layers a very long time ago, and since then they have been tilted and distorted. It is hard to imagine a better place to visualize the effect that flowing water has on this desert landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Gulllies and Strata, Morning Light

Gulllies and Strata, Morning Light, Death Valley
“Gulllies and Strata, Morning Light” — Highly eroded gullies and strata, Death Valley National Park.

Some geological formations in Death Valley National Park are simply otherworldly. The sparse vegetation lays these features bare — they are more visible than in places covered by forests and other vegetation. The landscape has been uplifted, split, warped, and eroded in remarkable ways. Here tilted strata emerge in deeply eroded land, and morning shadows add more contrast.

I’ve often noted the irony that this place, known for its dryness and heat, is one of the best places to clearly see the effects of water on the landscape. The material in these formations was laid down under water millennia ago. And the diagonal gullies were created by water erosion. If you have your eyes open, you’ll see that the evidence of water’s effect on the landscape is visible everywhere in this park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

G Dan Mitchell: Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Clearing Fog, Point Lobos

Clearing Fog, Point Lobos
“Clearing Fog, Point Lobos” — Morning fog clears in the distance at Point Lobos.

In early spring I made a quick visit to Point Lobos, located between Monterey and the Big Sur area. (The latter was still closed due to storm-caused road damage, and the thru-route won’t likely open again until much later this year.) I went early on a weekday morning, more or less the only way to enjoy this place without crowds, especially now that the weather is warming. I spent hours slowly wandering familiar areas, and enjoying the quiet morning.

As much as any other photographer, I often gravitate to making photographs of the Pacific coast that capture its grand scale and the power of the ocean. (I love to photograph the drama of Pacific winter storm surf.) But this morning and this picture represent a different but also compelling state of the coast — a quiet, gray day on which nothing seemed hurried.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Jumbled Rocks and Strata

Jumbled Rocks and Strata
“Jumbled Rocks and Strata” — Stratified rocks and piles of jumbled boulders line the shoreline of a cove, Point Lobos.

This geology is found along the edges of one of the famous coves at Point Lobos, on the California coast between Monterey and Big Sur. Here deeply stratified rock formations meet the sea, curving and bending as they gradually drop into the cove. The surf continuously erodes the rocks, depositing broken pieces of these formations on the shoreline, along with driftwood and bits of rock from other locations.

I rarely photograph the “all” of this subject. More typically I wander slowly among the rocks and driftwood and other things cast up by the surf, looking for small “intimate landscape” subjects. A close look at this scene may reveal some of the elements of those photographs.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.