Tag Archives: strata

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Canyon and Strata

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Canyon and Strata
A desert wash in a winding badlands canyon leads toward contrasting strata, Death Valley National Park.

Canyon and Strata. © Copyright 2022 G Dan Mitchell.

A desert wash in a winding badlands canyon leads toward contrasting strata, Death Valley National Park.

This juxtaposition of very dark and very light layers in this badlands terrain has long fascinated me. Often the contrasts among the various layers are relatively subtle, even where obvious colors are involved — but here we see nearly the darkest forms right next to some of the lightest. The material in the foreground is perhaps closer to the typical coloration.

There is a lot to look at in terrain like this, especially when viewed from a slight elevation. In some ways the largest forms mimic and expand on the smallest. Tiny irregularities combine to produce larger versions of themselves, and then these combine to produce larger gullies, which themselves collect together to form that great washes that drain the landscape.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Colorful Strata

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Colorful Strata
Colorful badlands strata in morning light, Death Valley National Park.

Colorful Strata. © Copyright 2022 G Dan Mitchell.

Colorful badlands strata in morning light, Death Valley National Park.

This subject may look familiar if you have been following my posts recently. It is a portrait-orientation composition of a feature that I also photographed in landscape orientation. (You might also think it looks a lot like a different iconic feature in Death Valley — it does, but it is not the thing you may be thinking of.) This is a sort of photograph that I make frequently, a small “excerpt” of a much larger landscape scene, photographed with a long focal length lens. The just-arrived early morning light warmed the colors a bit and brought out the pink and blue tones of the layers.

Photographing these kinds of desert colors can be challenging They are fascinating, but they are also often quite subtle, at least to my eye. In all but the best light they seem almost too faint to come through in a photograph. Some photographers compensate by significantly enhancing the intensity of the colors, but the result rarely appeals to me. Some particular qualities of the light made it work this time. Because it was shortly after dawn the light retained a warmer coloration. Some high, thin clouds muted and softened the light a bit. The band of darker material at the bottom contrasts with the lighter tones and with the colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Canyon Bend

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Canyon Bend
A bend in the canyon narrows, Death Valley National Park.

Canyon Bend. © Copyright 2022 G Dan Mitchell.

A bend in the canyon narrows, Death Valley National Park.

Slot canyons and “narrows” are among the most compelling desert landscapes. Most desert spaces tend to be exposed, open to the sky and wind, and blasted by the midday sun. The spaces seems horizontally oriented, often with a distant horizon and perhaps low mountains ascending from playas. The canyons contrast with this in almost every way. They are places of shade, often protected from wind, and the distant horizontal views are cut off, replaced by close surfaces covered with angles and curves.

It turns out that there are many smaller canyons in Death Valley. In fact they may be among the least-known and most interesting features of the place. There are a few that are popular, but most are a bit off the beaten path and some are downright difficult to get to. Their lonely quality is part of their charm, and I hope it stays that way. This particular spot presents a fascinating combination of the blue-light shadowed stratified walls, the water stained face in the warmer light above, and the canyon floor covered in gravel washed down by flowing water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Cliff Edge in Sunlight

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Cliff Edge in Sunlight
Sun shines on the sharp edge of a sandstone cliff, Zion National Park.

Cliff Edge in Sunlight. © Copyright 2021 G Dan Mitchell – all rights reserved.

DescrSun shines on the sharp edge of a sandstone cliff, Zion National Park.iption

Many years ago I was on a two-week backpacking trip through a long section of the Southern Sierra Nevada, covering some of the highest portions of the range on foot. The hike took me across a series of very high passes that were close to 12,000′ hight. In other words, I spent a lot of time in some very rugged and alpine places. I distinctly recall pausing on one of the higher passes to look around and realizing that the entire visible landscape consisted of rock and snow, with not a bit of forest visible to me. That vision of such a raw landscape stuck with me, and I’m always on the look out for such things.

While Zion Canyon is certainly not a place without forests and trees and rivers and lots of other comfortable things, it is possible to find a few ways of viewing this country that reinforce how much of its landscape is built on rock, in this case layers of sedimentary rock laid down, transformed, twisted and tilted over the millennia. This photograph catches the sun-lit edge of a closer buttress (yes, with a few plants!) juxtaposed with another more distant wall in shadow.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.