Tag Archives: street

An Illusion

An Illusion
A complex juxtaposition of street elements, San Francisco

An Illusion. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A complex juxtaposition of street elements, San Francisco

I’m going to have a little fun with you today with this photograph. It might be a bit of a mystery and it contains one or more illusions, and more than one world. I’ll let you ponder that.

I made the photograph on one of my photography walks in San Francisco, which usually are dominated by street photography, some architecture, and even a bit of urban and near-urban landscape, all shot handheld while on the move. The area where I made this photograph is a bustling part of newly developing San Francisco, with lots of traffic (I waited for a break), lots of expensive new housing, and sometimes a lot of people.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Chairs and Dappled Sunlight

Chairs and Dappled Sunlight
A small brick-paved urban square in dappled sunlight

Chairs and Dappled Sunlight. San Francisco, California. May 20, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A small brick-paved urban square in dappled sunlight

I have my reasons for photographing in urban environments, even though that might seem like an odd passion for someone who photographs nature and landscapes. The same attractions of form and light and texture and juxtaposition are found in both places, though the urban environment encourages me to photograph in a different way. Here I don’t use a tripod, and I often make photographs very quickly and instinctively, since the subjects are so transitory and it is a matter of photograph it now or never. Even a seemingly static and quiet scene like this one only lasts a moment before people again walk through the scene. If nothing else, it is an intense exercise in seeing.

The area of where I made this photograph is, despite the appearance, a very busy and noise place along San Francisco’s Market Street, a place where there are throngs of people and where traffic noise can be oppressive. Yet at times the crowds part and the scene can be almost empty. And there is often quite beautiful light — it comes from all angles as it reflects back and forth among the glassy surfaces of tall buildings, and at street level in some places the light can fill the scene from almost all possible directions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Flag Makers Building

Flag Makers Building
The Flag Makers building behind a couple sitting on a bench at the San Francisco Museum of Modern Art

Flag Makers Building. San Francisco, California. May 6, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

The Flag Makers building behind a couple sitting on a bench at the San Francisco Museum of Modern Art

Today (Saturday, May 14, 2016, as I write this) marks the re-opening of the newly renovated and expanded San Francisco Museum of Modern Art, or SFMOMA. As members we got an early look about a week ago, and we spent the better part of a day exploring the place. We like it! A lot. There are quite a few things I could write about — the architecture, the expanded space inside, the collections, the photographs — but all I’ll write for now is that I agree with one architecture critic who pointed out that where the old museum felt walled off from San Francisco the new version connects directly with the surrounding neighborhood, with many windows and open balconies providing plenty of opportunities to see and interact the urban San Francisco landscape. You could have a bit of fun thinking carefully about all of the lines and angles in this scene and what might explain them…

These photographs of SFMOMA are also some of the first I’ve made using a new camera from Fujifilm, the X-Pro2, about which I’ll likely have a lot more to say in the future. It is a rangefinder-style interchangeable lens mirrorless body with a hybrid optical/electronic viewfinder system that mostly succeeds in providing a sort of best of both worlds design. I like it for this kind of photography because the camera not only produced excellent image quality (with its 24MP sensor and fine Fujifilm lenses), but it is also small and fairly unobtrusive.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Red Pants

Red Pants
“Red Pants” — People and their reflections on a walkway at SFMOMA

In my continuing effort to make my landscape photograph fans uncomfortable — just kidding! — here is another urban/street photograph from a recent day in San Francisco. As members of SFMOMA (San Francisco Museum of Modern Art) we got tickets for the members’ pre-opening this week. (The museum officially reopens on May 14, following two years of a major renovation and expansion project.) To answer the obvious first question… the new building is beautiful in almost all ways. (It isn’t perfect, but what is.) We greatly enjoyed our visit, during which we managed to spend time in mostly the new areas, but also revisited a lot of the older structure as well.

I love museums, especially art museums, and I can spend hours in them, looking and thinking and making mental associations. But I also like photographing them — for the interesting architectural features which often produce a lot of very interesting light and geometry, but also as places to watch people. But I often have to be very quick, and that was the case here. I first saw this fellow in the red pants walking my direction, against a background of mostly colorless architecture and flat light. I had just time to make two very quick exposures. Initially I wasn’t hopeful about this one, as I felt that I had almost missed him as he walked out of the frame — but in the end that positioning ended up seeming to be the most interesting to me.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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