Tag Archives: street

Garden Wall Arches

Garden Wall Arches
A texture wall with archest next to a small garden, Balboa Park.

Garden Wall Arches. © Copyright 2013 G Dan Mitchell – all rights reserved.

A texture wall with archest next to a small garden, Balboa Park.

This photograph comes from a set that I made during a visit to the San Diego area back in 2013. We were in the Los Angeles Basin, and decided to head south for a short visit. We ended up spending time at the city’s Balboa Park, one of the most impressive city park sites I’ve seen.

At times we simply strolled around the grounds, without any particular immediate agenda. This gave me plenty of opportunities to play with photographic ideas that just cropped up — nothing iconic, and often more about shape and texture and color, as in this photograph of a section of arches in a wall above a garden and colored with both warm and cool tones of light.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Dog, Pot, and Shoe

Dog, Pot, and Shoe
A small scene at a reflecting pool.

Dog, Pot, and Shoe. © Copyright 2013 G Dan Mitchell – all rights reserved.

A small scene at a reflecting pool.

Yes, you can check for yourself. There is a dog. And a shoe. And in the distance a large pot. Image the photograph in San Diego a few years ago. Oddly, I don’t remember making it now.

Recently I was pondering various odd ideas that people hold about photography. Among them is the idea that Real Photographers™ always know before they activate the shutter exactly what the final photograph is look like, that they are utterly certain that is will work perfectly, and that every photograph is made this way. That is, of course, utter nonsense. The truth is that for every decent photograph there are many less successful attempts and often quite a few failures. It is also true that in most arts creativity involves a certain amount of “play” — of trying things to see how they work. Creativity is (and this seems so obvious that I’m almost embarrassed to write it) also an iterative process, where the first attempt is almost never the best one, and good ideas often start out rather weakly. (I make no promises, however, about the future of photographs of dogs, pots, and shoes.)


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Doorway, Dark Street

Doorway, Dark Street
“Doorway, Dark Street” Light from inside a darkened building escapes through a door, casing a pattern on a dark industrial street.

This photograph comes from a San Francisco Bay Area location where I’ve been doing night photography for over 15 years. It is a place with striking visual icons including huge ship yard cranes, old buildings, and (until its removal a few years ago) a gigantic “smoke stack” towering above a power plant. Over the years I became less interested in re-photographing those things, and I began to spend more time searching out subjects that I had overlooked, scenes that are quieter and more contemplative than those icons.

I “discovered” this photograph during my pandemic-era return to old photographs that I had not looked at for years. This one exemplifies several things I’ve observed about the process of reviewing photographs shortly after making them. I usually have a few images in mind that I know will be promising, and I begin with those. As I work on the archive I invariably discover that others are more worthy than I initially expected, and this process of uncovering unexpectedly interesting photographs continues… until I am distracted by the next project, at which point I often move on and leave some interesting work behind. In this case, the “moving on” process was hastened a bit because one of my favorite night photographs came from this same evening, and I think that made me feel like I was done with that night’s work. But I wasn’t.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

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Free Couch

Free Couch
A free couch and colorful pillows on the sidewalk in a suburban neighborhood.

Free Couch. © Copyright 2013 G Dan Mitchell – all rights reserved.

A free couch and colorful pillows on the sidewalk in a suburban neighborhood.

While walking in the neighborhood (which means anything in a radius of about three miles around our home) I often come across things that are… interesting. At this point I can point to homes occupied by hoarders, the best places to look for free garden produce left out for passers-by (which is why we have two loaves of persimmon bread in our freezer), cool house paint, the folks who imagine that putting a fake green carpet when their lawn used to be makes it “beautiful,” the neighborhood full of expensive and gigantic and extremely banal homes, and more.

I also come across quite a bit of suburban detritus. The things that we don’t want any more probably reveal a lot about us — perhaps more than we realize. (It is amazing that someone actually wants some of these things. We’ve had people pick up things like broken rakes…) In a few cases, I suspect that the give-aways may reflect past decisions that the owners eventually realized were, well, not examples of their best aesthetic judgment. Notice those pillows?


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

Scroll down to leave a comment or question.


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.