Tag Archives: surface

First Light, Mono Lake

First Light, Mono Lake
“First Light, Mono Lake” — Colorful dawn light over Mono Lake just before the rising sun clears the mountains.

Arising for dawn is a challenge for many people. I understand, but I think the rewards earned by getting up early are worth it — though I do have to remind myself or this sometimes as I contemplate my alarm going off a few hours before sunrise. But once I’m up and on my way, I actually enjoy the entire experience — the pre-dawn travel in darkness, the first glow in the eastern sky, the anticipation as the light builds, the first direct light on peaks, and eventually the sun itself. If you can’t imagine getting up that early, just try it a few times. I suspect you might get hooked.

I was in the Eastern Sierra to photograph fall colors, camped up some high valley on the east side of the range near the entrance to Yosemite National Park. On this morning I ended up at Mono Lake, where I set up and watched as the sky filled with intense color and the first rays of the sun peeked over the distant desert mountains beyond the lake.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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The Quiet Pacific

The Quiet Pacific
“The Quiet Pacific” — The Pacific Ocean on a quiet, overcast morning on the Big Sur Coast.

There is not a lot happening in this photograph. In fact, the scene was as close to static as ocean scenes can be. It can be quite dramatic and dynamic here, especially if the sun is out, a big swell is generating high surf, the wind is blowing, and wildlife is present. But on this unexpectedly foggy morning it was quite still and most of the tourists were still sipping coffee back in town.

The location is a very high overlook along the Pacific Coast Highway south of Carmel. Several things intrigued me about the scene on this morning — not just the unusual stillness. The boundary between the ocean and sky was muted by the fog bank, and the light was soft and gray. A mysterious line of foam led from the foreground rocks far out into the ocean.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Clouds, Lake, Desert Mountains

Clouds, Lake, Desert Mountains
“Clouds, Lake, Desert Mountains” — Morning clouds above the Panamint Range, reflected in the smooth surface of Lake Manly.

This photograph may look a bit familiar if you follow my posts. I previously shared a landscape orientation (wide) version of a similar photograph, made just moments before I exposed this one. The Panamint Mountains are in the distance, under sunrise light, and the shadow of mountains to the east still falls on the lower slopes. This is reflected in the waters of Lake Manly.

I love finding interesting juxtapositions of color, light, and shape in the landscape. The reflective water of the temporary lake provided rare opportunities here. and I was able to find a composition that stacked up layers of clouds, sky, snow-capped peaks, sunrise light, and the shadow line in the middle.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Tule Fog and Reflection

After starting the morning in fog so thick that I could not see (or photograph), I stopped here along a levee road as the fog began to thin. I still couldn’t see much more than perhaps fifty yards along the ground, but the tule fog was shallow enough that light penetrated it and I could see the sky. As the sun rose above the Sierra it broke free of clouds and its light reflected on the surface of this pond.

Color in foggy conditions is a tricky thing. Looking into the foggy void, everything seems essentially gray. But the atmosphere picks up all sorts of colorations — the warm tones of sunrise light, the blue of the sky, and sometimes combinations of these things. Here the light took on a slightly pink quality that didn’t completely wash out the blue from the sky.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.