Tag Archives: travel

Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

Workers at a Manhattan Parade

Image November 24, 2022 G Dan Mitchell Leave a comment

A group of orange-clad workers along the route of New York’s 2022 “Columbus Day” parade.

The crowd at this “Columbus Day” parade in Manhattan included just about every sort of person you can imagine – every walk of life, every ethnicity, every social class that you might encounter in Manhattan. Since this parade, also referred to as the “Italian Heritage” parade is a focal point for the Italian community, some in the crowd reminded me of people I’ve seem in Italy. (Here I’m thinking particularly of one fellow wearing some sort of ceremonial sash and hat — perhaps there will be a picture later.) Many were just there for the parade. Others, like me, were from out of town and happened to run into the event on a holiday morning.

This quartet fits somewhere into that wildly diverse crowd. They are what we might have called “hard hats,” with all that implied, in an earlier political era — except that now they comprise a more culturally diverse group. They were engaged in animated conversation when I passed and grabbed a photograph, attracted by the personalities and by the colorful attire.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: New York City, Photographs: Travel, Photographs: Urban/Street

The Urban Wilderness

Image November 18, 2022 G Dan Mitchell 1 Comment

This photograph comes from a well-known, popular rock outcropping along the shore of The Lake in Manhattan’s Central Park. I made the photograph on an October morning as we killed time before heading to the airport for our flight back to the West Coast. We wandered across the park, down the East Side to the Columbus Day parade, and then back to our hotel. One thing that struck me about this scene was how familiar the appearance of the people climbing the rocks was — I could find a similar scene in the Sierra..

I enjoy the parallels between photography of the urban and natural worlds. There’s no denying that they are rather different, but I think there are similarities,. too, and I’m able to apply my experience photographing the natural world to urban photography. It is possible to see the human presence in the city as almost a kind of wildlife — and photographing people and wild life can be challenging in similar ways. The city also presents a landscape, and the same principles that work in wilderness can work here, too. ( I sometimes think that the particular landscape in this photograph, with those ridiculously tall and slender buildings, may have more I’m common with movie depictions of cities on distant planets!)

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Autumn Creek

Image November 15, 2022 G Dan Mitchell Leave a comment

This is a slightly different perspective on a scene that was also the focus of another photograph I shared in the past few weeks. Both focus on this quiet little New Hampshire creek, a place we came upon serendipitously, after taking a few random turns off of the main highway and driving up a gravel road into the forest. Both photographs — this one and the previous — include the same creek and were made from almost the same camera position. In this one I expanded the field of view a bit and raised the camera to include more of the fall leaves in the canopy.

I often urge folks who ask about the “secret places” they should know about when they visit a new location to instead recognize that in order to understand the place well enough to find those it will take time… and that it isn’t a bad idea to at least start with icons while you keep your eyes peeled for non-iconic spots that appeal to you. That was certainly our approach on this trip, on which we began by photographing in one of the most iconic — and crowded! — regions for New Hampshire fall color. After the first day and a half or so of that, we started to “poke around” a bit, heading up this or that little side road that we noticed and then setting off for more distant places whose names on maps caught our attention.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: New England

Autumn Morning, White Mountains #2

Image November 13, 2022 G Dan Mitchell Leave a comment

Colorful autumn forest in morning light, White Mountains, New Hampshire.

This photograph gets the “#2” designation since I previously posted a landscape-orientation photograph of roughly the same scene. One of challenges of photographing fall color in New Hampshire (and much of New England, for that matter) is that it can be a challenge to find open views of the terrain. In many places the roads don’t have a lot of places to pull over, and the forest often comes right to the edge of the road, blocking the views. So when I found a more open location I took advantage of it. I visited this spot more than once, and on the second try I think I got the better light and color.

This photograph illustrates differences between fall color in this region and the Eastern Sierra color that I’ve photographed for years. It would be almost impossible to find a California location with so much color extending for such great distances. (And keep in mind that this is just a small slice of what was visible from this location.) The color here also varies a lot from tree to tree, though the result is that it can produce a somewhat undifferentiated effect in long views. I found it challenging to locate compositions in photographs that focused entirely on this color. Here I separated the upper and lower portions of the frame, and then found some leading lines in the distant gully and the contrast between the yellow trees and the shadow on the left side.