Tag Archives: travel

Blue Column, Sagrada Familia

Blue Column, Sagrada Familia
“Blue Column, Sagrada Familia” — A blue column lit by early evening light passing through colored glass windows, Sagrada Familia, Barcelona.

We visited the Gaudi-designed Sagrada Família in Barcelona last summer. The place was so visually striking that I honestly haven’t quite known what to do with the photographs, but I started digging into them recently. We are familiar with photographs of the remarkable exterior of the structure, but the interior is anrguably even more amazing. The amount of detail is nearly incomprehensible, and it is profoundly affected by the light coming through myriad stained glass windows and moving across its features.

We visited late in the afternoon, shortly before sunset — and I recommend this timing to others who may go. The sun was low in the sky when we entered, and colorful beams of light from the stained glass windows angled across the interior surfaces. Because it was late, the light was not static, instead changing constantly. Shafts of colored light moved slowly across the cathedral, striking various elements such as this column, illuminated by light coming through glue and yellow glass.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Utility Box Art, Arezzo

Utility Box Art, Arezzo
“Utility Box Art, Arezzo” — A take off on Magritte’s “The Man in the Bowler Hat” on a utily box in Arezzo, Italy.

This image was on, as best as I could tell, some kind of utility box near the entrance to a building in Arezzo, Italy. I recall first becoming aware of similar things in Florence a few years ago, where I saw (and also photographed) an image of composer Giuseppe Verdi. (Verdi wears goggles in that image, which is the signature of an artist known as “Blub.”) I like them quite a lot — for their combination of whimsy, references to great art in everyday circumstances, and how they disrupt what can be a somewhat plain visual environment.

This was not the only one we saw in the Arezzo. As we walked around the small central area o the town we saw others with a variety of different themes. (You can find many more images by the artist, Mauricio Rapiti, on social media and elsewhere.) In this case, it wasn’t just the image itself that caught my attention, but also the way it interacts with the lines of the wall on which it is placed.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Lake Manly, Mountains, and Haze

Lake Manly, Mountains, and Haze
“Lake Manly, Mountains, and Haze” — Blue morning haze softens the contours of desert mountains beyond Lake Manly, Death Valley.

Haze is a factor to be reckoned with when photographing in a vast landscape like Death Valley National Park. It is there even on “clear” days, and over long distances its effects can be substantial. Details are muted (especially in shadows), the colors shift toward blue, and atmospheric instability can make subjects literally shimmer. (That makes it virtually impossible to get sharp focus in some situations.) It used to leave me nonplused, but eventually I thought about how to use these characteristics — after all, they are part of the scene.

When I made this photograph it wasn’t just a matter of distance — the atmosphere actually was hazier than usual. In this interpretation of the subject I decided to embrace that haze and its softening effect on the distant mountains. This contrasts with the rather more stark contrasts between the foreground waters of Lake Manley and bits of darker land. But overall, the image retains that blue coloration that I mentioned above.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Evening Clouds, Desert Mountains

Evening Clouds, Desert Mountains
“Evening Clouds, Desert Mountains” — Three clouds in evening light above desert mountains, Death Valley.

On most of my visits to Death Valley there are many days of perfectly clear skies. That might sound great, especially if you are in a rainy or cloudy place. But for most photographers it is far preferable to have something interesting going on in the sky. Give me some thin overcast, cloud streaks before a storm , a snow squall among mountain peaks, or a dramatic thunderhead any time. On this trip I was lucky, getting most of the things in that list, including this sunset cloud formation.

When photographing in Death Valley I often make location decision as much by looking at the weather conditions as by considering subjects. If I have a choice between two subjects and one will likely be in good light, the decision is easy. And sometimes the light itself becomes the subject. That is almost the case here, as the end-of-day light is very muted on the desert mountains, yet just bright and colorful enough to enhance the clouds.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | PostEmail

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.