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Leaves in Rain

Leaves in Rain, Portland
“Leaves in Rain” — Leaves in rain, Portland, Oregon.

Californians have been dealing with strange weather patterns for more than a decade now — a five-year drought, a few years of way above average rainfall, and then the current season that has been almost completely rainless up until now. As I write this the pendulum is apparently about the swing the other direction, and the forecasts for my part of the state predict an “atmospheric river” storm later this week that has the potential to bring absurd amounts of rain over the course of a few days. It seems to be feast or famine, though the amount of recent rain famine has been the biggest concern.

While this photograph is evocative of the weather we’re about to have, it comes from a naturally wetter place a few hundred miles to the north, namely Portland, Oregon. On a spring visit a few years back we ended up in one of that cities urban parks on a cloudy and wet day, and as we wandered though gardens I stopped to photograph these leaves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him.

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Sandhill Cranes and Tree, Tule Fog

Sandhill Cranes and Tree, Tule Fog
“Sandhill Cranes and Tree, Tule Fog” — A flock of lesser sandhill cranes in a wetland pond in front of a solitary tree in winter tule fog.

Sometimes the way that photographs come into existence seems strange. We put a lot of effort into doing all the things that increase the chances of success — practice, learn technique, develop our ability to see, take care to have the appropriate equipment, go to the locations where photographs are possible, time things correctly, and more. All of these are efforts, I think, to diminish the role of chance. Or, perhaps giving ourselves a bit more credit, steps that increase the odds that we’ll be able to take advantage of good fortune when it comes to us.

The series of recent photographs of sandhill cranes in fog is an example of this dynamic. They certainly involved all of those controllable factors that I listed in the previous paragraph. But I can’t help but acknowledge what it means to create a series of photographs from, literally, not more than a few minutes (perhaps a half hour?) in one spot on one particular morning. Aside from the fact that I knew it was possible that I’d find a scene like this, it was not exactly predictable. The weather could easily have been different, the birds could have been elsewhere, I might have chosen a different day to be there. Yet, on this morning it came together and this series of photographs was the result.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email


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Aspen Leaves and Branches

Aspen Leaves and Branches
A cluster of colorful autumn leaves on the branches of an Eastern Sierra aspen tree.

Aspen Leaves and Branches. © Copyright 2020 G Dan Mitchell – all rights reserved.

A cluster of colorful autumn leaves on the branches of an Eastern Sierra aspen tree.

The fall color countdown continues with this (likely) second-to-last aspen color photograph from this year’s crop. To recap, this was a very strange year for California autumn aspen photography, with the pandemic and the historic wildfires both disrupting the usual plans. I was on the east side of the Sierra exactly twice this season. The first trip was pre-autumn, when I went over to try to join friends for a short socially-distanced backpack trip… but ran into extreme wildfire smoke and decided to cancel after two nights of roadside camping. The second was a short trip in early October to visit the aspens. The aspen colors were exceptional during this visit, but it was also cut short by wildfire smoke.

This photograph is a bit unusual among my series of close-ups of aspen leaves in that it includes more or the branches than usual. This branch is quite dark, but the notion that aspen bark is white isn’t quite correct. It can be, in the right situations and in the right groves. But it can also be yellowish or brownish, and young branches can have some rather un-aspen-like bark, at least as measured against our preconceptions.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Twin Leaves

Twin Leaves
“Twin Leaves” — Two autumn aspen leaves in the Eastern Sierra Nevada.

Continuing the countdown to the end of this year’s batch of Eastern Sierra fall aspen color, here is another vertical format close-up of a pair of beautiful leaves, photographed in the soft light of a colorful grove still in the morning shadows of a nearby ridge. This soft light filled in the shadows, lowered the contrast, and produced lovely saturated colors.

These leaves, here mostly positioned against a background of very out of focus trees with a few leaves around the edge, are illustrative of what I found during by brief fall color foray this year — a whole lot of great color and more reds and oranges than I usually encounter.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.