Tag Archives: trees

Old Growth Forest

Old Growth Forest
Immense coast redwood trees in an old growth forest, Humboldt Redwoods State Park.

Old Growth Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

Immense coast redwood trees in an old growth forest, Humboldt Redwoods State Park.

On an early June day our long driving loop took us out to the Lost Coast on a narrow, winding, somewhat lonely, and very scenic road. After dropping precipitously from coastal mountains to an isolated beach it followed to coast south for several miles before again turning inland. The route eventually passed though small hamlets (with the tell-tale plastic covered greenhouses in abundance) and began to climb drier, inland ridges. Finally it once again dropped steeply, entering one of the quietest and most still redwood forest groves I have been in.

After the long drive it was time to stop and this seemed a perfect place. Before long we decided to get out camera equipment and simply wander for a while in the still forest of giant old-growth trees. Even after years of visiting the coastal redwoods, it still surprised me to see how dark it is along the forest floor — little light makes it down from the crowns of the trees hundreds of feet above. This photograph looks off into the forest, and if you inspect it closely you may notice that, aside from the foreground ferns, the entire scene is comprised of the trees.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Coastal Forest and Clouds

Coastal Forest and Clouds
Rain clouds begin toi build above coastal forest hills near Ferndale, California.

Coastal Forest and Clouds. © Copyright 2021 G Dan Mitchell – all rights reserved.

Rain clouds begin toi build above coastal forest hills near Ferndale, California.

On the last full day of our early-June foray into redwood country in far Northern California, we did a longish loop drive out to the Lost Coast via an uncrowded route on narrow and winding roads. It took us from a small town in farm country over forested ridges, eventually dropping to the coast, where if following the coastline south for some miles before turning inland, passing through rural country (and the location of California’s, uh, “newest agricultural area) and emerging through redwood groves near US 101.

This was our first time traversing this route, so there were new things to discover all day and at almost every turn. The beginning of the route leaves typical flat farmland and rises into high coastal hills, where it alternately twists through forest, follows high ridges, and drops into deep valleys. We stopped along one of those ridges in a place where meadows opened the view. The photograph looks to the northwest and the barely visible Pacific Ocean, as clouds began to build toward a few light afternoon showers.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Edge of the Forest

Edge of the Forest
Deciduous trees at the edge of a forest, Redwood National Park.

Edge of the Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

Deciduous trees at the edge of a forest, Redwood National Park.

This photograph comes from a section of forest that always surprises and pleases me when I visit Redwood National Park. In a place where the giant coast redwoods are everywhere… here there aren’t any! Instead these densely-spaced deciduous trees with their thick green foliage line both sides of the road. Although the spot is not marked as an iconic location, there are always others stopped there when I arrive.

Part of the attraction of subjects like this is the challenge of finding some sort of logical composition in all of the extremely complex detail of trunks, branches, and leaves. It is there, but I often have to look for it. Typically I spot something that seems like it might anchor the photograph… and then as I look over the scene I discover some element that doesn’t fit or a spot that is too dark or otherwise seems empty. At the same time, I don’t want it to be too perfect — without some formal tension the scene can easily become completely static.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Redwood Trail, Spring Morning

Redwood Trail, Spring Morning
Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Redwood Trail, Spring Morning. © Copyright 2021 G Dan Mitchell – all rights reserved.

Lush spring vegetation along a trail through coastal redwood forest, Northern California.

Early one June morning this year we parked the car and strolled along a trail into a coast redwood grove that is close enough to the Pacific that you pass people hiking to the water and you encounter fog forming over the coast hills. Not all redwood forests are this moist, but here the conditions create especially lush growth, and on this morning the drifting fog softened the light and muted more distant subjects, though it still had a bit of a directional quality.

On this visit I thought a lot about the difference between what the camera records and what the eye and mind see in the redwoods. When opening files from photography in the redwoods, the colors often seem more dull than the memory. Several possible explanations exist, but I’ve long had an idea about how our visual system accommodates different kinds of lighting, essentially normalizing them in ways that aren’t captured by the camera. This time I made a point of stopping and thinking long and hard about the way the colors looked to me while walking through the forest, and I realized that our visual system’s normalization process compensates for the bluish light and tells us that the colors are warmer than they objectively are. To my mind, it is more important that a photograph express what I saw in the place than it is that it achieve some standard of objective color balance that essentially lies about what I experienced… and what you see here is true to my experience in the redwoods.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.