Tag Archives: trees

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Autumn Aspens, Broken Boulders

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Autumn Aspens, Broken Boulders
A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Autumn Aspens, Broken Boulders. © Copyright 2012 G Dan Mitchell – all rights reserved.

A group of autumn aspen trees grows in jumbled and rocky Eastern Sierra Nevada terrain.

Aspen trees frequently grow on what we might regard as less-than-optimal soil and terrain, at least in the Eastern Sierra Nevada. While some manage to find a home in canyon bottoms and other places with good soil, many trees live their lives in dry, rocky, and exposed places. Often the trees seem to adapt — perhaps remaining quite small or maybe maintaining more space between them. The trees in this photograph are growing on truly rocky terrain. The trees are rooted in little more than cracks in the granite, and around them are solid rock and a field of broken granite.

Dealing with color when photographing aspens in locations like this can be tricky, especially since I much prefer to photograph them when they are shaded. (Direct sunlight on these trees can be quite harsh.) The light in shadows can be extremely blue, mainly because the main light source is that giant blue light panel we call the say. On the scene, our human visual system adapts and we register the rocks as gray. But the camera is, to an extent, more objective, and the intense blue color of those “gray” rocks is revealed in a photograph. With that we are faced with a subjective, interpretative question: where should be set the colors along the continuum stretching from the objective blue to what we recall in our mind’s eye? Here, as I often do, I shifted the color away from blue to produce colors that are more like what I recall — and even here those rocks seem quite blue to my eyes. Fortunately, there is no one right answer to this question, and I’ve seen effective interpretations that were strikingly blue along with others that used much warmer colors.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Three Aspens, Granite

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Three Aspens, Granite
Three autumn aspen trees standing against a granite wall, Eastern Sierra Nevada.

Three Aspens, Granite. © Copyright 2012 G Dan Mitchell – all rights reserved.

Three autumn aspen trees standing against a granite wall, Eastern Sierra Nevada.

Those of us who have spent a lot of time in the Sierra — and the story is similar for other locations — gradually accumulate “personal spots” that might not make much of an impression on others but which we greet like old friends each year. Mine include a particular rock outcropping in Tuolumne Meadows, a particular flat rock in the Yosemite backcountry where I’ve frequently placed my cook stove, a small grove of trees nestled in a bend along an Eastern Sierra road, a high and barren lake in the Southern Sierra, and quite a few more. I’ll bet you have a few such places of your own.

This little group of three slender aspen trees set against a jumble of rocks s is one of those spots. It is very accessible, but there’s an excellent chance that if you were nearby you passed without noticing. Yet virtually every autumn I end up stopping and photographing them again. (Yes, there are other photographs of them in my collection.) They are “the same,” yet they are also different every time I visit — the leaves may be green, yellow, a combination, or gone. The light may be intense in the morning or soft and blue in late-day shadows. So I return, and I photograph them again, and I mark another season with each return.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Photographs: Nature, Photographs: Pacific Northwest

Garden Gate

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Garden Gate
An entry gate to the Japanese Garden, Portland, Oregon.

Garden Gate. © Copyright 2020 G Dan Mitchell – all rights reserved.

An entry gate to the Japanese Garden, Portland, Oregon.

Some years back our youngest son and our daughter-in-law lived in the lovely and quirky city of Portland, Oregon. Since it is (just barely, if you have a lot of endurance!) a one-day drive from the San Francisco Bay Area we managed to get up there somewhat regularly, and we came to like the place a lot. Among other things, it is a city of gardens, including several that we visited more than once. This photograph of a stone walkway passing through a gate comes from the lovely Japanese Garden.

Having roots in a non-west-coast part of America (long ago, but they stick with you), I can understand how the character of towns along the Pacific coast is difficult for some to understand in other parts of the country. But Oregon is a wonderful place that is hard to characterize in any single way. There is a long tradition of a kind of counter-culture there, but there is also a large suburban population. Don’t believe the simplistic, politicized claims that the city is “under siege” or a hotbed of some kind of awfulness that requires federal intervention.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Pacific Northwest

Waterfall and Pond

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Waterfall and Pond
A waterfall empties into a small pool, Portland Japanese Garden.

Waterfall and Pond. © Copyright 2012 G Dan Mitchell – all rights reserved.

A waterfall empties into a small pool, Portland Japanese Garden.

This is a portrait-orientation photograph of the same subject I recently posted in landscape orientation — a beautiful and quite peaceful scene from the Japanese Garden in Portland, Oregon.

With some subjects I go ahead and photograph both waits — vertical and horizontal — for several reasons. My first impressions of a subject while I’m on the scene don’t always turn out to be the rest ones, and sometimes I discover later on that a compositional option I had dismissed actually works well. So I recognize that it is possible that a scene that seems to work in landscape mode may turn out to work in portrait mode. On top of that, and thinking in practical terms, sometimes a particular usage of a photograph demands one or the other orientation, and I’d like to be able to offer both options. In this case, the vertical orientation may emphasize the verticality of the waterfall a bit more than the alternative view.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.