Tag Archives: trees

Geese and Pond, Sunset

Geese and Pond, Sunset
Snow geese and Ross’s geese on a small island in a wetland pond

Geese and Pond, Sunset. © Copyright 2018 G Dan Mitchell – all rights reserved.

Snow geese and Ross’s geese on a small island in a wetland pond

Here in the San Francisco Bay Area we expect temperatures as high as 100 degrees in inland areas. Summer is here, and with a vengeance. I like summer — long daylight hours, little need to worry about that warm jacket, and more — but it is not my favorite season. I prefer the shortening days and golden colors of fall, the interesting weather and light of winter, and the reawakening of spring, to be honest. In other words, with this photograph I am engaging in a bit of nostalgia for the past winter and a bit of expectation of the seasons that follow the one in which we now find ourselves.

While we might think of winter as being a time of less life and growth — which is surely true in most places when it comes to vegetation — the annual migration of birds inclines in the opposite direction. At the time of year when days are short, weather is cold, and growing things are in decline… the birds show up again. I photographed these birds on a late-autumn evening in early December, when trees were still shedding fall leaves and the birds were just beginning to return along the Pacific flyway.


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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Redwoods in Sun

Redwoods in Sun
A beam of filtered sunlight illuminates redwood trees deep in Prairie Creek Redwood State Park

Redwoods in Sun. © Copyright 2018 G Dan Mitchell – all rights reserved.

A beam of filtered sunlight illuminates redwood trees deep in Prairie Creek Redwood State Park

I had a portion of one day to spend at Prairie Creek Redwood State Park. I could easily have spent more time there, but I wanted to make first visits to several of the redwood parks, so I saved this one for my last day in the area. Arriving at the park my first subject wasn’t redwoods — instead it was a remarkable grove of alder trees. I finished there and moved on into the center of the park, looking for a particular trail that I thought might have some rhododendron blooms. (It turned out that I was probably a few days early for that.)

I arrived at the trailhead, shouldered my camera pack, and started walking… slowly. While I can hike efficiently and cover distance, when I photograph my speed slows profoundly, and what I call hiking might more accurately be described as ambling. As I wandered up this trail, following it up into a redwood-filled valley, the light constantly changed. High fog was breaking up, and one minute it would be bright (too bright for photograph) and then next minute the clouds muted the light. I stopped at this spot where I could look across the valley and focus on a spot many feet up the trunks of the trees. I waited for the clouds to block the sun and mute the light before making a few photographs.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Redwoods Great And Small

Redwoods Great And Small
Dense Northern California redwood forest containing both old-growth and young trees

Redwoods Great And Small. © Copyright 2018 G Dan Mitchell – all rights reserved.

Dense Northern California redwood forest containing both old-growth and young trees

I’ve lived on the fringes of California’s coastal redwoods ever since my family moved to the state when I was four-years-old. For years we did weekend trips to places like Big Basin Redwoods State Park, often hiking through the trees and beyond. So I have always been familiar with these extraordinarily tall trees and with the special forests they inhabit. However, it wasn’t until much later that I understood how truly rare the original old-growth forests are. I recently read that only 5% of the original forest was left mostly untouched — meaning that 95% of the trees (19 out of 20!) were cut down during a fairly short period, mostly in the 20th century. This was an astounding example of where greed can push humankind, and we can reasonably imagine that without intervention all of the old-growth forests would have been lost forever. If that greed had gotten its way, you would have to reimagine scenes like this one with only the slender trees on the right, because certain parties would have cut up every accessible tree like the one on the left.

Today it seems bizarre to recall the strong objections to saving these remnants back when the Redwood National Park was first proposed. Even conserving parts of the last 5% of the ancient forests seemed to be a bridge to far for interests blinded by their long-term investments in a nearly depleted natural resource, and they fought bitterly against that parks. There are several lessons in this. This was not isolated resistance to conservation — it has been the pattern with the creation of essentially all of our great American parks and other efforts to protect wilderness and natural areas. There are [i]always[/i] a few very loud voices shrieking that the protection of a few last remnants of America’s great landscape will ruin their economy. (Witness the Utah minority today working to undo national monuments.) However, now that our park system is well over a century old, it is plainly obvious that virtually every single protected area is regarded as a treasure and virtually no sane person would argue that we did the wrong thing by protecting them.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Conifers, Snow, Cliff

Conifers, Snow, Cliff
A group of conifer trees at the edge of a meadow during Yosemite Valley snow flurries

Conifers, Snow, Cliff. © Copyright 2018 G Dan Mitchell – all rights reserved.

A group of conifer trees at the edge of a meadow during Yosemite Valley snow flurries

During the two-plus months of my Yosemite Renaissance artist-in-residency in the park I made hundreds of photographs. Some of those made it into a show that is now going on at Gallery 5 in Oakhurst, on the southern park boundary: “Transitions: Winter Into Spring — Yosemite Renaissance Artist-In-Residence G Dan Mitchell And Friends.” (The show continues until the end of this month, and it features the work of several fellow artists I invited to join me: Jerry Bosworth, Franka Mlikota Gabler, Charlotte Hamilton Gib, David Hoffman, Vidya Kane, and Kerby Smith.) I mention this because I am still working on photographs from this project even now — and this is one of them.

I made this photograph on a mid-April day when winter seemed to want to hang on just a bit longer. Near the start of this visit a small but energetic weather front swept through, raising the wind, dropping the temperature, and leaving behind a layer of new snow. I made this photograph as the storm passed, with snow flurries muting the features of more distant trees and the huge granite cliffs beyond. The snow also mutes the colors, and unless you look closely you might mistake this for a monochromatic photograph.


See top of this page for Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information and more.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | LinkedIn | Email


All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.