Tag Archives: trees

Photographs: Europe, Photographs: Nature, Photographs: Portugal, Photographs: Travel

Forest and Fog

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Forest and Fog
“Forest and Fog” — Fog envelops the forest near Pena Palace, Portugal.

Back in May, during our Portugal travels, we took the train from Lisbon to Sintra so we could visit the historic Pena Palace. This structure sits on a high point in the mountains above Sintra, and it is a remarkable visual presence. I suppose that on a typical day this could be a warm and sunny place — but we arrived to light rain, fog, and clouds, a bit to our surprise.

This was not necessarily a bad thing. The temperatures were cool but comfortable, the crowds were likely suppressed a bit, and the fog and clouds produced some dramatic effects. I stopped along the walk to the palace and made a series of photographs of this fog-covered forest.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Boulders, Tuolumne Meadows

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“Boulders, Tuolumne Meadows” — Large granite boulders strewn across Tuolumne Meadows.

This is another of those locations that are best photographed very early or very late in the day, and preferably without the distraction s of large groups of photographers. It was evening, and I drove to Tuolumne Meadows from my camp to look for quiet light on meadows, boulders, and domes.

The Meadows are beautiful in the late-day light, which softens and can turn golden. Here a pile of large rocks, almost certainly glacial erratics, dominates the scene, and light from the setting sun comes from just outside the camera’s frame. In the distance we see peaks of the Cathedral Range.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Two Shorelines

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Two Shorelines
“Two Shorelines” — Shoreline trees, meadows, and rocks reflected in the water of a small subalpine Sierra lake.

Many of my photographs from this July backpack trip in the Eastern Sierra featured views of the “grand landscape” — long and high mountain ridges, lakes backed by tall mountains, and so forth. This one focuses on closer subjects including the shoreline that I was standing on and the meadow and sparse forest on the other side of this small bay.

I made the photograph early in the day, at just about the end of my morning photography. The soft and warm light of early morning was fading away and beginning to be more harsh. I was first interested in the little rocky outcropping just to the left of center, and I thought it would be interesting to juxtapose that with the further forest across the water.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Nature, Photographs: Northern California, Photographs: Sierra Nevada

Morning Shadows and Symmetry

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Morning Shadows and Symmetry
“Morning Shadows and Symmetry” — The line between morning light and shadow descends a talus slope toward a lake, revealing mirror image symmetries.

Getting out of your tent before dawn isn’t easy when it is cold and dark outside and you have to leave a warm sleeping bag. But if you don’t rise early you miss some of the most sublime moments of the day in the high country. And, I promise, once you are up and about you’ll be glad that you made the effort.

On this morning it was almost too dark to photograph when I unzipped the tent, and for the first half hour or longer I photographed in the soft blue hour light. Eventually the first direct sunlight touched peaks high above me and gradually worked its way down the steep slopes toward “my” lake. (At about the time I made this photograph, my non-photographer backcountry partners were starting to awaken in their tents on the peninsula at the right.)

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.