Tag Archives: trees

Photographs: Nature, Photographs: Sierra Nevada

Junipers, Sierra Crest Before Sunrise

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Junipers, Sierra Crest Before Sunrise
Soft pre-sunrise light on a pair of junipers and the peaks of the Sierra crest, topped by Mount Humphreys.

Junipers, Sierra Crest Before Sunrise. © Copyright 2021 G Dan Mitchell – all rights reserved.

Soft pre-sunrise light on a pair of junipers and the peaks of the Sierra crest, topped by Mount Humphreys.

The Sierra Nevada has many faces, and the east and west sides almost look like two different ranges. The west side is approached via the flat, agricultural Great Central Valley, and it begins with almost imperceptible hills that gradually rise to foothills, then to forested mountains, and many miles later finally culminate in high, rocky peaks and ridges. The personality of the east side is entirely different. You regard it from what is essentially high desert, hot and dry country, and in many place the entire upward thrust of the eastern escarpment is visible at once, rising as much as 10,000 feet from valley to peaks.

I made this photography early on an autumn morning, from a place high on the gigantic hills rising toward the eastern face of the range. In the foreground are a couple of juniper trees, one of the common trees of the dry Southwest terrain. Further above, open and sparse forest dot the rising slopes. Above it all are the high, alpine peaks of the Sierra crest, here topped by the recognizable profile of Mount Humphreys.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Desert Meets Forest, Autumn

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Desert Meets Forest, Autumn
An autumn conjunction of sagebrush, rabbitbrush, conifers, and aspens in the Eastern Sierra.

Desert Meets Forest, Autumn. © Copyright 2021 G Dan Mitchell – all rights reserved.

An autumn conjunction of sagebrush, rabbitbrush, conifers, and aspens in the Eastern Sierra.

This is another autumn photograph from that wonderful Eastern Sierra transition zone, where the high desert country of sagebrush meets the mountain country of conifers and aspens. Many years ago I regarded the two environments as being completely exclusive, but eventually it sank into my thick skull that this perception did not align with reality. In particular I recall one autumn visit to a very dry region east of the Sierra where I saw some of the most colorful aspens growing in a small desert valley.

A photograph like this one presents some technical challenges to the photographer. I think it looks pretty simple, but it wasn’t. The first issue was the the scene was lit by fairly intense backlight. I love backlight, but it creates some extremely bright highlights — and underexposing the shot is necessary to protect them from blowing out. In addition, because the sun was low and almost directly in front of the camera there was a great potential for flare. To make this photograph I actually stood in front of the camera and carefully used my hand to cast a shadow on the lens. Finally, with all of these elements of very bright light and the need to underexpose a bit, some of the shaded areas ended up darker than they seemed “in the flesh,” necessitating some post-production work with curves to bring back some of those shadow details.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Trees on Red Rock Cliff

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Trees on Red Rock Cliff
A vertical forest of trees ascends the face of red rock cliffs, Zion National Park.

Trees on Red Rock Cliff. © Copyright 2021 G Dan Mitchell – all rights reserved.

A vertical forest of trees ascends the face of red rock cliffs, Zion National Park.

There are scenes like this one in may locations in the Southwest — and anywhere there are steep rock cliffs, for that matter. (I photograph similar subjects in the Sierra Nevada.) I found this little “forest” working its way up a crack system high on the walls of Zion Canyon. Here and in similar places, I’m always amazed by the minimal requirements for supporting such big trees. They often are growing in little more than cracks in the rock, and to some extent the trees seem to almost create their own meager soil as their leaves and needles fall and degrade.

Not only are the trees remarkable for growing in such a difficult situation, but they provide a fascinating color contrast with the red sandstone walls in the Southwest. In canyons like this one, I usually prefer to photograph them during main daylight hours, while the trees themselves are in shadow but partially illuminated by light reflected from other canyon walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Fall, Photographs: Fall Color, Photographs: Nature, Photographs: Sierra Nevada

Solitary Aspen, Dark Forest

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Solitary Aspen, Dark Forest
A small autumn aspen tree in the light in front of dark forest.

Solitary Aspen, Dark Forest. © Copyright 2021 G Dan Mitchell – all rights reserved.

A small autumn aspen tree in the light in front of dark forest.

There is something about solitary trees standing against some sort of background. A friend has referred to them as “brave little tree” photographs — something I now think about every time I make one or see one. Landscape photography doesn’t always come quite this close to eliciting metaphorical associations, but I can certainly understand how one could make this association with these subjects. On a more prosaic note, from a purely compositional perspective, a single central subject posed against a larger and contrasting background often works visually, too.

This photograph was also an extra reminder to me about why I like to photograph non-iconic subjects. (Though I do have to admit that the solitary tree is a sort of generic icon, if that makes sense.) I rediscovered this photograph recently while reviewing some raw files from a couple of years ago. I usually record location information as I work on photographs, but with this one I could not even determine exactly where I made it! By sequencing the files before and after this exposure I was able to narrow it down to one very large drainage, but I don’t actually recall making the photograph! I I had worked with the file back when it was new, but I wasn’t fully satisfied with the result. When I came back to it I saw it in a somewhat different way, and I saw how to apply some newer post-processing tools to get the result I was after.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.