Bright yellow-gold leaves of autumn Sierra Nevada aspen trees near Sabrina Lake, California.
I visited this small grove on a couple occasions during this weekend of eastern Sierra fall photography. I had primarily stopped to photograph a large nearby grove of very bright and colorful trees, but the arrangement of these tree trunks caught my attention and I spent some time shooting the subject in fading evening light and gentle rain.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
A dense grove of aspens along Dunderberg Road in the eastern Sierra Nevada.
If you passed by this grove along the rough, gravel Dunderberg Road you might not even think to stop – in many ways it seems a lot like many other aspen groves along in this part of the Sierra and along this road. However, I once stopped in this spot the first time I drove this road and for some reason the location has become one of those that draws me back. This time I arrived very late in the afternoon, just as the sun was slipping behind Dunderberg Peak to the west, leaving the trees in shaded early evening light. This section of the grove is remarkable for the thickness of the trees – you might not guess from the photo, but trees are not all that tall. It also is more open than some groves of this size and it isn’t quite as cluttered with non-aspen plants that sometimes make it difficult to find a composition.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Layers of colorful autumn aspen groves lead up toward Dunderberg Meadow and Peak above Conway Summit, California.
I often plan my visits to this large aspen grove on the high point of highway 395 just north of Lee Vining for late afternoon, when the rows upon rows of large aspen groves are back-lit by the afternoon sun as it drops towards the crest of the Sierra Nevada near Dunderberg peak. Each grove tends to change color at a slightly different time, and each can take on a different shade ranging from green (in the case of those that change a bit later) to golden and red and orange. This year, in this area, the colors seem to tend more towards gold/yellow and less towards red/orange, but no matte what the shade they light up in this light.
I was extra lucky on this afternoon in that there were clouds. Talk to many Sierra photographers about the weather and you’ll discover that we are not so fond of the “perfect blue sky weather” that so many others love. Yes, it is “pleasant.” No, it is not necessarily visually interesting. It had been that sort of “perfect” weather for the first couple days of this visit to the “east side,” but in the middle of the afternoon on this day puffy clouds began to form over the crest, and their shadows added texture and brought out the shapes of hills and ridges beyond the aspens.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Fallen leaves in an aspen grove along the road to North Lake, Sierra Nevada, California.
This photograph of a grove of large and small aspens with much undergrowth and fallen leaves was made on a morning of beautiful soft and diffused light as a weather front was moving in and light rain was starting. In this light the harsh highlights of the bright leaves are softened and the shadows open up (since the sky becomes one giant light box) so that details become more apparent and the colorful trees and leaves can almost glow.
This grove is beside a road used by many photographers to get to one of the most popular and iconic fall color locations in the eastern Sierra. As I worked alone, or nearly so, in this small grove on a gentle hillside, five minutes up the road perhaps 50 or 60 photographers were lined up side by side at the end of a lake to make the same photograph. In fairness, the subject of their photographs is a very beautiful and compelling one… but I urge photographers to look beyond the “same old, same old,” and to slow down and search out subjects and compositions that only become apparent with time and some contemplation.
This photograph is not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.
Photographer and visual opportunist. Daily photos since 2005, plus articles, reviews, news, and ideas.
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