Tag Archives: tule

Photographs: Central California, Photographs: Nature

Tree, Clearing Fog, Dawn

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“Tree, Clearing Fog, Dawn” — An old winter tree sillouetted against the dawn sky as tule fog clears.

Certain subjects keep drawing me back. I don’t mean just general types of subjects, but very specific things, places, objects, and so forth. This tree, at this time of day, in these conditions, is one of those subjects. It is at a place where I frequently photograph in the winter months, and I usually try to be there on mornings when the fog will clear at or after dawn — a morning just like this one.

There is something to be said for seeking out new and unusual subjects. But I think there is also great value in returning to the same subjects and getting to know them more deeply. Beyond that, there is a wonderful sense of being “grounded” in a familiar landscape, one that you know from long acquaintance, to the point that the surprises happen against a backdrop of deep familiarity.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Central California, Photographs: Nature

Wetlands Pond, Morning Light

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“Wetlands Pond, Morning Light” — Morning sun on a wetlands pond as winter tule fog clears.

The experience of photographing these Central Valley winter landscapes is full of magical instants — combinations of scene, atmosphere, and light that appear and disappear so quickly that they are easily missed. In one direction thick fog might obliterate the view, while in another direction the sunlight may be emerging and bathing the scene in warm light. This was one of those moments — a distant fog bank almost obscures trees, while the reed-covered islands are bathed in direct morning sunlight.

From what I hear, the residents of California’s Great Central Valley are not exactly thrilled by tule fog. When the conditions are right it can last for days or even weeks, holding temperatures to the 30s and 40s and remaining gray and damp. But I love those conditions for photography, and a forecast of fog is often enough to persuade me to drive four hours round-trip to be there.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | BlueSky | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature, Photographs: Northern California

Levee Road, Clearing Fog

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“Levee Road, Clearing Fog” — Morning tule fog clears and the sun comes out along a Central Valley levee road.

Every New Year’s Day a group of us gather to greet the literal dawn of the new year and make photographs. This year Patty and I turned it into a three-day event, arriving on New Year’s Eve and hanging around through the morning of January 2. This isn’t your typical place to celebrate New Year’s Day — it is a quiet, isolated place in portions of of California that is likely not on most peoples’ maps. But there is beautiful light, quiet, and frequently the sun rising through tule fog.

It was quite foggy when we arrived before dawn on this morning, but not the incredibly thick fog that makes travel dangerous. In fact, the layer of tule fog was shallow enough that we could see the pre-dawn sky overhead. The fog began to thin soon after sunrise, and here along the levee road the intense color of early morning light was winning the battle with the remaining fog.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Central California, Photographs: Nature

Winter Cloudscape

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Winter Cloudscape
“Winter Cloudscape” — Clouds and their reflections produce a minimalist landscape on a foggy winter morning in Central California.

Recently I went back and reviewed photographs from the winter migratory bird season, a time when I head to California’s Central Valley as frequently as possible. The birds are the trigger for this annual focus, but my interests go well beyond the wildlife. I’m fascinated by the flat, wide-open landscape, the immense sky, the long views, and the fantastic tule fogs. “Normal” people steer clear on foggy days out there, but that’s my cue to head to the Valley!

This morning began with fairly thick fog. But as is common, it began to clear shortly after sunrise. This is a slow process. The fog may thin in one area but remain impenetrable nearby, or after clearing it may drift back again. Because tule fog isn’t very deep, the sky above is often visible before the surrounding land. That’s the case here, as the soft overhead winter clouds are visible against a blue sky, even as the horizon is obscured by fog. One thing that seems magical about these scenes is that almost nothing is solid and tangible — it is a vague landscape of mist, clouds, and reflections.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Instagram | Flickr | Facebook | Threads | Post | Email

Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.