Tag Archives: twenty

Desert Mountains and Valley

Desert Mountains and Valley
Badlands, mountains, and a valley, Death Valley National Park.

Desert Mountains and Valley. © Copyright 2022 G Dan Mitchell.

Badlands, mountains, and a valley, Death Valley National Park.

As I continue (still!) working my way though this year’s Death Valley photographs, a familiar process is at work. I first go to images that jump out at me or which I specifically recall making. In some ways, this is the easiest part of the process. Then I dig into the archive more carefully, considering photographs that seem less obvious, but which “work” once I spend time with them. At about this point I imagine that I have finished, but the thought that I’ve missed something gnaws at me, and inevitably I head back into the files again and gradually find subtler images that I like.

This is one of those later-stage photographs. On this morning I made several exposures from this spot, and two others initially jumped out at me as “the shots” from this place. When I looked at this one, there were things I liked about it, but I had other photographs that I wanted to deal with first. When I finally came back to it I think I started to realize what I must have instinctively found interesting about this scene when I pushed the shutter button. It is a large landscape, looking across bare foreground hill into a large valley, and toward desert mountains distant enough to introduce the effects of atmospheric haze.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Winding Canyon #2

Winding Canyon #2
Morning light in a winding desert canyon, Death Valley National Park.

Winding Canyon #2. © Copyright 2022 G Dan Mitchell.

Morning light in a winding desert canyon, Death Valley National Park.

We arrived at this spot in a badlands canyon after the morning golden hour but a bit earlier than I usually get there. The route to this view passes by so much interesting stuff that I inevitably get sidetracked, and I tend to reach this spot after the best light. But on this morning, having photographed here not too long ago, I resisted some of those early temptations. The light was still appealing and the desert haze added a nice quality to the atmosphere.

A few weeks ago I shared another photograph of this scene — that one was presented in horizontal landscape orientation. Why share another when that is the biggest difference? Lots of reasons! Sometimes one or the other format is obviously more successful, but in this case they are different but equally valid ways of seeing this landscape. I don’t subscribe to the idea that there is one “right” way to see a landscape.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Badlands Valley

Badlands Valley
A small wash passes beneath badlands terrain in morning light, Death Valley National Park.

Badlands Valley. © Copyright 2022 G Dan Mitchell.

A small wash passes beneath badlands terrain in morning light, Death Valley National Park.

There is a lot going on in this photograph of the Death Valley National Park landscape. Early morning light is coming from behind and to the left of the camera position and striking the eroded landforms from the side. Although it is sometime after dawn, it is early enough that the light still has a warm, post-sunrise color. All of the complex structures in the scene are interconnected — they all drain toward the desert wash at the bottom of the frame.

More than almost any other landscape that I know, the appearance of the desert changes radically depending on the direction, quality, and color of the light. I have sequences of photographs made over a half-hour period in which the transition is striking. At first, before dawn, the light is soft and blue-toned. At first light it may become intensely colorful if the sunrise cooperates. A half hour later the color fades toward that familiar desert midday harshness.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Badlands Detail

Badlands Detail
A small, deeply eroded gully cuts through badlands terrain, Death Valley National Park.

Badlands Detail. © Copyright 2022 G Dan Mitchell – all rights reserved.

A small, deeply eroded gully cuts through badlands terrain, Death Valley National Park.

You may have noticed that few of my photographs from Death Valley feature the usual iconic subjects. Perhaps an explanation is in order. There’s nothing at all wrong with photographing those famous subjects — as someone once said, “There’s a reason they are icons!” I photograph them, too, when the conditions are special or unusual. In the right conditions you might even find me lined up at Zabriskie Point at dawn! (Though these days, if I photograph that subject, it is more likely to be in the middle of the day or perhaps at night. That’s a long story — too long for this short post.)

These days much of my photography in the park falls into a few basic categories. There are some photographs that I have had in mind for a long time that still haven’t quite come together the way I want, and I return to these subjects regularly and continue to work on them. I’m also very interested in pushing out the boundaries of my relationship to this landscape, and on every visit I got to places that I have not visited before. Another approach that has come to interest me more and more here is to excerpt small bits of the larger landscape and treat them as the subject. (I believe that sometimes a close look at a fragment of the landscape can tell us more about it than a photograph that tries to “include it all.”) This photograph falls into the latter category — this little ravine is high on a hill in a place where, I’d wager, most people probably don’t even notice it. But at the right moment in the right light it becomes something special.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | FacebookEmail

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.