Tag Archives: twenty

Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands Valley

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Badlands Valley
A small wash passes beneath badlands terrain in morning light, Death Valley National Park.

Badlands Valley. © Copyright 2022 G Dan Mitchell.

A small wash passes beneath badlands terrain in morning light, Death Valley National Park.

There is a lot going on in this photograph of the Death Valley National Park landscape. Early morning light is coming from behind and to the left of the camera position and striking the eroded landforms from the side. Although it is sometime after dawn, it is early enough that the light still has a warm, post-sunrise color. All of the complex structures in the scene are interconnected — they all drain toward the desert wash at the bottom of the frame.

More than almost any other landscape that I know, the appearance of the desert changes radically depending on the direction, quality, and color of the light. I have sequences of photographs made over a half-hour period in which the transition is striking. At first, before dawn, the light is soft and blue-toned. At first light it may become intensely colorful if the sunrise cooperates. A half hour later the color fades toward that familiar desert midday harshness.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Death Valley, Photographs: Desert, Photographs: Nature, Photographs: Southern California

Badlands Detail

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Badlands Detail
A small, deeply eroded gully cuts through badlands terrain, Death Valley National Park.

Badlands Detail. © Copyright 2022 G Dan Mitchell – all rights reserved.

A small, deeply eroded gully cuts through badlands terrain, Death Valley National Park.

You may have noticed that few of my photographs from Death Valley feature the usual iconic subjects. Perhaps an explanation is in order. There’s nothing at all wrong with photographing those famous subjects — as someone once said, “There’s a reason they are icons!” I photograph them, too, when the conditions are special or unusual. In the right conditions you might even find me lined up at Zabriskie Point at dawn! (Though these days, if I photograph that subject, it is more likely to be in the middle of the day or perhaps at night. That’s a long story — too long for this short post.)

These days much of my photography in the park falls into a few basic categories. There are some photographs that I have had in mind for a long time that still haven’t quite come together the way I want, and I return to these subjects regularly and continue to work on them. I’m also very interested in pushing out the boundaries of my relationship to this landscape, and on every visit I got to places that I have not visited before. Another approach that has come to interest me more and more here is to excerpt small bits of the larger landscape and treat them as the subject. (I believe that sometimes a close look at a fragment of the landscape can tell us more about it than a photograph that tries to “include it all.”) This photograph falls into the latter category — this little ravine is high on a hill in a place where, I’d wager, most people probably don’t even notice it. But at the right moment in the right light it becomes something special.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Sky, Mountains, and Wash

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Sky, Mountains, and Wash
A dry wash, barren mountians, and morning desert sky.

Sky, Mountains, and Wash. © Copyright 2019 G Dan Mitchell – all rights reserved.

A dry wash, barren mountians, and morning desert sky.

One of the things I always think about in desert landscapes is water. Not for the reason your are probably thinking — that it is because there is no water or that I’m thirsty because it is hot and dry. In fact, the reason is that evidence of water is almost everywhere in these dry places. This is one of the great ironies of desert terrain — it is so affected by the power of water and that effect is more visible because the landscape is barren and dry.

Consider this scene. There is almost nothing in it that doesn’t reflect the power of water. The foreground wash, while dry at the time of the photograph, is covered with patterns created by flowing water. Beyond, the low hills are smoothed by water and incised with gullies made by flowing water. Although those far mountains rose because of forces that are not directly about water, the shapes of the peaks and ridges are the result of, yet again, water. And in the sky we have clouds — more water.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Death Valley, Photographs: Desert, Photographs: Nature

Morning Ride in the Badlands

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Morning Ride in the Badlands
A solo bicyclist on a morning ride along a curving gravel road past badlands.

Morning Ride in the Badlands. © Copyright 2019 G Dan Mitchell – all rights reserved.

A solo bicyclist on a morning ride along a curving gravel road past badlands.

Years ago I was a very (very!) enthusiastic cyclist. I don’t ride any more, but I still have three bicycles — one of the early StumpJumper mountain bikes, a touring/commuting bike with a handmade British frame, and road-racing bike (also with a hand-built frame). Although I have not ridden in Death Valley, I can surely identify with the experience of the person in this photograph.

I had arrived in this area early, and I had been making photographs since before sunrise. Although a gravel road passes through here and the spot is not far from some well-known locations, I had the place almost to myself. I saw almost no one else as I worked. It was windless and still and so quiet… and that passing of a single cyclist was enough to interrupt the mood! But not enough to keep me from photographing him as he passed through this section of s-curves, heading toward more distant hills in this lovely light.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

Blog | About | Flickr | Facebook | Email

Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.