Tag Archives: urban

Photographs: Night, Photographs: Southern California, Photographs: Urban/Street

Porch and Door, Night

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Porch and Door, Night
The porch and entrance to an urban residence, Pasadena, California

Porch and Door, Night. Pasadena, California. January 6, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

The porch and entrance to an urban residence, Pasadena, California

This is another photograph I made during the blue hour time just after sunset and before actual darkness, while walking around near downtown Pasadena, California. We started our walk in late afternoon sun, continued as the sunset came on and golden hour arrived, and continued walking on into and past dusk. Later on the walk we turned down a street lined with small, old residential units — homes, apartments, and so on.

Somehow this front door at the top of the cement steps reminded me of an earlier time, perhaps when I was a child. The architecture seems old enough to come from more or less that era. I also like the little unexpected things in the scene, some of which I wasn’t really aware of until later when I looked at the photograph: the hummingbird feeder, the watering can sitting on the porch, that odd slender “thing” to the left of the door, the slightly peeling paint, the faint suggestion of things inside the window at the right.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: Architecture, Photographs: Night, Photographs: Southern California, Photographs: Urban/Street

Apartments, Driveway, Dusk

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Apartments, Driveway, Dusk
“Apartments, Driveway, Dusk” — Security lights illuminate the driveway of an urban apartment complex, Pasadena

Landscape photographers are well away of the qualities of light during the short period leading up to sunset, and with the rapidity of the changes to that light. But something similar happens for photographers of the “urban landscape,” as well, though it tends to be most pronounced immediately after sunset rather than just before. There is a short period of perhaps a half hour or less when the ambient natural light is somewhat in balance with artificial light. During this period the natural light has diminished to the point that things appear more like night than day, but there is still enough natural light around to fill shadows and illuminate areas that are not covered by artificial light. (A bit later and the artificial lighting is virtually the only light source in most cases, and the range between light and shadow can be quite large.)

It was close to the beginning of such a time when I made this photograph of a parking lot and group of apartment buildings while walking around in Pasadena during the first week of the new year. A bit earlier and the lights either would not have been on or would not have been visible. A bit later and the foreground shadows would be completely black. It is a bit difficult to say precisely what attracted me to this scene — perhaps the bit of light spilling around the corner of the wall at left, perhaps the lovely yellowing light on the garage doors, maybe the geometry of the buildings… or perhaps the sum of all these things and more.

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G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” (Heyday Books) is available directly from him. Blog | Bluesky | Mastodon | Substack Notes | Flickr | Email

All media © Copyright G Dan Mitchell and others.

Photographs: Italy, Photographs: Night, Photographs: Urban/Street

Restaurant, Diner, Bicycles

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Restaurant, Diner, Bicycles
A man sits at a table at an outdoor restaurant at night, Florence, Italy

Restaurant, Diner, Bicycles. Florence, Italy. August 27, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A man sits at a table at an outdoor restaurant at night, Florence, Italy

Photographing in the streets of Florence, Italy was a joy when we visited this past summer. My only regret is that we were there for such a short time. We spent a week in the hills between Florence and Siena, and we picked up our rental car in Florence before leaving for the hills. (And, yes, driving in Florence is just as much fun as you have heard.) Then we returned to Florence and had parts of three days there before leaving. As I know fully understand, three days was not nearly enough time!

In one way, the streets of Florence seem to have a more uniform look than many American cities. There are few obvious commercial signs and many buildings are roughly the same shade of brown. But the streets are often very narrow and they twist and turn in all kinds of interesting ways, occasionally opening up to large squares or the banks of the Arno River. At night things are even more magical. One moment you might find yourself in the midst of crowds of people, and in another you might be on a deserted side street. This small street, with its beautiful lighting, extended off of one of the large squares, a somewhat busy place, but here there was just one man sitting at this sidewalk cafe.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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Photographs: New York City, Photographs: Urban/Street

Woman, Sculpture Park, East River

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Woman, Sculpture Park, East River
A woman sits in a blue chair on a lawn at the Socrates Sculpture Park along the East River, New York

Woman, Sculpture Park, East River. New York City. October 8, 2016. © Copyright 2016 G Dan Mitchell – all rights reserved.

A woman sits in a blue chair on a lawn at the Socrates Sculpture Park along the East River, New York

On this lovely, clouded day of light rain and muted colors, we traveled to the Socrates Sculpture Park along the East River, across the water from Manhattan. Our daughter-in-law  Lia Lowenthal has a piece installed at the park that we wanted to get to see. I had not visited this place before, and it is quite an interesting site — partly because of its shoreline location, partly because it provides an interesting juxtaposition of urban and natural, partly because there is an active sculpture studio next door, and partly because of the works installed there.

After looking at the art I began to look at the environment with photography in mind. I saw this woman sitting on a piece of sculpture in the middle of this worn looking lawn, with the upper Manhattan skyline across the water, and everything in this soft, flat light — and I thought it made a photograph.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
Blog | About | Flickr | Twitter | Facebook | Google+ | LinkedIn | Email

All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.