Tag Archives: urban

Manhattan Traffic

Manhattan Traffic
Manhattan Traffic

Manhattan Traffic. New York, New York. August 5, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

Motion blur abstract of Manhattan traffic

OK, here we go! I’m about to share a string of urban photographs, many of which are from New York City, where I spent slightly more than a week in early August. We were there for several reasons. My wife was attending a music conference at NYU. (A conference of oboe and bassoon players, if you wondered.) Her brother and sister-in-law live in Brooklyn and graciously agreed to host us during our stay, and our two sons also live in Brooklyn. For me this meant that I had the better part of a week to simply head out into Manhattan and Brooklyn, going wherever my intuition took me, and make photographs of the city.

A lot of the photographs fit into the street photography genre — which may seem a bit perplexing to those who know my landscape and nature photography — but this first one is more of an abstraction, created my means of a slow shutter speed and camera motion, most likely as I was crossing some busy street in midtown Manhattan.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Five Ships, Abandoned Piers

Five Ships, Abandoned Piers
Five Ships, Abandoned Piers

Five Ships, Abandoned Piers. San Francisco, California. June 13, 2013. © Copyright 2014 G Dan Mitchell – all rights reserved.

Five ships sit at anchor beyond abandoned piers, San Francisco Bay

This will likely be the final in this series of (mostly) black and white photographs featuring this dilapidated pier (piers, actually) along the San Francisco waterfront in the China Basin area. I’ve shared several others recently, but yesterday as I was preparing some prints for a meet-up with some fellow photographers in San Francisco, I took another look at this one and saw that it could work with a more panoramic format.

The ships parked on the horizon probably don’t suggest San Francisco to most people, but it is very common to see them moored out in the San Francisco Bay, where I imagine that they must “park” before or after being offloaded. Quite a few seem to be tankers of some sort. I’ve been intrigued by these ships for some time, and the linear arrangement of five of them on this morning, when fog and backlight made the hills on the other side of the Bay disappear, almost seems a bit mysterious. The piers are also fascinating. They have obviously been there for a long time and just as obviously have been allowed to deteriorate to the point that portions seem to have simply fallen into the water, and it looks like the Bay will ultimately reclaim all of them.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
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Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Walking Man, Columns

Walking Man, Columns
Walking Man, Columns

Walking Man, Columns. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A man walks between architectural columns, San Francisco

This is what I think of as a “compose and wait” shot, something I often do when shooting street photography. I find an interesting composition — here the series of columns, with shadows falling across them, and the mottled foreground light reflected from the windows of nearby downtown buildings — and then I wait for a person to walk into the frame and provide a center of visual interest.

This approach provides an interesting combination of intentional and carefully composed elements (the selection of overall subject and its composition) with elements that are almost completely out of my control — I have no idea who will walk into the frame, exactly where they will be, or what they will be doing. Things tend to happen very quickly, too. Obviously, I could not really track this subject into the frame, as he was behind these large columns, so I have to react quickly. In truth, when I work this way I often end up making quite a few exposures that just don’t quite work… but if I’m lucky it may all fall together in a single frame.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.

Concrete Landscape

Concrete Landscape
Concrete Landscape

Concrete Landscape. San Francisco, California. June 13, 2014. © Copyright 2014 G Dan Mitchell – all rights reserved.

A curving freeway ramp encircles a downtown building in the urban landscape of San Francisco

Another morning trip to San Francisco, another walk through the City, and another photograph of urban landscapes. This photograph is from a mid-June morning walk that started at the Caltrain station, headed over toward China Basin, and then ambled back toward Market Street before looping back to the trains station.

Several freeways cut through this section of downtown San Francisco: 101 on its north-south route, 280 arriving from the Peninsula, and 80 connecting to the East Bay. Here the freeway is high above the city, which has the advantage of keeping city streets open but the disadvantage of creating a large path of somewhat seeding “beneath the freeway” areas and sometimes forcing the city itself to conform to the contours and paths of the highways. In some cases the result can be interesting, and in this location where this strange landscape of vertical columns and nested curves is the result.

G Dan Mitchell is a California photographer and visual opportunist whose subjects include the Pacific coast, redwood forests, central California oak/grasslands, the Sierra Nevada, California deserts, urban landscapes, night photography, and more.
Blog | About | Flickr | Twitter | FacebookGoogle+ | 500px.com | LinkedIn | Email

Text, photographs, and other media are © Copyright G Dan Mitchell (or others when indicated) and are not in the public domain and may not be used on websites, blogs, or in other media without advance permission from G Dan Mitchell.