Tag Archives: vertical

Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Trees on Red Rock Cliff

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Trees on Red Rock Cliff
A vertical forest of trees ascends the face of red rock cliffs, Zion National Park.

Trees on Red Rock Cliff. © Copyright 2021 G Dan Mitchell – all rights reserved.

A vertical forest of trees ascends the face of red rock cliffs, Zion National Park.

There are scenes like this one in may locations in the Southwest — and anywhere there are steep rock cliffs, for that matter. (I photograph similar subjects in the Sierra Nevada.) I found this little “forest” working its way up a crack system high on the walls of Zion Canyon. Here and in similar places, I’m always amazed by the minimal requirements for supporting such big trees. They often are growing in little more than cracks in the rock, and to some extent the trees seem to almost create their own meager soil as their leaves and needles fall and degrade.

Not only are the trees remarkable for growing in such a difficult situation, but they provide a fascinating color contrast with the red sandstone walls in the Southwest. In canyons like this one, I usually prefer to photograph them during main daylight hours, while the trees themselves are in shadow but partially illuminated by light reflected from other canyon walls.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Architecture, Photographs: Northern California, Photographs: Structures and Objects

Industrial Building Windows

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Industrail Building Windows
Broken, graffiti-scarred windows and walls of an abandoned industrial building.

Industrial Building Windows. © Copyright 2021 G Dan Mitchell – all rights reserved.

Broken, graffiti-scarred windows and walls of an abandoned industrial building.

All around the San Francisco Bay Area — and, actually, up and down the west coasts — there are sites full of institutional buildings like this one. Some are on military bases, some are old public buildings, and this one is part of a historic ship yard on San Francisco Bay. I think I was sort of peripherally aware of this sort of architecture for decades, but it wasn’t until I started a long project photographing the old Mare Island Naval Ship Yard at night that I really began to notice.

Among these kinds of buildings, this is a young one. I don’t know the actual age, but it seems like a mid-Twentieth-Century building, perhaps from the World War II or post-war period? Now it is abandoned, in a mostly forgotten corner of a much larger facility. I was there to do night photography some years back, arriving early enough to photograph it in the last light before darkness came on.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Photographs: Nature, Photographs: The Southwest, Photographs: Utah

Canyon Wall and Reflections

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Canyon Wall and Reflections
A vertical canyon wall is reflected in the Utah canyon stream.

Canyon Wall and Reflections. © Copyright 2012 G Dan Mitchell – all rights reserved.

A vertical canyon wall is reflected in the Utah canyon stream.

A small group of photographers spent a couple days exploring this canyon, walking in from its wide mouth and soon being surrounded by tall sandstone cliffs and cut off from the outside world. On the first day it was quite cold and we faced the challenge of wind — which created some big challenges when photographing in the shadowed depths of the canyon. We had some success, but a few days later we decided to return and try for a day with less wind.

In this canyon I recognized a lesson that I suppose I already knew subconsciously. As we worked out way downstream we were balancing the distance we could travel against the amount of time we spend on each subject and calculating our necessary turn-around time if we were to exit the canyon in daylight. But it is hard to stop exploring such a place, and more that once we would round a bend, see another section of canyon come into view, and say, “just this one more section.” Then we’d reach the next bend, feel the need to explore it, catch a glimpse of what was around the next bend and, well, you get the idea. If I recall correctly, this was the final bend at which we realized that we had to reverse course. It was a lovely spot, extremely still and quiet, with the small stream flowing gently past the bottom of a very large and rugged cliff in deep shadows.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Photographs: Nature, Photographs: Sierra Nevada, Photographs: Yosemite

Detail, Granite Face

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Detail, Granite Face
Detail view of a section of a Yosemite Valley granite cliff face

Detail, Granite Face. © Copyright 2018 G Dan Mitchell – all rights reserved.

Detail view of a section of a Yosemite Valley granite cliff face

Yosemite, and especially Yosemite Valley, is famous for its “granite” (quotation marks for any geologists reading this post…) cliffs, towers, domes, slabs, and other formations. While we tend to think of this rock as being “gray,” the coloration varies quite a bit depending on the nature of the rock itself, the presence of lichens or plants, and on the light. Almost everywhere the expanses of granite are cut through by intrusions of different colored rocks. I don’t usually think of this particular face as being all that colorful, but on this morning the light somehow brought out the rust-colored tones on many sections of the rock.

I did just enough rock climbing many years ago to have developed memories of the sensations of such rock, from the cold and smooth slabs, to sharp edges of cracks, and rough surfaces (you hope!) on some friction routes. A close look at this section of cliff reveals an amazing variety of surfaces and irregularities. Perhaps most obvious is the large, curving vertical crack towards the left. The dark water stains are also striking, as is that rust colored rock. A closer look reveals other patterns, including a diagonal rising from left to right.

G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books and Amazon.
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