Tag Archives: wall

Utility Box Art, Arezzo

Utility Box Art, Arezzo
“Utility Box Art, Arezzo” — A take off on Magritte’s “The Man in the Bowler Hat” on a utily box in Arezzo, Italy.

This image was on, as best as I could tell, some kind of utility box near the entrance to a building in Arezzo, Italy. I recall first becoming aware of similar things in Florence a few years ago, where I saw (and also photographed) an image of composer Giuseppe Verdi. (Verdi wears goggles in that image, which is the signature of an artist known as “Blub.”) I like them quite a lot — for their combination of whimsy, references to great art in everyday circumstances, and how they disrupt what can be a somewhat plain visual environment.

This was not the only one we saw in the Arezzo. As we walked around the small central area o the town we saw others with a variety of different themes. (You can find many more images by the artist, Mauricio Rapiti, on social media and elsewhere.) In this case, it wasn’t just the image itself that caught my attention, but also the way it interacts with the lines of the wall on which it is placed.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Welcome to Oz

Welcome to Oz
“Welcome to Oz” — Street scene near Il Mago di Oz, and eccentric shop in the Italian town of Orvieto.

We’re back (figuratively) in the Italian hill town of Orvieto again for this photograph. The title comes from the sigh behind the white metal bench, and it refers to a nearby shop that I’ve shared in a previous photograph. The shop (“Il Mago di Oz”) is a strange and fantastical collection of, well, just about anything its proprietor thinks fits the theme.

Besides its connection to Land of Oz, the photograph includes features that are common on backstreets in Italian towns like this one. The building is weathered in an attractive way, it sits directly on the edge of the narrow street paved with stones, there are plants, and the light is softened in the shadows of buildings along the passageway.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links: Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Info.

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Autumn Tree, Brick Wall

Autumn Tree, Brick Wall
Brick wall and an autumn tree, The High Line, Manhattan.

Autumn Tree, Brick Wall. © Copyright 2023 G Dan Mitchell.

Brick wall and an autumn tree, The High Line, Manhattan.

Merry Christmas 2023! This is another photograph in the recent series from Manhattan’s High Line Park, where the subject of partially bare autumn trees juxtaposed with brick walls held my attention. We took a long walk on the High Line on a breezy November day, and we were impressed by the amount of fall color. In truth, there was almost as much as I find in some of the natural areas where I photograph.

One source of interest in these subjects for me is the contrast between the natural and less-than-linear structures of the trees and the backdrop of linear and regular patterns in the brick walls. In each of them I also worked with side-light that highlights the structure of the walls, and I selected trees with just a few remaining autumn leaves.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Autumn Leaves, Brick Wall #2

Autumn Leaves, Brick Wall #2
A nearly bare tree with autumn leaves and a brick wall, High Line Park, Manhattan.

Autumn Leaves, Brick Wall #2. © Copyright 2023 G Dan Mitchell.

A nearly bare tree with autumn leaves and a brick wall, High Line Park, Manhattan.

This photograph is another on the theme of end-of-autumn trees and brick walls — of course, in Manhattan. The previous photograph in this series featured a much starker contrast between the dark wall and three white tree trunks. This one is more subtle, with darker and thinner branches that don’t stand out as clearly. This tree has only a few remaining colorful leaves, and I suspect that they, too, were gone soon after I made the photograph.

We tend to think of Manhattan as a purely urban place — and that impression isn’t far off the mark in many ways. But there are bits of the natural world here and there, and sometimes I think that their scarcity and the contrast with the surrounding engineered world makes them more poignant. This photograph comes from our November walk along the High Line Park.


G Dan Mitchell is a California photographer and visual opportunist. His book, “California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra” is available from Heyday Books, Amazon, and directly from G Dan Mitchell.

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Links to Articles, Sales and Licensing, my Sierra Nevada Fall Color book, Contact Information.

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